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AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

Go See – Berlin: John Baldessari’s ‘Double Feature’ at Sprueth Magers through October 29, 2011

Saturday, October 15th, 2011

Deceased Artists

Thursday, July 7th, 2011

AO Auction Results – London: Sotheby’s Impressionist & Modern Evening Sale Realizes $157M for 32 Lots Sold; Record Set with $40M Schiele

Wednesday, June 22nd, 2011

Go See – New York: Arp/Brancusi Show at Mitchell-Innes & Nash Gallery through May 6th, 2011

Thursday, April 14th, 2011

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO On Site – Stockholm: Dali Dali featuring Francesco Vezzoli at the Moderna Museet through January 17th 2010

Monday, January 11th, 2010

Go See – Berlin: The Pietzch Art Collection on Display at the Neue Nationalgalerie through November 22, 2009.

Saturday, July 18th, 2009

New York – “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937″ at the Neue Galerie Through September 1st, 2014

Saturday, August 9th, 2014

London – Donald Judd at David Zwirner Grafton Street Through September 19th, 2013

Wednesday, July 31st, 2013

New York – “German Expressionism 1900-1930: Masterpieces from the Neue Galerie Collection” at The Neue Galerie, Through April 22nd, 2013

Sunday, April 21st, 2013

Berlin Museums Face Difficulties in Accepting Gift of Private Collection Valued at €150 million Due to Lack of Space

Tuesday, December 11th, 2012

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Creative Time Announces Lineup for Eleventh Annual Creative Time Summit

July 17th, 2018

Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory 52Creative Time has announced the lineup for the eleventh edition of the Creative Time Summit, which will set up shop in Miami this year from November 1-3.  “Fifty years after the upheavals of 1968, we continue to grapple with a host of pressing issues, from the ongoing legacies of colonialism to climate change and xenophobia,” says Creative Time executive director Justine Ludwig.  “There’s no better place for this conversation than Miami, a home to so many incredible artists, activists, and thinkers. We couldn’t be prouder to host the summit here, or of the participants and the invaluable insights they’ll be bringing to bear on some of the most critical issues of our time.”
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New York Museums to Grant Free Admission for Library Card Holders

July 17th, 2018

Guggenheim, via NYTA new initiative by New York’s library systems will grant free access to a range of NYC institutions with a library card, the New York Times reports. “Some people are intimidated by museums,” says Linda Johnson, president of the Brooklyn Public Library, said in a phone interview. “They shouldn’t be shut out of all the wonderful cultural offerings that are available to New York City dwellers.”
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Liberté Nuti Joins Hauser & Wirth as Senior Director of Impressionist & Modern Art

July 17th, 2018

Liberte Nuti, via Hauser and WirthLiberté Nuti has joined Hauser & Wirth as International Senior Director of Impressionist & Modern Art, leaving her former post as International Director of Impressionist & Modern at Christie’s. “We are thrilled to welcome Liberté Nuti as a Senior Director in London,” Iwan Wirth says. “We look forward to this next chapter in Hauser & Wirth’s evolution as the gallery’s secondary market activity comes into sharper focus.”
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