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AO On Site- Dominique Gonzalez-Foerster, T. 1912, Solomon R. Guggenheim Museum, April 14th, 2011

Monday, April 18th, 2011

Go See – New York: Dominique Gonzalez-Foerster 'chronotopes & dioramas' presented by the Dia Art Foundation at the Hispanic Society of America through April 18, 2009

Friday, November 20th, 2009

Go See: Dominique Gonzalez-Foerster’s ‘TH.2058′ at the Tate Modern, London, Through April 13, 2009.

Monday, October 20th, 2008

Paris – Dominique Gonzales-Foerster: “1887-2058″ at Centre Pompidou Through February 1st, 2016

Monday, December 28th, 2015

New York – Dominique Gonzales-Foerster: “Euqinimod & Costumes” at 303 Gallery Through May 31st, 2014

Sunday, May 18th, 2014

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

Go See – Chicago: Liam Gillick at the Museum of Contemporary Art, through January 10, 2010

Friday, December 11th, 2009

Go See: ‘theancyspacewhatever’ at the Guggenheim, New York, through January 7, 2009

Sunday, November 9th, 2008

NEWSLINKS 03.25.08

Tuesday, March 25th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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