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AO Auction Previews – London: Surrealist, Impressionist and Modern Art Evening Sales, February 28th – March 1st, 2017

Thursday, February 23rd, 2017

Thief in Paris Theft Case Claims He Threw Away €100 Million in Art

Tuesday, January 31st, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, June 22nd, 2016

Wednesday, June 22nd, 2016

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016

AO Auction Preview – London: Summer Auctions, June 21st-29th, 2016

Monday, June 20th, 2016

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 12th, 2016

Friday, May 13th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

Geneva Freeport Sees Tighter Scrutiny and Reforms

Saturday, April 30th, 2016

New York Times Summarizes Impact of Panama Papers on Art World

Tuesday, April 12th, 2016

Cooling Contemporary Market Doesn’t Stop Surge in Modern Sales, Art Newspaper Notes

Thursday, January 28th, 2016

AO Auction Results – New York: Christie’s “The Artist’s Muse” Curated Sale, November 9th, 2015

Tuesday, November 10th, 2015

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 14th, 2015

Thursday, May 14th, 2015

Inside the Increased Trend Towards Deaccessioning Museum Collections

Thursday, April 9th, 2015

Collection of Late Goldman Sachs Chairman on Sale at Christie’s in New York This May

Thursday, March 19th, 2015

NY Post Details Sales Leading to Arrest of Yves Bouvier

Thursday, March 19th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

Marc Restellini to Open Singapore Location of his Pinacothèque Museum

Monday, January 26th, 2015

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Art Evening Sale, November 4th, 2014

Wednesday, November 5th, 2014

New York – Impressionist and Modern Art Evening Sales, November 4th and 5th, 2014

Monday, November 3rd, 2014

Paris Steps Into New Role in International Art Market

Sunday, December 29th, 2013

AO – Auction Results: Christie’s Impressionist & Modern Art Evening Sale, November 5, 2013

Wednesday, November 6th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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