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Go See – Berlin: Simon De Pury “PUREPURYGRAPHY” at Corner Berlin through December 31, 2009

Friday, November 13th, 2009

Paris – Lorna Simpson at Jeu de Paume Through September 1st, 2013

Tuesday, August 27th, 2013

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

New York – AO Auction Results: Phillips de Pury & Co. Contemporary Evening Sale, Thursday, November 15th, 2012

Friday, November 16th, 2012

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, May 2, 2012

Thursday, May 3rd, 2012

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See – London: Raymond Pettibon at Sadie Coles HQ through January 9, 2010

Thursday, December 31st, 2009

Go See – London: Per Kirkeby at the Tate Modern through September 6th 2009

Friday, July 17th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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