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Spanish Court Rules Against Dalí Foundation Protection of Artist’s Image

Thursday, June 30th, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

Charges Against Russian Performance Artist Changed to Attack on “Cultural Site”

Thursday, March 31st, 2016

Mexico City — “xylañynu. taller de los viernes.” Gabriel Orozco, Abraham Cruzvillegas, Damián Ortega, Gabriel Kuri and Dr. Lakra at Kurimanzutto Through March 17th, 2016

Saturday, March 19th, 2016

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

Harvard Allowing Students to Rent Prints from Collection

Friday, September 25th, 2015

Anish Kapoor Covers Versailles Graffiti in Gold Leaf

Friday, September 25th, 2015

Shepard Fairey Work Causes Concerns for Detroit Building Owner

Thursday, September 24th, 2015

Court Orders Anish Kapoor to Repair Defaced Versailles Work

Monday, September 21st, 2015

Anish Kapoor Sculpture Defaced Again at Versailles, Artist Considers Leaving Work Defaced

Wednesday, September 9th, 2015

New York: Jean-Michel Basquiat: “The Unknown Notebooks” at The Brooklyn Museum Through August 23rd, 2015

Sunday, August 16th, 2015

Shepard Fairey Arrested in Los Angeles

Friday, July 10th, 2015

Damien Hirst Installs Large-Scale Sculpture Outside London’s Gherkin Tower

Monday, July 6th, 2015

Versailles – Anish Kapoor at Versailles Palace Through November 1st, 2015

Friday, July 3rd, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

New York – Piotr Uklanski: “Fatal Attraction” at The Met Through August 16th, 2015

Friday, April 24th, 2015

Works Seized in Brazil’s Petrobas Investigation Donated to Oscar Niemeyer Museum

Wednesday, April 1st, 2015

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Evening Sales, February 3rd, 2015

Tuesday, February 3rd, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

Yayoi Kusama Interviewed in The Telegraph

Monday, September 1st, 2014

Washington, D.C. – Jeremy Deller: “English Magic” at The Hirshhorn Through August 31st, 2014

Saturday, August 30th, 2014

Jeff Koons Talks With Charlie Rose

Wednesday, July 30th, 2014

London – Jenny Saville: “Oxyrhynchus” at Gagosian Gallery, through July 26th 2014

Saturday, July 26th, 2014

A Matisse Returns to Venezuela Ten Years After Theft

Tuesday, July 8th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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