Roni Horn, Gold Field (1980-82), via Sophie Kitching for Art Observed

Taking over the Punta Della Dogana for the dizzying months of the Biennale is Slip of the Tongue, a Danh Vo curated exhibition in collaboration with Palazzo Grassi and The Pinault Collection.  Slip of the Tongue features the work of 35 artists, including pieces from Felix Gonzalez- Torres, Andres Serrano, David Hammons, Sigmar Polke, David Wojnarowicz and the curator himself.  Working in conjunction with a large number of artists, the artist-run show is a first for the exhibition space. (more…)

The retrospective of Vienna Actionist Hermann Nitsch’s work, previously pulled from Mexico City’ s Museo Jumex this past year, has found a new home at Palermo’s Museo Zac.  “Everybody who knows me, knows that I am an animal protector,” says Nitsch, responding to accusations of animal cruelty that some feel were responsible for closing the show.  “From my point of view, factory farming is the biggest crime in our society.”   (more…)

The court case over the Peggy Guggenheim Collection in Venice has begun, a lawsuit by the collector’s grandson to prevent the Guggenheim Foundation from showing any works not in the collection within the museum space, “alleging it breaks with the original arrangement that Peggy wanted and which should be respected after her death,” according to plaintiff Sandro Rumney. (more…)

Santa Maria della Misericordia church converted in THE MOSQUE: The First Mosque in the Historic City of Venice (2015) by Christoph Büchel, all photos by Sophie Kitching for Art Observed

Historically, there have been no mosques in the city of Venice.  Despite the port city’s history as an open gateway to the East and a point of trade that facilitated new cultural, artistic and scientific developments to spread across Europe from trade with the Ottoman Empire and beyond, the city has never permitted the construction or reconstitution of a site of worship for its Muslim population.  Today, in the heated political climate that surrounds international conflicts, not to mention the recent Italian (and, at large, European) controversy regarding immigration from Syria, Lebanon and other regions in North Africa and the Middle East, the prospects for a dedicated Islamic worship site seems even less likely.  For the time being, however, the Venice Biennale has changed this scenario, as the Swiss-born, Iceland-based artist Christoph Büchel opened his frankly-titled installation THE MOSQUE: The First Mosque in the Historic City of Venice this month. (more…)

Céleste Boursier-Mougenot, Rêvolutions (2015), French Pavilion, via Sophie Kitching for Art Observed

Running concurrently with the Central Pavilion’s curated exhibition, the respective National Pavilions on view at the Giardini and Arsenale are one of Venice’s defining aspects.  Featuring important solo exhibitions for both emerging and career artists, carefully-curated group shows and special projects, each pavilion’s focus allows the international perspective of the Biennale to truly take shape. (more…)

At the entrance to the Biennale’s Central Pavilion, via Sophie Kitching for Art Observed

The Central Pavilion in Venice’s Giardini is the second site for All the World’s Futures, the main curatorial project around which the Biennale centers itself.  Featuring another series of artists spread out inside the exhibition space’s remarkable white facade, the exhibition continues its investigation of debris and late capitalism through a more playful, yet equally critical set of works from its counterpart at the Arsenale. (more…)

Peter Doig, Rain in the Port of Spain (White Oak) (2015), all photos by Sophie Kitching for Art Observed

Venetian Ettore Tito was one of the first stars of the Venice Biennale at its inception, presenting his work in almost every one of the early exhibitions through at 1920.  The artist’s colorful compositions often tinged with a slightly surreal, impressionist edge, were a prize of the Italian state in the early decades of the twentieth century, and often filled rooms during the first exhibitions in the city.

It’s a fitting parallel then, that the Scottish-born Peter Doig would be tapped for an exhibit at the former home of the artist, and current location of the Fondazione Bevilacqua La Masa.  Presenting a body of new works, including fourteen paintings and an additional six large-scale canvases, the exhibition’s intimate locale and rich history offers a strong parallel for Doig’s own interpretive and illusory meditations on modernity, memory and fantasy.

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Jenny Holzer, I was called (2013), via Art Observed

Running in conjunction with the events of the Biennale, and fittingly tying itself to themes of political action and structural instability, Venice’s Museo Correr is opening a new exhibition of works by the artist Jenny Holzer, focusing on the artist’s recent explorations into the aesthetic underpinnings of U.S. interrogation policy, declassified military and governmental documents, and other visual devices of the political war machine.  Titled War Paintings, the exhibition is a welcome examination of the artist’s most recent body of work, a stark departure from previous practice that still feels appropriate in the context of her career. (more…)

Cy Twombly, Paesaggio (1986), via Sophie Kitching for Art Observed

Undeniably one the greatest artists of 20th century, Cy Twombly‘s work is currently on display at the Ca’ Pesaro International Gallery in Venice, offering an in-depth look at the American artist, and his long residence in Italy.  Combining work from Twombly’s last series produced in 2011, an early painting on wood from 1951, and sculptural work from late in his career, this show delivers on its promise of a look at the artist’s career, while avoiding the demands of an exhaustive survey of his practice.  (more…)

Ibrahim Mahama, Out of Bounds (2015), via Sophie Kitching for Art Observed

The first open hours have come and gone in the City of Bridges today, and the 56th edition of the Venice Biennale, All the World’s Futures is now open.  Welcoming 89 different countries to exhibit in the city, with 29 in the Arsenale, 31 in the Central Pavilion, and an additional 29 spread across in the City itself, the exhibition is a monumental affair, with a number of auxiliary events, openings and parties.

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The Venice Biennale, via Art Observed

As May begins, the city of Venice is preparing for the the 56th edition of the Biennale, set to open doors to press this week.  With the sheer scale of events, openings and exhibitions set to open this coming Wednesday through Saturday, the art world will turn its attention to the City of Bridges in earnest. (more…)

Antony Gormley has unveiled a new sculptural installation in Florence, featuring more than 100 of the artist’s sculptures arranged in various patterns and lines around the historic Forte di Belvedere.  “They reflect the shadow side of any idea of human progress, confronting the viewer with an image redolent of the conflict of the past century,” Gormley says. (more…)

The Golden Lion for Lifetime Achievement at this year’s Venice Biennale will go to Ghanian artist El Anatsui.  “The Golden Lion Award acknowledges not just his recent successes internationally, but also his artistic influence amongst two generations of artists working in West Africa,” says Biennale Director Paolo Baratta. “It is also an acknowledgment of the sustained, crucial work he has done as an artist, mentor and teacher for the past forty-five years.” (more…)

Christo has announced a new project aiming to create long immense, yellow fabric walkways spanning Lake Iseo in Lombardy, Italy.  The work will be the artist’s largest since his 2005 piece in New York’s Central Park, and the first since the death of his wife Jeanne-Claude. (more…)

The New York Times profiles Prada Foundation’s new Milan arts complex, designed by Rem Koolhaas and serving as the arts foundation’s permanent location.  “After more than 20 years of staging exhibitions around the world, my husband said he thought it was about time we do something permanent in Milan,” Miuccia Prada says. (more…)

Giuseppe Penone, Earth on Earth – Face (2014), via Marian Goodman

The New York outpost of Marian Goodman Gallery is currently presenting an exhibition of new works by Italian artist Giuseppe Penone, continuing the artist’s practice of casting living trees in order to reposition his subject’s relationship to the natural world.  The exhibition, curated by Dieter Schwarz, director of the Kunstmuseum Winterthur in Switzerland, also culls a series of historically resonant works from the artist’s early career, extending a natural progression throughout the last 40 years of the artist’s practice. (more…)

Rudolf Stingel, (Installation View), all images courtesy Gagosian Hong Kong

On view at Gagosian Hong Kong is an exhibition of recent paintings by Rudolf Stingel, representing the Italian artist’s first major exhibition of work in Asia. Exploring the nature of memory and the relationship between artwork and artist, Stingel continues expanding the vocabulary of painting with this series of work.

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The artist roster for the 2015 edition of the Venice Biennale has been announced, featuring a diverse group of artists selected by curator Okwui Enwezor, and featuring Marlene Dumas, Theaster Gates, e-Flux Magazine, and and many others , as well as a special theatrical performance directed by Kara Walker, and a marathon reading of all three volumes of Marx’s Das Kapital.  “Here, Das Kapital will serve as a kind of Oratorio that will be continuously read live, throughout the exhibition’s seven months’ duration,” the curator says. (more…)

Francesco Vezzoli, Teatro Romano, all images courtesy MoMA PS1

On view at MoMA PS1 in New York is an exhibition of 5 new works by Francesco Vezzoli – ancient Roman busts painted in the manner in which they were probably originally decorated. Entitled Teatro Romano,” the exhibition, which saw delays after a church Vezzoli had intended to export to the country was blocked by customs, will continue through March 9th, 2015.

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For the first time, Italy has launched an international search for directors to some of its most important museums, among them the Uffizi in Florence, the Galleria Borghese in Rome and the Accademia in Venice.  The move is seen as an attempt for major Italian institutions to get closer in line to international counterparts like The Louvre.  “It’s a giant leap ahead,” Dario Franceschini, Italy’s culture minister.  “Italian museums should be more dynamic. They should have more bookshops, more restaurants. They should be attractive and have more multimedia.” (more…)

The Gallerie dell’Accademia in Venice has announced an expansion plan that will double the institution’s exhibition space to 10,000 sq. meters by April of next year, just in time for the 2015 Biennale.  The project was made possible by a grant from Samsung and US non-profit Venetian Heritage, and marks “the conclusion of a project that has been close to our hearts for a long time, after a restoration that has lasted more than ten years,” says Giovanna Damiani, head of the Venetian museums authority. “We hope it is the beginning of a long collaboration.”  (more…)

The Art Newspaper reports that the European art exhibition Manifesta is in the final stages of negotiations in securing the Italian city of Palermo as the location for its 2018 edition.  The exhibition will aim to look at “how artistic practices and interventions can play a role in improving the social cohesion of this remarkable city,” says Manifesta director Hedwig Fijen. (more…)

The Financial Times speaks with Maurizio Cattelan this week, as the artist prepares to open an exhibition he curated in Turin.  “From my point of view, humor and irony include tragedy, they’re two sides of the same coin. Laughter is a Trojan horse to enter into direct contact with the unconscious, strike the imagination and trigger visceral reactions,” Cattelan says.  “If the humor of certain works was enough to pull anger, fear and amazement out of everyone, the psychoanalysts would be in disgrace . . . shame is not enough!” (more…)

A recent article by the New York Times cites the newest trend among today’s ultra-rich art collectors is the founding of their own boutique museums to house their collection, tracing the trend back to François Pinault’s purchase of the Palazzo Grassi in Venice in 2006.  Other museums covered include Bernard Arnault’s Fondation Luis Vuitton, and Eli Broad’s Los Angeles museum currently under construction. (more…)