Archive for the 'Go See' Category
Exploring the origin and creation of life, Die Ungeborenen (“The Unborn”) is a new collection of canvases and sculptures by German artist Anselm Kiefer, currently on view at Galerie Thaddaeus Ropac’s new Pantin location in Paris.
Currently open in Rome, Galleria Lorcan O’Neill’s fourth presentation of Tracey Emin’s work is a mature, low-key, yet penetrating selection of the artist’s diverse practice, showcased in both of their spaces on Via Orti D’Aliberti. Emin has recently been appointed Commander of the Order of the British Empire (CBE), as well as a professor of drawing at the Royal Academy (RA) along with Fiona Rae, making them the first two women to be elected into the academy. Given her entrance into these exclusive circles as an official representative of British culture, the Italian location of this show offers an interesting reevaluation of Emin’s art.
On view at the Metropolitan Museum of Art through February 24, “Late Klee” presents a concentrated survey of the last fifteen years of Paul Klee’s life and career. The one-room exhibition consists largely of small-sized works on paper and cardboard, each representing a facet of the artist’s prolific oeuvre and wide-ranging interests. (more…)
Gateshead – Jim Shaw: “The Rinse Cycle” at the Baltic Centre for Contemporary Art through February 17, 2013Thursday, February 7th, 2013
The Baltic Centre in Gateshead is currently holding the first-ever retrospective of works by American Jim Shaw outside the United States. Including over one hundred works in a variety of media, from video and sculpture to paintings and installations, the show explores Shaw’s ongoing examination of American life, and his unique set of aesthetic signifiers at play throughout his career.
AO On Site – New York: Daniel Buren’s ”Electricity..Fabric..Paint..Vinyl” at Bortolami Gallery and Petzel Gallery Through February 16th,2013Monday, February 4th, 2013
This January, Daniel Buren presents his third solo exhibition across two New York gallery venues; his work will be showcased at the Bortolami Gallery at 520 West Street and Petzel Gallery at 537 West 22nd Street. The galleries will simultaneously exhibit works from the series Electricity, Paper, Vinyl – WORKS IN SITU & SITUATED WORKS. Bortolami is showing Buren’s recent works from 2012, while pieces from 1968 – 2012 will be on view at Petzel through February 16th.
Cyprien Gaillard, Artefacts (2011), via MoMA PS1
Over the past several years, French artist Cyprien Gaillard has created a body of work that negotiates the complex spatio-political, geographical and cultural maps of contemporary culture. Continuously revisiting themes of decay, flux, erosion and conflict, his work picks through the saturated visual landscape of modernity, and exposes the interlocking mechanisms of destruction and creation at work, as well as the grey area between these polar states. (more…)
Currently on display at David Zwirner’s London Gallery is a matrix of acrylic yarn evoking an eerie experience that heightens the spectator’s spatial awareness. Across the gallery, colored and blackened fibre is stretched into 3D geometrical forms that carry an uncanny resemblance to a two-dimensional line drawing in mid air. The viewer is literally immersed into the surreal world of Fred Sandback as he challenges our perceptions of dimension and reality.
A pioneering force in post-war American art, Sol LeWitt’s geometric explorations of space, image and meaning was foundational in the development of both the conceptual and minimalist schools of artistic practice. Perhaps most famous for his “wall drawings,” the artist also explored a range of paper and sculptural techniques over the course of his career.
Walking into Air de Pied-à-terre, the newest show on display at artist Lisa Cooley’s gallery, one is reminded of an otherworldly hotel lobby. With the help of fellow artist and curator Alan Reid, Cooley has created an “Air de-Pied-à-Terre” (an alternative living space, located away from one’s home). The gallery has numerous articles that evoke a nostalgic atmosphere within the show – mobiles that dance around the room, paintings that mimic children’s creations, and homely looking text juxtaposed against more classical looking portraiture. The entirety of the show is punctuated by stereotypically domestic constituents such as chairs and potted plants that engulf the viewer and invite them to make themselves at home. (more…)
At 511 West 18th Street, in the 24,700 square feet that formerly housed the roller disco known as “The Roxy,” Hauser & Wirth have found their second home in New York. Maintaining their other location on the Upper East Side, the expansion to Chelsea is their fifth location worldwide, and celebrates an important landmark: the gallery’s twentieth anniversary. A hefty book of over 1,000 pages, edited by Hatje Cantz, accompanies the event: Hauser & Wirth 20 Years. The exhibition inaugurating the space could not be more fitting: a father-and-son collaboration which took place over that same twenty year period: Dieter and Björn Roth.
Artist Dieter Roth smokes a cigarette in Roth New York Bar.
Paris’s iconic Colette concept store is currently exhibiting new photographic works from artist Maxwell Snow, brother of the late Dash Snow. Monochromatic images feature French actress Rebecca Dayan and model Arizona Muse in a homage to 19th century Romanticism, fittingly titled after Lord Alfred Tennyson’s poem “The Lady of Shalott”. (more…)
With a consistency that can almost be regarded as mechanical, 2013 marks another show by Belgian painter Luc Tuymans at David Zwirner in New York. Since joining the gallery in 1994, the Belgian painter has held solo exhibitions in the gallery every two years, and is currently presenting a new series of thematically interwoven works that expound on his sparsely colored, figurative approach, titled The Summer is Over.
Black Cake at Team Gallery is a multi-generational group exhibition curated by Alex Gartenfeld, the young critic and curator whose former West Street Gallery project space was a notable new addition to the downtown art scene before it closed last summer. The exhibition takes its point of departure from the Gaelic spring ritual of Beltane (by way of scholar Roberto Calasso’s account in his 1994 book The Ruin of Kasch), during which a cake would be prepared and divided among members of a tribe. One piece would be covered in ash (hence the name “black cake”), and whomever chose this piece would be pushed into the Beltane bonfire, becoming a sacrificial casualty of the fertility holiday. The exhibition presents the diverse aesthetic iterations of “sweetness” and social identity in contemporary art, notions addressed dynamically across a variety of media through the works on view.
For the first time in seven years, painter Francesco Clemente is having a show in London, titled “Mandala for Crusoe,” at Blain|Southern’s recently opened Hanover Square location. Born in Italy, Clemente divides his time between New York and Varanasi, a city on the banks of the Ganges River in northern India, and the works in this exhibition reflect this diverse international influence.
AO Interview – Peter Burr before his “Special Effect” performance at The Museum of the Moving Image tomorrow, Friday, January 18th at 7PMThursday, January 17th, 2013
Over the course of his career, video artist Peter Burr has worn many hats; founding avant-garde animation label Cartune Xprez, playing and animating for the performance art duo Hooliganship, and working on a variety of video projects and installations around the globe. His newest work, titled Special Effect, will hold its U.S. premiere at the Museum of Moving Image on Friday, January 18th. Taking the eerie, haunting film Stalker by Russian filmmaker Andrei Tarkovsky as its jumping off point, the show is a multifaceted media presentation, incorporating music, live performance, projection, body mapping, and a selection of videos from contributors across the new media landscape.
Art Observed had the opportunity to speak with Burr about the show, his take on Stalker, and his approach to creating this ambitious work.
AO On Site: New York – Opening of Andy Kaufman “On Creating Reality” At Maccarone Gallery, Through February 16,2013Wednesday, January 16th, 2013
Revered for his vast wealth of original material and unique approach to performance, comedian and performance artist Andy Kaufman left an enduring legacy that challenged and transcended conventional assumptions of genre and presentation. Frequently characterized as a comedian or “personality,” Kaufman’s work on television and in live performance frequently confounded and amazed his audience, and positioning him as a pioneer of new media performance and relational aesthetics. His work in the 1970’s and 80’s before his death in 1984 included turns as an Elvis impersonator, “The Intergender Wrestling Champion of the World,” and even a foul-mouthed lounge singer named Tony Clifton. (more…)
AO On-Site Interview – David Shrigley at the Opening of “Signs” – January 10th, 2013 at Anton Kern GallerySaturday, January 12th, 2013
Blending the mundane and the morbid with a healthy sense of humor and cultural subversion, David Shrigley has been producing his particular blend of cartoonish satire for over 20 years. Trained as a sculptor, the artist has also produced a trove of ink drawings, animations and other projects that showcase his brand of wit and empathy, exploring neurosis, mortality, absurdity and even the art world itself. (more…)
Sol LeWitt, Wall Drawing #467. All images courtesy Galerie Marian Goodman.
Galerie Marian Goodman in Paris is hosting an exhibition of Sol LeWitt’s wall drawings and other work, through January 26th. LeWitt, credited as the father of conceptual minimalism, has been widely exhibited internationally since 1965. The work of this American-born artist encompasses a variety of mediums and styles. Pyramides is a series of wall drawings conceived between the years of 1985-1994. Four floor-to ceiling geometric shapes etched directly onto the walls of the gallery represent some of LeWitt’s most recognizable and iconic work.
Over the course of his lifetime, Swiss painter Ferdinand Hodler moved among a variety of subjects and approaches, from audacious works of symbolism, to sweeping landscapes, to a vigorous body of portraiture. This expansive oeuvre is currently on view at New York City’s Neue Gallery in “View to Infinity,” showcasing the diversity and unique perspectives running through Hodler’s work. The show is presented in conjunction with the Fondation Beyeler, Basel, where it will show from January 27 to May 26, 2013
Visceral and dynamic, the canvases of American graffiti artist and painter Barnaby Furnas ripple with a kinetic energy. Filling his paintings with evocative imagery, explosive movement and the near-omnipresent splatters of blood that has become one of his calling cards, Furnas has culled a reputation for his unique take on culture and history.
New York – Ann Hamilton “the event of a thread” at The Park Avenue Armory, through January 6th, 2013Thursday, January 3rd, 2013
American artist Ann Hamilton is widely recognized for her large-scale immersive multimedia installations, touching upon themes of collective consciousness, space and labor. Her current installation, “the event of a thread” commissioned by and on view at The Park Avenue Armory in New York, does not fall short. (more…)
Two exhibitions will celebrate the seminal Armory Show of 1913 this year, “The New Spirit: American Art in the Armory Show, 1913″, which opens at the Montclair Art Museum in New Jersey on the exact day of the centennial anniversary; and “The Armory Show at 100″, at the New York Historical Society in the fall. The original show, organized by Walt Kuhn and Arthur B. Davies, was so shocking to American audiences that “…in Chicago, art students felt so threatened that they burned Brancusi and Matisse in effigy, a scene that a German expressionist might have done justice to – except that there was no German expressionism in the show.” (more…)
On view through January 6th at Kunstsammlung Nordrhein-Westfalen, Düsseldorf is a survey of Gillian Wearing’s film and photographs. The 1997 Turner Prize recipient’s work explores the relationship between one’s public and private personas, and the difference between reality and fiction.