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New York – “Soundings: A Contemporary Score” at MoMA Through November 3rd, 2013

Saturday, August 31st, 2013

Berlin – Hilma af Klint: “A Pioneer of Abstraction” at Hamburger Bahnhof Through October 6th 2013

Friday, August 2nd, 2013

AO Onsite – “Devil’s Heaven,” The 2013 Watermill Center Summer Benefit

Wednesday, July 31st, 2013

Japanese Study Finds Mice Attentive to Art

Friday, July 5th, 2013

AO Auction Results – Modern and Impressionist Evening Auctions in London, June 18th-19th, 2013

Friday, June 21st, 2013

London – Alexander Calder: “Calder After the War” at Pace Gallery, through June 7th 2013

Thursday, June 6th, 2013

AO Newslink

Friday, September 28th, 2012

AO Newslink

Tuesday, September 25th, 2012

AO Newslink

Friday, September 21st, 2012

AO On Site – New York: François Morellet & Gerhard von Graevenitz “Moving Spirits” at Sperone Westwater through July 27, 2012

Sunday, July 8th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Gabriel Orozco’s ‘Art Basel Conversations’ Annual Panel Discussion Series, December 1, 2011

Saturday, December 3rd, 2011

Deceased Artists

Thursday, July 7th, 2011

Go See – Basel: Beatriz Milhazes at the Fondation Beyeler through May 15th 2011

Tuesday, May 10th, 2011

Go See- New York: John Baldessari “Pure Beauty” at the Metropolitan Museum of Art through January 9, 2011

Monday, November 1st, 2010

Don’t Miss – New York: Alexander Calder at Gagosian Gallery, West 21st Street, through April 10 2010

Tuesday, April 6th, 2010

AO On Site Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 3, 2009

Wednesday, November 4th, 2009

AO Auction Preview – New York: The Fall Modern and Impressionist Auctions Begin Tonight at Christie’s

Tuesday, November 3rd, 2009

AO On Site; FIAC Round-Up: many reserves, not many sales made on “modern masterworks” and Saadane Afif announced as winner The Marcel Duchamp Prize

Monday, October 26th, 2009

AO Auction Results: Picasso and Giacometti fail to sell at Sotheby’s Impressionist and Modern Art Evening Sale

Wednesday, May 6th, 2009

£240 Million Christie's Paris Yves Saint Laurent auction has begun

Monday, February 23rd, 2009

Go See: Alexander Calder: The Paris Years 1926-1933 at Whitney Museum of American Art through Feb. 15

Monday, November 3rd, 2008

Go See – Rome: ‘Alexander Calder’ at Palazzo delle Esposizioni through February 14, 2010

Tuesday, December 15th, 2009

Columbia University MFA Show: Growing Pains

Thursday, May 10th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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