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Mexico City — “xylañynu. taller de los viernes.” Gabriel Orozco, Abraham Cruzvillegas, Damián Ortega, Gabriel Kuri and Dr. Lakra at Kurimanzutto Through March 17th, 2016

Saturday, March 19th, 2016

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

Harvard Allowing Students to Rent Prints from Collection

Friday, September 25th, 2015

Anish Kapoor Covers Versailles Graffiti in Gold Leaf

Friday, September 25th, 2015

Shepard Fairey Work Causes Concerns for Detroit Building Owner

Thursday, September 24th, 2015

Court Orders Anish Kapoor to Repair Defaced Versailles Work

Monday, September 21st, 2015

Anish Kapoor Sculpture Defaced Again at Versailles, Artist Considers Leaving Work Defaced

Wednesday, September 9th, 2015

New York: Jean-Michel Basquiat: “The Unknown Notebooks” at The Brooklyn Museum Through August 23rd, 2015

Sunday, August 16th, 2015

Shepard Fairey Arrested in Los Angeles

Friday, July 10th, 2015

Damien Hirst Installs Large-Scale Sculpture Outside London’s Gherkin Tower

Monday, July 6th, 2015

Versailles – Anish Kapoor at Versailles Palace Through November 1st, 2015

Friday, July 3rd, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

New York – Piotr Uklanski: “Fatal Attraction” at The Met Through August 16th, 2015

Friday, April 24th, 2015

Works Seized in Brazil’s Petrobas Investigation Donated to Oscar Niemeyer Museum

Wednesday, April 1st, 2015

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Evening Sales, February 3rd, 2015

Tuesday, February 3rd, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

Yayoi Kusama Interviewed in The Telegraph

Monday, September 1st, 2014

Washington, D.C. – Jeremy Deller: “English Magic” at The Hirshhorn Through August 31st, 2014

Saturday, August 30th, 2014

Jeff Koons Talks With Charlie Rose

Wednesday, July 30th, 2014

London – Jenny Saville: “Oxyrhynchus” at Gagosian Gallery, through July 26th 2014

Saturday, July 26th, 2014

A Matisse Returns to Venezuela Ten Years After Theft

Tuesday, July 8th, 2014

New York – Lee Bul at Lehmann Maupin, through June 21st 2014

Thursday, June 19th, 2014

Rothko Vandal Publishes Op-Ed in The Guardian Apologizing, Restating his Principles

Friday, May 16th, 2014

AO Auction Preview – New York: Impressionist and Modern Art Evening Sales, May 6th-7th, 2014

Monday, May 5th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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