Search Results

New York — Jessica Stockholder: “The Guests All Crowded Into the Dining Room” at Mitchell-Innes and Nash Through October 1st, 2016

Friday, September 23rd, 2016

New York – Tom Wesselman at Mitchell-Innes and Nash Through May 28th, 2016

Tuesday, May 24th, 2016

New York – Eddie Martinez: “Salmon Eye” at Mitchell-Innes and Nash Through March 5th, 2016

Thursday, February 25th, 2016

New York – Joseph Beuys: “Multiples from The Reinhard Schlegel Collection” at Mitchell-Innes and Nash Through April 18th, 2015

Tuesday, March 24th, 2015

New York – Justine Kurland: “Sincere Auto Care” at Mitchell-Innes and Nash Through October 11th, 2014

Wednesday, October 1st, 2014

Mitchell-Innes and Nash to Represent Jay DeFeo Trust

Friday, April 26th, 2013

Don’t Miss-New York: Roy Lichtenstein “Reflected” at Mitchell-Innes and Nash through October 30, 2010

Friday, October 22nd, 2010

Mitchell-Innes and Nash

Wednesday, December 10th, 2008

New York – Eddie Martinez: “Love Letters” and “Yard Work” at Mitchell-Innes & Nash Through February 24th, 2018

Friday, January 19th, 2018

Amanda Ross-Ho: “My Pen Is Huge” at Mitchell-Innes & Nash Through October 14th, 2017

Thursday, October 12th, 2017

Go See – New York: Chris Martin and Joe Bradley at Mitchell-Innes & Nash through March 27, 2010

Saturday, March 20th, 2010

New York – General Idea: “Ziggurat” at Mitchell-Innes & Nash Through January 13th, 2018

Sunday, December 31st, 2017

Mitchell-Innes & Nash to Represent Estate of General Idea

Wednesday, June 14th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

New York – Anthony Caro: “First Drawings Last Sculptures” at Mitchell-Innes & Nash Through February 4th, 2017

Monday, January 23rd, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York — GCC: “Positive Pathways (+)” at Mitchell-Innes & Nash Through November 23rd, 2016

Saturday, November 19th, 2016

New York – Martha Rosler: “If You Can’t Afford to Live Here, mo-o-ove!!” at Mitchell-Innes & Nash Through July 9th, 2016

Thursday, July 7th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

Mary Kelly Now Represented by Mitchell-Innes & Nash

Tuesday, March 22nd, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

AO Fair Recap – Miami Beach: Art Basel Miami Beach and Miami Art Week, December 2nd – 6th, 2015

Tuesday, December 8th, 2015

New York – Nancy Graves at Mitchell-Innes & Nash Through March 7th, 2015

Thursday, March 5th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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