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AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

Art Review Places Qatar’s Sheika Mayassa bint Hamad Al Thani as Most Powerful Art World Figure

Friday, October 25th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

New York – Paul McCarthy: “WS” at the Park Avenue Armory Through August 4th, 2013

Saturday, June 22nd, 2013

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO On-Site – Venice: The 55th Venice Biennale, Opening Day

Thursday, May 30th, 2013

AO Recap – Art Basel Hong Kong at the Hong Kong Convention Center: May 23rd – May 26th, 2013

Wednesday, May 29th, 2013

Jewish Family Seeks Return of Matisse Seized by Nazis

Saturday, April 6th, 2013

Auction Recap: Old Master’s Week in New York City

Monday, February 4th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO On Site – New York: ‘The Spirit Level’ curated by Ugo Rondinone at Gladstone Gallery through April 21, 2012

Thursday, April 19th, 2012

AO Auction Results: Old Masters Sales at Christie’s and Sotheby’s January 25-26, 2012

Saturday, January 28th, 2012

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

Go See – Brussels: Jeff Wall “The Crooked Path” at Center for Fine Arts (BOZAR) through September 11th, 2011

Tuesday, August 23rd, 2011

Deceased Artists

Thursday, July 7th, 2011

AO on site Photoset: Art Basel 42 Vernissage and VIP preview

Tuesday, June 14th, 2011

AO on site Photoset Preview: Art 42 Basel – Art Unlimited and Art Statements at the main fair

Tuesday, June 14th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Christoph Schlingensief’s German Pavilion

Friday, June 3rd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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