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AO On-Site – Berlin: “The Present in Drag,” the 9th Berlin Biennale at the Kunstakademie Berlin and The European School of Management and Technology Through September 18th, 2016

Monday, July 11th, 2016

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015

Mexico City: “The Negative Hand” at Anonymous Gallery Through August 28th, 2015

Monday, August 17th, 2015

AO On-Site – New York: SPRING/BREAK Art Show at Skylight Moynihan Station, March 3rd-8th, 2015

Saturday, March 7th, 2015

Los Angeles, CA – Geffen Contemporary: LA Art Book Fair , Feat.. “Artists Read Baldessari,” Jan 31 – Feb 2, 2014

Sunday, February 9th, 2014

Paris – Lorna Simpson at Jeu de Paume Through September 1st, 2013

Tuesday, August 27th, 2013

New York – “Come Closer: Art Around the Bowery 1969-1989″ at the New Museum through January 6th, 2012

Monday, November 5th, 2012

Go See – Rome: Carsten Höller at Museum of Contemporary Art Rome through February 26, 2012

Monday, December 19th, 2011

Go See – Naples and Milan: Vanessa Beecroft at Galleria Lia Rumma in Milan and Naples, through September 11, 2011

Saturday, August 13th, 2011

Go See – London: Barry McGee at Stuart Shave/Modern Art through August 13th, 2011

Tuesday, August 2nd, 2011

Go See- London: "Women" by Egon Schiele at Richard Nagy Gallery through June 30th, 2011

Saturday, June 25th, 2011

AO Onsite (with photoset) – Bushwick, Brooklyn – Bushwick Open Studios, Saturday June 4th and Sunday June 5th

Tuesday, June 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See – Moscow: Mark Rothko – Into the Unknown World, The Garage Center for Contemporary Culture on view until August 14, 2010

Thursday, April 29th, 2010

Go See – London: Raymond Pettibon at Sadie Coles HQ through January 9, 2010

Thursday, December 31st, 2009

AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009

GO SEE: PETER DOIG AT TATE BRITAIN, February 25 – April 27

Monday, February 25th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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