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The Museum of Contemporary Art in Los Angeles. Via MOCA
Ending a week of speculation, Jeffrey Deitch has been named the new director of the Museum of Contemporary Art in LA– becoming the only art dealer and commercial gallery owner to take on the leadership of a major American museum. The decision marks a kind of turning point from the more traditional approach whereby museums draw their directors from pools of established curators or academics. Deitch stated this afternoon that “(…) it’s my goal to position MOCA as the most innovative and influential contemporary art museum in the world. I am excited by the opportunity to play a role in making MOCA and Los Angeles the leading contemporary art destination.” Founded in 1979, MOCA occupies two buildings in downtown LA and is renown for its collection which includes around 6,000 pieces of international artwork produced in the past 70 years. Jeffrey Deitch, 57, founded his own gallery, Deitch Projects LLC, in 1996 and operates from three different spaces–two in Soho and one in Long Island City. Known for having experimental projects and programs in his galleries–sometimes crossing over into music, theater and other disciplines– Dietch started his career as a Citi Group Vice President, where he developed an art advisory and art financing business. “He will cease to be involved with any commercial activity by June 1st,” MOCA’s Director of Communications, Lyn Winter, has stated (Bloomberg).
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Jeffrey Deitch, the new director of MOCA. Via LATimes
A valuable pastel by the 19th century Impressionist painter, Edgar Degas (b. Paris, 1834; d. 1917) was discovered missing from the Cantini Museum in Marseille, France, Thursday, December 31. The stolen piece, Les Choristes (also referred to as Les Figurants), measures 27cm by 32cm, and was on loan from the Musée d’Orsay, Paris for an exhibition showcasing twenty Degas works portraying a common theatre theme. It depicts a line of male choir singers preparing for a stage performance. While a museum guard was arrested on Friday in connection with the overnight heist, further investigation is pending and the suspect has been subsequently released. Authorities are continuing to examine CCTV footage in order to ascertain whether or not museum insiders or intruders can be blamed for the theft. Jacques Dallest, a prosecutor leading the case, reports no apparent signs of a break-in and that the pastel appears to have been unscrewed from the wall. Rumors of the work’s value were circulating at upwards of $30 million. However, authorities have since corrected this lofty estimation to assert the pastel’s actual value at £800,000 or $1.14 million.
More text, images and related links after the jump…
Posted in Art News | Comments Off on Art Theft News Roundup: Degas Pastel Discovered Stolen on New Year’s Eve from the Cantini Museum in Marseilles, France
Tall Figure II and Tall Figure III both 1960 Alberto Giacometti. All images via MoCA
To celebrate their 30th Anniversary, the Museum of Contemporary Art, Los Angeles (MoCA) are exhibiting ‘Collection: MoCA’s First Thirty Years‘ – an exhibition comprising of more than 500 artworks by more than 200 artists, it is the largest ever installation of works from MoCA’s permanent collection. This comprehensive survey of the past 70 years of contemporary art history fills both of MoCA’s downtown L.A. locations – MoCA Grand Avenue and The Greffen Contemporary.
Curators Francesco Bonami and Gary Carrion-Murayari announce the artist list for the Whitney Biennial, 2010 – video by Pierce Jackson via Whitney.org
Today the Whitney Museum of American Art announced the list of fifty-five artists who will participate in the upcoming Whitney Biennial, 2010, which is to take over the Museum from February 25 through May 30 2010. The Biennial is the Whitney’s signature panoramic survey of the latest in American art that blends well established artists together with a predominance of emerging artists from all over the country. This is the 75th in the ongoing series of Biennials and Annuals presented by the Whitney since 1932. Traditionally the Whitney Biennial seeks to reflect the way in which art is shaped by the particular historical moment in which it was created and so in 2010 the curators, Francesco Bonami and Gary Carrion-Murayari, have told us to expect works reflecting diverse responses to the anxiety and optimism of the past two years.
More text, related links and a full list of participating artists after the jump…..
Installation view of Liam Gillick: Three Perspectives and a Short Scenario at the Museum of Contemporary Art, Chicago.
Currently on show at the Museum of Contemporary Art, Chicago, through January 10, is an extensive exhibition of a size and significance previously unprecedented in an American museum, featuring British artist Liam Gillick. “Liam Gillick: Three perspectives and a short Scenario,” interestingly marks the final installment of an elaborate multi-part, multi-national project, in association with Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich, that represents this celebrated artist. Each location offered a unique, yet complementary, investigation into Gillick’s practice resulting in a rigorously comprehensive mid-career survey.
Liam Gillick, Rescinded Production, 2008. Collection of the Museum of Contemporary Art, Chicago. Image courtesy of Casey Kaplan Gallery, New York.
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Self-Portrait, Sir Anthony van Dyck at Sotheby’s, London
As supply diminishes and demand increases for Old Master works, this week’s sales at Sotheby’s and Christie’s in London may be remembered as significant in the recent history of the art market. Collectors seized the opportunity to purchase rare and significant works from the giants of European art history and pushed prices so high that numerous existing records were smashed. The auction of Old Masters and 19th Century Art at Christie’s on Tuesday, December 8, realized £68,380,250 – the highest ever total for an Old Masters auction. 2 of the top 5 prices ever paid for an Old Master work at auction were also witnessed at Christie’s in addition to new artist records for Raphael, Rembrandt and Domenichino. At Sotheby’s sale, a rare self-portrait of Anthony van Dyck that sold for £8,329,250, above the pre-sale estimate £2-3 million, helped bring the total within estimate at £15,098,250. Strong prices, record-breaking prices were also seen for works by the Dutch artist Cesar Boetius van Everdingen and the prominent British masters, Sir Edwin Henry Landseer and Samuel Scott.
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Richard Wright’s winning wall painting, via TimesOnline
Last night, Richard Wright was announced the winner of the prestigious Turner Prize at a ceremony in Tate Britain. Wright’s highly intricate gold-leaf painting that won him the prize can be seen across one wall of the Turner Prize exhibition currently on display at Tate Britain through January 6, 2010. Wright lives in Glasgow and so follows an illustrious line of Scotland-based winners – from Douglas Gordon back in 1996 to Martin Creed in 2001 and Simon Starling in 2005. At 49, Wright is the oldest man to win the prize since the under-50 age limit was imposed in 1991.
Wright rejected painting on canvas in the late 1980s and has become best known for his wall paintings which are temporarily crafted onto walls in overlooked places with the knowledge that they will soon be erased – almost everything Wright has created since this decision has been destroyed. His paintings combine graphic imagery and intricate patterning from sources as varied as Medieval painting, graphics and typography.
Four artists, working a variety of media, were in contention for the prize – Enrico David, Roger Hiorns, Lucy Skaer, and Richard Wright – Hiorns had been the critics’ favorite going into the competition.
–> Andrew Dickson, Arts Editor of the Guardian, talks to Turner Prize winner Richard Wright, Stephen Deuchar, Carol Ann Duffy, and 2001 Turner winner Martin Creed via The Guardian
Richard Wright: 2009 Turner Prize Winner [The Guardian] –>
A Turner Prize Winner Who Takes Viewers By Surprise [NY Times] –>
Turner Prize Winner Richard Wright Shocks World – Actual Art [Daily Mail] –>
Richard Wright Who Wrecks His Own Work Wins Turner Prize [Bloomberg] –>
I’d Like Him to Do My Living Room Wall [TimesOnline] –>
School of Art [BBC News] –>
You could call Wright’s art Minimalist, but it is also luxurious [Independent] –>
Richard Wright Wins Turner Prize [Financial Times] –>
Fresco Painter Richard Wright Wins Turner Prize [Reuters]
Groupon Class Action Suits Challenge Online Coupon Business.
Mondaq Business Briefing July 21, 2011 In the latest action to be filed in a series of class action lawsuits against Groupon, Inc., Carlos Vasquez filed a complaint on March 8, 2011 in the U.S. District Court for the District of Columbia on behalf of himself and other similarly situated consumers alleging that Groupon places unlawful expiration dates on its gift certificates. see here groupon houston
The action is preceded by similar class action suits pending in Illinois, Minnesota, California and Florida federal courts. In the complaint, Vasquez alleged that he purchased a $20 coupon for a one-month gym membership valued at $305, and the coupon expired two months later before he had the opportunity to use it. Because Vasquez was not aware that he could seek redress with the gym retailer, he claims that he lost the money that he invested.
The suit alleges that Groupon’s sale of coupons with short-term expiration dates is deceptive and illegal under state and federal laws. Specifically, the complaint states that Groupon is in violation of the Credit Card Accountability Responsibility and Disclosure Act (the CARD Act) and the Electronic Funds Transfer Act (EFTA), which prohibit the sale and issuance of gift certificates with expiration dates of less than five years after the date of issuance. However, under the definitions covered by the CARD Act, EFTA and the implementing rule Regulation E, a “gift certificate” and “gift card” must be issued “in a specified amount.” Clarifying the meaning of “specified amount” under the rule, the official staff commentary of the Federal Reserve Board of Governors states that “the rule does not apply to gift certificates or gift cards that entitle the cardholder to a specific ‘experience,’ such as a hotel stay or a golf lesson,” and expresses concern that sponsors of ‘experience’ cards would have to raise prices to adjust for anticipated cost increases over a five-year period if the five-year minimum expiration period applied. Despite the federal statutory definition of “gift card” and “gift certificate,” the complaint seeks to include the defendant’s gym membership coupon as falling within scope of the CARD Act and EFTA. The complaint also charges Groupon with breach of contract and violations of the District of Columbia’s Consumer Protection Procedures Act.
In addition, the suit alleges that Groupon preys on unsuspecting consumers through its sales process whereby gift certificates are placed on sale and consumers feel pressured to act quickly – usually within 24 hours – to purchase the gift certificates under burdensome conditions. It further states that consumers “often cannot take advantage of and/or use the product or service they paid for before the expiration date unilaterally imposed” by Groupon. The complaint includes a sampling of internet postings by consumers who expressed frustrations about Groupon’s expiration dates, and states that “thousands of consumers have lost money” because of short-term expiration dates. The suit seeks restitution, disgorgement of monies that Groupon obtained as a result of the conduct at issue, compensative and punitive damages, attorneys’ fees and a court order enjoining Groupon from engaging in these practices and requiring the company to fund an advertising campaign to remedy its allegedly lawful conduct. see here groupon houston
With similar class action suits pending against Groupon, it is unclear how courts will view the company’s practice of selling gift certificates with short-term expiration dates. However, after settling a lawsuit brought in Chicago last year, Groupon changed its terms of service to allow consumers to get refunds in cases where a merchant refuses to honor a coupon that is arguably still valid under state law. Because websites offering daily deals and discount coupons have significantly increased in numbers and popularity, the Groupon suits have the potential to affect many key players utilizing this business model and may shape how existing state and federal gift card laws will applyto online coupon services.
THE BOTTOM LINE Recent class action lawsuits brought against Groupon allege that its online discount coupons are subject to the five year federal minimum expiration period for gift cards as well as to relevant individual state expiration requirements, and may determine how these state and federal gift card legislation laws apply to online discount coupon providers.
The content of this article is intended to provide a general guide to the subject matter. Specialist advice should be sought about your specific circumstances.
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“There’s a lot less ornament and a lot more substance,” declared Micky Wolfson Jr., founder of Miami Beach’s Wolfsonian Museum – this phrase sums-up many reflections on the eighth edition of Art Basel Miami Beach closed on Sunday, December 6 where smaller parties dominated and collectors purchased cautiously. In keeping with tradition edgy Contemporary pieces were bestsellers at Art Basel Miami Beach with larger, museum-targeted pieces dominating the booths along with traditional works by Popular Latin American artists such as the Mexican artist Gabriel Orozco. Interestingly, while many Asian and European buyers skipped the fair, additional Portuguese speakers were hired to aid Latin American buyers who were out in force.
Santigold performs at the Raleigh Hotel
Much more text, images and a full round-up of related links after the jump…. (more…)
Yesterday, New Art Dealer’s Alliance fair (NADA) opened its doors to a long list of top collectors and gallery directors that included Jay Jopling, Todd Levin and Lucy Mitchell-Innes. The stampede of eager art lovers cleared-out the booths that started the day filled with contemporary art from talented rising artists from around the world. The fair, now in its seventh year, is celebrating 80 of the world’s top budding galleries selected from 30 countries.
David Hendren’s installation at the Kim Light/Lightbox Gallery booth at NADA
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Kehinde Wiley’s portait of Michael Jackson entitled Equestrian Portrait of King Phillip II at Deitch Projects
It is rumored that in years gone by determined collectors were dressing as janitors in order to sneak into Art Basel Miami Beach prior to its official opening in order to snatch the most coveted pieces before their rivals. While this kind of vigor has not returned to the fair since the economic crash stalled the art market in 2008, the mood at today’s VIP preview seemed to be reflect the the vote of confidence that was delivered to the American art market when active bidding returned to the floor of the Post-war and Contemporary Auctions in New York last month.
Art Observed is currently in Miami preparing for tomorrow’s preview of the eighth edition of America’s largest contemporary art fair: Art Basel Miami Beachwhich will open to the public on Thursday December 3 and run through December 6. More than 250 of the some of the most prestigious galleries from across the world will present over 2,000 artists of the 20th and 21st Centuries. Earlier this year at Frieze Art Fair in London, organizers told the New York Times there were reports of ”significant sales from new and established galleries exhibiting at the 2009 fair.” Now, in light of results that exceeded expectations at Sotheby’s and Christie’s evening sales – with the former fetching $134.4m for 55 lots and the latter bagging $74.2m for 39 lots – there is further reason for confidence to be restored in the art world.
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– Close to $100M of Russian art aims to be sold for Russian Art Week in London, where the vast growth of wealth in Russia allows for repatriation of that country’s works [Bloomberg] more on this here [WallStreetJournal]
A discerning look into some of the less disclosed but nevertheless driving forces and relationships behind various high profile exhibitions [Financial Times]
to stay apprised of the latest relevant news of the art world read more…
A photograph of Joseph Beuys’s Action Piece presented as part of seven exhibitions held at the Tate Gallery from 24 February- 23 March 1972, via The Telegraph
I’m interested in the distribution of physical vehicles in the form of editions because I’m interested in spreading ideas. – Joseph Beuys (1970)
Currently on view at the Los Angeles County Museum of Art is Joseph Beuys: The Multiples, the first west coast presentation of The Broad Art Foundation’s nearly 600 Beuys works produced between 1968 and 1986. The works are displayed on the third floor of the Broad Contemporary Art Museum (BCAM) part of the ongoing loan program the foundation established with LACMA in 2008.
Jeanne-Claude, the radical artist best known for the joint projects undertaken with her husband Christo – most notably the wrapping of the Pont Neuf in Paris and the installation of 7,503 vinyl gates with bright orange panels in Central Park in 2005 – dies at the age of 74 in New York City [Guardian] a review of some of the couple’s monumental art here [Guardian]
The Los Angeles County Museum of Art (LACMA) reconsiders plans for a Jeff Koons sculpture involving a replica of a 70-ft 1944 Baldwin locomotive to hang from a crane and estimated to cost $25 million [LATimes]
to stay apprised of the latest relevant news of the art world…
Emily Jacir: Dispatch is the artist’s second solo exhibition shown at Alexander and Bonin Gallery in New York City. The exhibition runs through November 28 and features works from two of Jacir’s most recent projects, Lydda Airport – a short film that takes place at the eponymous location sometime in the mid to late 1930’s. Also to be featured at photographs and the brochure of Jacir’s stazione, which was conceived for the 53rd Venice Biennale, 2009 but never realized due to its unexpected cancellation by Venetian municipal authorities without explanation.
More images, text and related links after the jump….. (more…)
Posted in Art News | Comments Off on Don’t Miss – New York: Emily Jacir’s ‘dispatch’ at Alexander and Bonin through November 28, 2009
Terence Koh captured mid-lecture during his performance “Art History: 1642-2009” at the National Arts Club, New York via Zimbio
Last night ArtObserved was on site at New York City’s National Arts Club to witness a performance,”Art History: 1642 – 2009,” from Terence Koh. The performance was curated by Stacey Engman, the National Arts Club‘s Contemporary Art Chair and Chief Curator and was in conjunction with Performa 09. Indeed, the theme of the night – a tour through the great canon of Art History – was set from the beginning of the night as guests, who included Aurel Schmidt, Vito Schnabel, Klaus Biesenbach, Marina Abramovic and Mary Boone, mingled in a salon-style reception in the beautiful front parlours of the club house. The performance was to take the form of an Art History lecture, accompanied by images of artworks – this was about all guests knew before the show started and so guessing and anticipating became the game of choice for all in attendance.
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Bill Viola: Bodies of Light, an exhibition of the internationally renowned American artist Bill Viola, opened at James Cohan Gallery on October 23, 2009. This retrospective of two decades of Bill Viola’s work features Pneuma, a full-room video/sound installation and several pieces from the artist’s newest series Transfigurations. The exhibition is on view until December 5, 2009.
Dakis Joannou and Jeff Koons at the New Museum’s 30th Anniversary Gala in 2007 via The Art Newspaper(more…)
Posted in Art News | Comments Off on News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection
Last night’s Postwar and Contemporary Sale at Sotheby’s, New York easily outmatched their rival Christie’s sale the night before with a total of $134,438,000 and only 2 lots unsold. While 59% of works sold over their pre-sale estimates, it was Andy Warhol‘s 200 One Dollar Bills, which sold for $43,762,500 over an estimate of $8-12million, that catapulted the total sales revenue way over the initial estimate of $67-97 million.
–> Violins, Violence, Silence, Bruce Nauman. Record for a neon by Nauman – $4,002,500
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Posted in Art News | Comments Off on AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol
Last week ArtObserved was on site for the Modern and Impressionist auctions at Christie‘s and Sotheby‘s in New York. Tonight, November 10, ArtObserved is set to attend Christie’s for the first auction of the fall ‘Contemporary Week’ in the city. After their record-breaking sale on November 4, Sotheby’s Emmanuel Di-Donna stated that “when you have the right property…you get fireworks.” In light of this, much is to be expected this week with Phillips de Pury, Christie’s and Sotheby‘s all stating that they are offering the most important and rare works by artists such as Andy Warhol, Jasper Johns, Willem De Kooning, Ed Ruscha and Jean-Michel Basquiat.
Ilona on Top (Rosa Background), Jeff Koons (1990) via Sotheby’s
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Futura, Jules de Balincourt, Dustin Yellin, Eric White, Tom Sachs, Shepard Fairey, Jeffrey Deitch, Lance Armstrong, Mark Parker, Geoff McFetridge, José Parlá, Dzine posing in front of a painting by Cai Guo Qiang; photo courtesy of Black Frame
A day before seven bicycles with frames designed by contemporary artists, and used by Lance Armstrong in his comeback season for July’s Tour de France, raised $1.3 million, an exhibition of artwork commissioned to benefit the legendary cyclist’s cancer foundation opened at Deitch Projects. Launched in Paris at Galerie Emmanuel Perrotin, STAGES- the exhibit comprised of commissioned works created by over twenty established contemporary artists, is currently on view at New York’s Deitch Projects. Artists involved include Cai Guo-Qiang, Rosson Crow, Shepard Fairey, KAWS, Yoshitomo Nara, Catherine Opie, Os Gemeos, Raymond Pettibon, Andreas Gursky, Richard Prince, Ed Ruscha and Tom Sachs. STAGES will run through November 21, 2009. AO interviews some of the artists to find out their personal connection to the cause of STAGES, their view on creating commissioned work and the story of their involvement with the project powered by Lance Armstrong Foundation and Nike and its goal of raising awareness of cancer.
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Rosson Crow in front of her piece “Texas Cycle Show”
Works presented in STAGES manifest not merely a vast array of mediums and stylistic approaches, they also speak of a multitude of equally appropriate paths the artists have taken in building the show.
Rosson Crow about STAGES: “This whole thing is incredible and overwhelming, it is a really awesome show with a great cause. Charity work is something that I love doing so this was a really cool opportunity. This painting that I did for the show is called ‘Texas Cycle Show’ and is based on an 1800′ cycle exposition. I made it Texas because both Lance and I are from Texas… kind of bringing the historical Texas vibe… and of course the bicycles I thought were perfect for a Lance Armstrong show [laughs]” When asked about any personal connections that the artist has with the cause, Rosson Crow comments that “it is hard to find anybody whose life has not been affected by cancer, so I think that everybody has a personal relationship to it in some way.”
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Posted in Art News | Comments Off on AO on Site New York – Art for awareness, Lance Armstrong brings an impressive group of artists together for his Stages exhibition and auction, Art Observed was on site to speak to those involved
Danseuses, Edgar Degas (1896) all images via Christie’s
Last night, November 3, the fall auction season in New York kicked-off at Christie’s with their Impressionist and Modern evening sale – the smallest since May 2004. While vigorous bidding wars ensued for the finer pieces in the sale, there was no escaping the deathly silence that occurred when auctioneer, Christopher Burge, called for bids on a number of the auction highlights which included works by Camille Pissaro, Henri Matisse and Pablo Picasso, that eventually went unsold. Of the 40 lots on sale, 28 sold – making the overall total of $65,674,000, under the low-end estimate of $68,650,000.
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TeÌ‚te de femme, Pablo Picasso (1943) estimated to sell for between $7,000,000 and $10,000,000 at Christie’s Modern and Impressionist evening sale tonight. via Christie’s
Christie’s Modern and Impressionist sale this evening, November 3, marks the beginning of the fall auction season in New York. Headlining tonight’s sale are works by Edgar Degas, Claude Monet, Piet Mondrian and Henri Matisse. Tomorrow Sotheby’s will follow with their Modern and Impressionist evening sale which is highlighted by Alberto Giacometti’s bronze Falling Man, estimated to sell for $8 million – $12 million along with works by Pierre-Auguste Renoir, Camille Pissarro and Giacometti’s fellow modern masters Wassily Kandinsky, Joan Miró and Pablo Picasso. The combined total of the evening and day sales from both auction houses is estimated at as much as $607 million, down from $1.7 billion just two years ago.
ArtObserved will be on site to cover the proceedings on twitter at the show and in a review tomorrow. We are set to continue our auction season coverage next week when the Contemporary sales kick-off on Tuesday, November 10, at Christie’s, Sotheby’s and Phillips de Pury & Company.
L’Homme Qui Chavire (Falling Man), Alberto Giacometti (1951) via Sotheby’s
