Archive for July, 2008

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008

Installation View via Matthew Marks Gallery

Painting: Now and Forever, Part II remains on view through August 15 as a joint exhibition at Matthew Marks Gallery, 522 West 22nd Street and Greene Naftali Gallery, 508 West 26th Street. The show is a reprisal of one held ten years ago, but from a different angle. The artists in the current show are Kai Althoff, Cosima von Bonin, Merlin Carpenter, Mathew Cerletty, Wojciech Fangor, Katharina Fritsch, Gelitin, Isa Genzken, Poul Gernes, Daan van Golden, Jack Goldstein, Rodney Graham, Wade Guyton, Richard Hawkins, Mary Heilmann, Sophie von Hellermann, Charline von Heyl, Ull Hohn, Sergej Jensen, Mike Kelley, Ellsworth Kelly, Karen Kilimnik, Martin Kippenberger, Michael Krebber, William Leavitt, Michel Majerus, Bjarne Melgaard, Laura Owens, Blinky Palermo, Stephen Prina, R.H. Quaytman, Ugo Rondinone, Paul Sharits, Josh Smith, Reena Spaulings, Lily van der Stokker, Atsuko Tanaka, Paul Thek, Anne Truitt, Kelley Walker, Christopher Wool, and Katharina Wulff.

Painting: Now and Forever, Part II
[Artcal]
Painting Now and Forever, Part II at Green Naftali [Flavorpill]
Painting: Now and Forever, Part II at Green Naftali and Matthew Marks [Design Boom]
Painting: Now and Forever, Part II, in collaboration with Green Naftali Gallery [Matthew Marks]
Painting: Now and Forever, Part II [Village Voice]

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Go See: Mariko Mori at Baltic Centre for Contemporary Art, England through September 14

Wednesday, July 30th, 2008

Mariko Mori via Artnet

The Baltic Centre for Contemporary art presents an exhibition of the new works of Mariko Mori from through September 14. The New York based artist, who works often in video, is branching out into different mediums in this exhibit. Mori has paintings and drawings showing her recent interest in Brane cosmology and particle theory. She also has 8 diachronic images on glass exploring consciousness, which has no borders.

Mariko Mori Exhibits at the Baltic Centre for Contemporary [Art Daily]
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Mariko Mori at the Baltic Centre [Baltic Centre]
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Mariko Mori at BALTIC Contemporary Art Center [Hermitage Magazine]

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Newslinks: Wednesday, July 30, 2008

Wednesday, July 30th, 2008

Andy Warhol’s Muhammed Ali Print via Artinfo

Warhol’s $28m “Athletes” series in Beijing for the Olympics [Macau Art]
Armed thieves steal 15 Antonio Berni works worth $2.2m in Buenos Aires [Art Daily]
New niche for ‘functional sculpture’ or art-as-furniture, among the big art buyers [Independent]
An increase in collectors wanting liquidity in their art by borrowing against it [NYSun]
Western art galleries in Beijing work quickly to cater to new wealthy Asian buyers [Telegraph]
Pretty Ugly at Gavin Brown and Maccarone reviewed the Times, previously covered by AO here [NYTimes]

Update: Damien Hirst goes to Auction at Sotheby’s, September 15-16, 2008

Tuesday, July 29th, 2008

Damien Hirst at the White Cube Gallery via Museum Lab

As previously covered by AO here Damien Hirst, is preparing for his Sotheby’s auction this September and has come out with a new formaldehyde suspended tiger shark, a cow with golden horns and hooves, a unicorn, in addition to spot paintings, and butterfly collages, among many other newly created works made specifically for the all-Hirst auction. The sale, entitled Beautiful in My Mind Forever, will be comprised of 223 lots, and is expected to raise somewhere between $100 million and $150 million over the two-day sale that takes place on September 15th and 16th. The Golden Calf alone is expected to sell at a high of $25 million. The sale is extremely notable as Hirst is circumventing his main dealers Larry Gagosian in New York and Jay Jopling of White Cube in London and going directly to auction. Though Jopling and Gagosian have ostensibly given their blessing, the auction reflects a potentially new paradigm in the the way art is sold.

Golden calf, bull’s heart, a new shark: Hirst’s latest works may fetch £65m [Guardian]
Damien Hirst brings £65m of his wares to market [Times Online]
Artist Hirst Jumps the Shark, Cuts Out [NYPost]
Hirst auction expected to raise £65m [Financial Times]
Hirst Still Playing Elaborate Joke On Hedge Fund Community [Dealbreaker]
Damien Hirst auction expected to fetch £65 million and Art sales: Bullish Hirst Rattles the Market [Telegraph]
Damien Hirst is Rewriting the Rules of the Market [The Art Newspaper]
Damien Hirst: Beautiful Inside My Head Forever [Sotheby's]
Hirst auction expected to fetch 65 million pounds [APF]
Hirst’s ‘Golden Calf’ could sell for $16-$24 million at Sotheby’s London [ArtObserved]

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Go See: Elizabeth Peyton at the Aldrich Contemporary Art Museum, Connecticut, through November 16

Tuesday, July 29th, 2008


Self Portrait, Elizabeth Peyton, 1999

The Aldrich Contemporary Art Museum in Ridgefield, Connecticut is featuring the first wide-scale show of Elizabeth Peyton’s photography through November 16. The collection of approximately fifty photographs was taken by the artist between 1994 and 2008.  Of note is that , a major survey of her painting career will be on view in October in “Live Forever: Elizabeth Peyton” at the New Museum.

Elizabeth Peyton: Portrait of an Artist, 2006 Larry Aldrich Award Exhibition [Aldrich]
A Painter’s Social Network, Traced in Her Photographs [NYTimes]
Elizabeth Peyton To Recieve 2006 Larry Aldrich Award [Artipedia]
Elizabeth Peyton Returns To Connecticut [YankeeMag]

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Zaha Hadid’s Chanel Mobile Art Space coming to Central Park October 20th to November 9th

Monday, July 28th, 2008

Chanel’s Mobile Art pavilion via NYTimes

Karl Lagerfeld, Artistic Director of CHANEL, Maureen Chiquet, Global CEO of CHANEL, and Bruno Pavlovsky, CHANEL Fashion President, along with Adrian Benepe, Commissioner of the Department of Parks & Recreation for the City of New York, and Douglas Blonsky, President of the Central Park Conservancy and Central Park Administrator, have announced that the Mobile Art Pavilion will touch ground in Central Park on October 20th and will stay through November 9th. The spacecraft-looking pavilion will sit in the Rumsey Playfield, around the center of the park at 5th Ave and 69th Street. Mobile Art is a 7,500-square-foot traveling art gallery that exhibits changing installations created by some of the leading international contemporary artists, such as Nobuyoshi Araki, the Blue Noses, Daniel Buren, Sophie Calle, Wim Delvoye, Sylvie Fleury, Yang Fudong, Subodh Gupta, Y.Z. Kami, Yoko Ono and Pierre & Gilles.

Central Park to Host Mobile Art Chanel Contemporary Art Container by Zaha Hadid [Dexigner]
Chanel Rents Central Park for Tacky Art Pavilion [Artnet]
Central Park To Host a Chanel Commission [NYSun]
Central Park to Host Exhibition Pavilion by Zaha Hadid [Contract Magazine]
A 7,500-Square-Foot Ad for Chanel, With an Artistic Mission [NYTimes]
Central Park to Host Mobile Art Chanel Contemporary Art Container By Zaha Hadid [Artdaily]
Chanel Brings Giant Ad/Art to Central Park [Gothamist]
More on Mobile Art covered by Art Observed here

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Newslinks: Monday, July 28, 2008

Monday, July 28th, 2008

Burst *008, a prefab by Douglas Gauthier and Jeremy Edmiston via MoMA

More on the prefabricated housing design exhibit at MoMA [Artinfo] and still more here [NYMag]
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Sotheby’s accused of losing Italian Renaissance painting in $32M lawsuit [NYPost]
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An editorial view on the merits of artists explaining their work [GuardianUK]
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Following the controversy, the former Salander-O’Reilly gallery is now on sale for $75M [NYTimes]
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Christie’s NY holding first contemporary design auction [Artinfo]
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New laws restrict art-donation tax breaks [Wall Street Journal]
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Art Collectors auction themselves off at SCOPE [Artinfo] also here [NYSun}

Major Fall in CRE Deals Since End of Summer: There has been a surge in deals falling out of contract because of difficulty obtaining financing.

National Mortgage News November 5, 2007 | Sichelman, Lew LAS VEGAS — The mortgage mess spilled over into the income property sector in a big way after the summer came to an official ending, according to analysts at the Urban Land Institute’s annual fall conference here. go to site citibanks ignon

“The capital markets have changed tremendously in the past 60 days,” Robert White, president of Real Capital Analytics, New York, told an outlook session.

Mr. White reported that there has been a 30% decline in sales activity since September, noting that it was the first falloff in volumes since late 2001. And he expects to see further declines in the future, he told the ULI, a nonprofit group of 37,000 real estate and allied professionals dedicated to responsible land use.

There has been “a surge in deals falling out of contract,” not just because of higher loan rates but also because of the difficulty obtaining financing, the analyst said.

“There has been a total repricing of risk. It started in subprime and has now moved into commercial mortgage backed securities. It’s even impacted AAA-rated securities.” At the same time, Mr. White reported that 2007 will still go down as a record year, largely because transaction volumes through the end of the third quarter exceeded those for all of 2006.

Another good sign is that there is “still plenty of equity capital available,” he also said. Which may be why the meeting attracted a record attendance of 6,700.

Capital may not be coming into the market as fast as it once was, and lenders are no longer willing to underwrite speculative income, the analyst reported. But the amount of money available for developers and purchasers of income-producing property is still growing. “There’s more capital available today than there was in 2002 or 2003,” he said.

Still, Mr. White said he is seeing a rise in cap rates. But even if there is a 10% correction, “it would just take us back to where we were a year ago.” “I personally don’t think [the adjustment] will be that great,” he offered. “The market is fundamentally solid. There’s nowhere near any overbuilding.” In another conference session, meanwhile, the conclusion was that price declines as measured by projected growth rates, lower amounts of available debt and higher residual value assumptions would be in the 8%-14% range.

The panel tended to concur with Mr. White, noting about half of all deals currently in the pipeline are being repriced or renegotiated, and some are even being terminated. web site citibanks ignon

While the market is awash with debt, not much of it is trading, said Robert Foley, chief financial officer with Gramercy Capital Corp., New York, who estimated that there might be as much as $60 billion-$80 billion in commercial paper sitting on the balance sheets of banks.

Sheridan Schechner, managing director of JPMorgan Chase, New York, said he hoped the markets will open back up again by February. But Ed Adler, managing director of Citibanks’s commercial real estate finance group, said it can’t come soon enough for holders the $185 billion in commercial paper that is due to reset in March.

But Christopher Cole, chief executive officer of the Cole Cos., a publicly traded, Phoenix-based real estate investment trust that specializes in retail properties, said that he’s not particularly worried about the future of commercial real estate.

“The long-term demographic trends are so profound that they will have a stabilizing effect” on the sector, Mr. Cole said.

“The fundamentals are terrific,” he said.

Sichelman, Lew

Go See: P.F.1 at P.S.1/MoMA in Queens, NY through September 31

Saturday, July 26th, 2008

P.F.1 in the P.S.1 courtyard via NYSun

P.S.1 Contemporary Art Center, an affiliate of The Museum of Modern Art, has its summer courtyard installation up and running. This year, the ninth annual MoMA/P.S.1 Young Architects Program selected WORK Architecture Company, from New York, to transform the outdoor courtyard into a fully functional urban farm, called Public Farm One, or P.F.1. The farm will stay at P.S.1 through the month of September.

Farming at the Museum [NYSun]
Works Like a Farm and Celebrating P.F.1 [Men's Vogue]
Summer Farming at P.S.1 [Artnet]
Amale Andraos on the MoMA/P.S.1 Young Architects Program [Artinfo]
In Farm’s Way: PS1’s Hipster Farm [NYPress]
Going Farming at P.S.1’s Warm-Up Parties [VillageVoice]
P.F.1 (Public Farm One) by Work Architecture Company in P.S.1’s courtyard [PS1]

(more…)

Newslinks for Friday, July 25, 2008

Friday, July 25th, 2008

Guernica, Pablo Picasso (1937) via BBC

Picasso’s famous Guernica in ‘stable but serious’ condition and deemed ‘too fragile to move,’ more here [Daily Telegraph] [The Guardian]
Bravo picked up Sarah Jessica Parker’s art reality show, covered in March by AO here [Gawker]
The Sun on Twombly’s first retrospective in 15 years, showing at the Tate Modern [NYSun]
Review of Richard Prince at Serpentine: ‘the coolest artist alive’ [Telegraph]
The Economist begins a summer series on collectors, starting with a historical view [The Economist]
Russian billionaire Roman Abramovich finances Russia’s first retrospective by postwar artists in a
150 work show at his girlfriend ‘Dasha’ Zhukova’s galllery [Bloomberg]

AO On Site: 303 Gallery’s 25th Anniversary Summer Celebration, Wednesday night, July 23 NYC (Update1)

Friday, July 25th, 2008

Mariko Munro, Karen Kilimnik, and Kirsten Dunst, photo courtesy of 303 Gallery, shot by Billy Ferrel/Patrick McMullan

Last night, 303 Gallery threw a Summer Celebration to mark their expansion into their new space. The event celebrated the gallery’s 25th anniversary at it’s brand new 5,000-square-foot Chelsea location on 21st Street in New York City. The party hosted a performance by indie rock band, The Virgins, and a set by DJ Thurston Moore. Mary Heilmann selected David Lynch’s Lost Highway and Richard Sarafian’s Vanishing Point to be projected on the gallery walls. The start studded guest list included actress Kirsten Dunst, artist Karen Kilimnik, artist Dan Graham, artist Aaron Young, just to name a few. Also spotted on the scene: Designer/model Agyness Deyn, designer Cynthia Rowley, Genevieve Jones, Joe Zee from Elle, Rogan Gregory, Serge Becker, model Jessica Stam, Anna Sui, Byrdie Bell, Bill Powers, Cecilia Dean from Visionaire, Fashion Desiger Elise Overland, Poppy de Villeneuve, Doreen Remen from Art Production Fund, Julie Gilhart from Barney’s New York, Bowery Hotel owner Sean McPherson, collectors Baby Jane Holzer, Matt Aberle, David Hoberman, curators Francesco Bonami, Richard Flood, Barbara London, galleriests Andrew Kreps and Anton Kerns, stylist Natasha Royt, Meredith Darrow, Jason Wu, Julia Restoin-Roitfeld, Anthony Haden-Guest, musician Lissy Trullie, curator Shamim Momin, Knight Landesman from Art Forum, and Amanda Sharpe from Frieze.

Art, Music, and Heat: Shvitzing at the 303 Gallery Opening [Refinery 29]
Of Nubiles and Noblemen [Style]
Summer Celebration at 303 Gallery [Art Fag City]
303 Gallery Website [303 Gallery]
303 Gallery Summer Kick Off [Fashion Week Daily]
Tonight at 303 Gallery [Suprememanagment]
Full Steam Ahead [Vogue Scene]
Additional photos courtesy Billy Farrell and Patrick McMullan via 303 Gallery [303 Gallery]

more photos of the event after the jump…

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Go See: Kehinde Wiley, The World Stage: Africa, Lagos~Dakar, Studio Museum Harlem, NY through Oct 26

Friday, July 25th, 2008

Rubin Singleton, Kehinde Wiley via Studio Museum Harlem

Kehinde Wiley is back at the Studio Museum Harlem, where he began his career as an artist-in-residence immediately after earning his MFA from Yale. This time, he is in the Studio Museum in the form of a solo show of his latest work “The World Stage: Africa, Lagos ~ Dakar.”  Wiley is known for his portraiture of urban young African-American men painted in 18th and 19th-century style.  In his “World Stage” series, Wiley is focusing on the urban black man in other countries, studying their history, culture and art. The ten paintings on display in the Studio Museum until October 26, 2008, are from his latest trip to Lagos, Nigeria and Dakar, Senegal.

Portraitist Kehinde Wiley temporarily sets up shop in Africa [TimeOut]
Kehinde Wiley, THE WORLD STAGE: AFRICA LAGOS~DAKAR
[Studio Museum Harlem]
Colliding Worlds [The Morning News]
Toppling the Ivory Tower [The Art Newspaper]
Kehinde Wiley: Studio Museum in Harlem [ArtForum]
Kehide Wiley ” The World Stage: Arica, Lagos ~ Dakar” Exhibition [NY Art Beat] (more…)

Go See: Assume Vivid Astro Focus at Deitch Projects, Long Island City, NY, through August 16

Thursday, July 24th, 2008

Deitch Studios exterior by assume vivid astro focus via Deitch

Ever the purveyor of fun, Deitch Studios in Long Island City has been completely taken over by the Brazilian art collective Assume Vivid Astro Focus for the summer, resulting a lively installation entitled Absolutely Venomous Accurately Fallacious (Naturally Delicious). Perched right on the East River, the exterior of the Studios has been covered in a mural, and filled with the colorful and explosive sculpture assume vivid astro focus is known for. It has also been transformed into a literal disco, hosting parties and performances through the run of the exhibition, including a PS1 Warm-Up afterparty on July 26 — a great chance to check out the artwork in all its glory.

Absolutely Venomous Accurately Fallacious (Naturally Delicious) [Deitch]
Video of installation [VBS]
Assume Vivid Astro Focus at Deitch LIC [ArtCal]

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Newslinks for Wednesday, July 23, 2008

Wednesday, July 23rd, 2008

Serpentine Gallery Pavilion 2008 via Serpentine Gallery

Gehry’s Serpentine Pavilion, reflective of his early style, up through October 19 [Serpentine Gallery]
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Sao Paolo police find $630,000 of stolen works, including a Picasso [BBC]
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Banksy posts a comment on his identity [Banksy.co.uk via The World's Best Ever]
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Royal Academy announces upcoming Anish Kapoor retrospective [Artinfo]
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Sir Nicholas Serota, Tate Modern director, is ‘learning Russian fast’ to court philanthropic support of new extension [Russia Today ]

Dresses: a material focus.(WWD/MAGIC International)

WWD January 16, 1996 | Pogoda, Dianne M.

NEW YORK — Fabric is shaping up as the key element in summer dresses.

Most vendors say the emphasis on simplicity in silhouettes is casting a spotlight on texture and surface interest. Some are launching new lines, with a focus on a new fabric or new price, to spark spring sales.

Dressmakers are bringing spring/summer to WWD/MAGIC, for deliveries as late as May 30. They will show some transition and early fall, but said stores are ordering close to need and often require immediate deliveries of fill-in items.

Casual and business casual are the driving force behind growth in Jerell Inc.’s dress sales, said Sam Klapholz, vice president and national sales manager of the Dallas-based firm.

Jerell is launching a new line — 1431, a moderate label that retails between $59 and $79 — to complement its Melissa brand, which is aimed at specialty stores and retails for $100 to $120.

“We’re very excited about the casual revolution, because it gives a woman a new reason to buy a dress,” he said.

Klapholz cited heavily laundered denim and twill, with very soft hands, and combinations of wovens and knits as key fabric treatments.

“Anything with surface interest is very important,” he said.

As for silhouette, he said unfitted A-line and Empire styles are doing well, but the company is doing terrific business with shirlwaists. web site easrer dresses

`These really hit a nerve in the market,” said Klapholz. “They aren’t old-looking dresses, though. They’re modern, like the Ann Taylor style with double needlework, or military style with epaulets and great belts, in French cotton twill.” He also said the layered look was important, with vests over knit and woven dresses — “a twinset over a dress.” Mica is launching a new garment-washed denim group in its dress collections for spring, according to owner Judy Rabineau.

“They’re sweet, sexy little dresses in similar silhouettes to what we do in other fabrics, like rayon — halters, long fitted jumpers, sleeveless sheaths,” she said.

Mica will take orders for May deliveries at WWD/MAGIC, for the last of spring/summer. Rabineau said retailers expect quick turn on goods, and everyone is cutting very close to need.

Other key fabrics are shantung, rayon crepe pastel velvets, georgette and a printed rayon pique, which resists wrinkles and has been getting a strong reception.

The dresses are “cool and hip, but not junior-y,” she said, noting there are many women in their mid-to-late 40s who want youthful style, but don’t want to look as if they are dressing like their daughters.

She said prints are booking well, including bright novelty themes like fruits, random-placed florals or conversationals.

Kami Rehanian, president and designer of High Point, which makes day and evening dresses, said styles are “not gaudy” and fabric is the key element in spring style.

“From misses’ to juniors, women are looking for simple style, with less embellishment and embroidery,” he said. “It’s the same trend that’s happening in Europe. Women want something they can wear to many places, too, not just to the office.” Rehanian said suitings, especially pantsuits, and short skirts are leading choices for spring. He said triacetates, rayons, silk and linen blends and Lurex metallics are among the hot fabrics, which is where the fashion statement is made.

Jodi Schaff, owner of On Your Back, said basics — some with trim — and layers are key for the casual knit dresses she’s making for spring. The Doylestown, Pa.-based company is essentially a T-shirt maker, with dresses accounting for 20 percent of its business. Dresses, however, is a growing category, she said. here easrer dresses

One key style is a tie-back jumper with an easy fit that suits many bodies. The fabric is either combed cotton or a blend of cotton and Lycra spandex Colors, from basics like black, red, navy and ecru, to novelties like aqua, rose and chamois in overdyed heather jersey, are especially important.

Schaff said she will take orders for immediate delivery through May on spring/summer goods she’s bringing to WWD/MAGIC.

“Money is scarce, and stores are ordering much closer to season,” she said.

Simplicity is the buzzword at Brasseur/Davinci, said Danny Golshan, national sales manager of the Los Angeles-based ready-to-wear maker. The firm will show suits and dresses for spring/summer “We do basic styles, not too trendy, in large and misses’ sizes,” he said. The collection features embroidered suits with three or four-button jackets, and one- and two-piece dresses at $79 to $150 wholesale. Button treatments include metal and rhinestones, while lengths are mostly long, he said. Fabrics include linen, polyester crepe and triacetate.

Pogoda, Dianne M.

Go See: Doug Aitken “99¢ dreams” and Ugo Rondinone: “twelve sunsets, twenty nine dawns, all in one” at Galerie Eva Presenhuber, Zurich through August 2

Wednesday, July 23rd, 2008

From “99¢ dreams”, Doug Aitken via Galerie Eva Presenhuber

Galerie Eva Presenhuber, Zurich is pleased to announce two simultaneous solo shows by Ugo Rondinone and Doug Aitken. Both Rondinone’s “Twelve sunsets, twenty nine dawns, all in one” and Aitken’s “99¢ dreams” will run until August 2, 2008. While one artist creates sculptures and one photographs, there is a common thread between the two. Each artist touches upon the simplicity of day-to-day life, infusing a sense of longing or yearning for something.

DOUG AITKEN, “99¢ dreams” [ArtNews]
Doug Aitken at Galerie Eva Presenhuber, “99¢ dreams” [ArtNet]
Ugo Rondinone- Twelve sunsets, twenty nine dawns, all in one. [ArtNet]
Galerie Eva Presenhuber: Doug Aitken, Ugo Rondinone [Galerie Eva Presenhuber]

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Go See: “Retrospective” group show at Gagosian, Chelsea, NY through August 22

Wednesday, July 23rd, 2008

Red, Andy Warhol, (1978) via Gagosian

Gagosian’s spacious Chelsea gallery presents 13 contemporary artists in ‘Retrospective': Chris Burden, Marcel Duchamp, Tom Friedman, Piero Golia, Douglas Gordon, Richard Hamilton, Jasper Johns, Roy Lichtenstein, Takashi Murakami, Piotr Uklański, Andy Warhol, Martin Kippenberger, and Ed Ruscha. Keeping in company with several thematic group shows this summer, this one has been assembled by Andisheh Avini, Gagosian curator, and artist.

Press Release [Gagosian]
‘Retrospective': Been There, Sold That [NYSun]
Some Shows For Escape, Some For Introspection [NYTimes]
View video of the Retrospective group show here [Gagosian]

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Newslinks for Monday, July 21, 2008

Monday, July 21st, 2008

Temenos, one of five giant public art works by Anish Kapoor via Guardian

Anish Kapoor’s $30M Public art project in Middlesbrough, UK [Guardian]
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$500,000 in Warhols, Lichtensteins stolen from Swedish Museum [Artdaily]
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Murakami ceases Cerulean LLC’s resale of sculpture at Christie’s after contract violation [Artinfo]
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Noteworthy video of Rauschenberg on his ‘Erased de Kooning Drawing‘ [Seattlepi via C-Monster]
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Art title insurance by ARIS offers new and broader protection for collectors [NYSun]
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Banksy’s street crew, ‘Pest Control’, certifies authentic works in response to copies [Rawartint]
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In response to museum pleas, senate loosens tax deduction rules on art donations [NYTimes]

Tate Modern Redesigns New Wing with Herzog & de Meuron

Monday, July 21st, 2008

New extension to Tate Modern, designed by Herzog & de Meuron via Tate

The Tate Modern has announced a new development in the plan for it’s new wing. World-renowned Swiss Architectural firm, Herzog & de Meuron, has designed the new plan for the extension, called Tate Modern 2 (TM2). The extension was originally designed as a cubic glass-cast pyramid shaped structure, but has been redesigned to better complement the structure of the existing Tate Modern and be more sustainable. The project has a $429 million budget, and has so far received $100 million from the government, $14 million from the London Development Agency, and $26 million from private donors for the project. Work on the site will ensue in 2009, and is projected to be finished by 2012, but if the budget is not met, this could cause a delay in its completion.

New twist to the rise of Tate Modern [Financial Times]
Tate Goes Green with New Plans [Artforum]
Transforming Tate Modern: Green Scheme for Tate Modern’s New Building [Artdaily]
Tate revises £215m extension plan [BBC]
Tate Modern Redesigns New Wing; May Not Open in 2012 [Bloomberg]
£100m new wing plan for Tate Modern [Telegraph]
New Tate Modern design [Wallpaper]

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Newslinks for Friday July 18, 2008

Friday, July 18th, 2008

Guan Yi via The art Newspaper

Guan Yi, China’s top collector of contemporary art, has ambitions for Beijing [The Art Newspaper]
Christie’s sales for first half 2008 up 10% on
new demand from the likes of Middle East, Russia and Asia
[Bloomberg]
Russian Andrey Melnichenko’s $400M, 400 foot yacht docks in Norway to pick up some Monet’s sans EU import taxes [TimesUK]
Christie’s Paris to sell Yves Saint Laurent’s art collection February ’09 [NYSun]

Go See: Tracey Emin Curates at the Royal Academy Summer Exhibition, through August 17

Friday, July 18th, 2008

Moses Contra Freud, RB Kitaj (2005) via Royal Academy of Arts

Recently appointed Royal Academician, artist Tracey Emin has curated a gallery at the current Royal Academy Summer Exhibition which is the institution’s 240th event of this kind. The exhibition, whose theme this year is ‘Man Made’, is a well-recognized annual event in the contemporary art world and includes works from approximately 1,200 artists, both established and emerging.

Emin brings sex, death to UK Royal Academy show [Reuters]
Tracey Emin at the Royal Academy summer show [TimesOnline]
Row erupts over Tracey Emin’s ‘offensive’ selections for Royal Academy exhibition [DailyMail]
Tracey Emin at Royal Academy [ViewLondon]
Tracey Emin RA on curating Gallery 8 of the Summer Exhibition [RA Magazine]
The Summer Exhibition: A Culture Show Special [RoyalAcademy]
Newslinks: Tracey Emin’s controversial selections for Royal Academy
[Art Observed]

(more…)

Newslinks: Wednesday, July 16, 2008

Wednesday, July 16th, 2008


Jeff Koons at the Met via Artfagcity

NYMag explores how the art of Jeff Koons somehow stands above the other “razzmatazz” [NYMag]
Profile of collector Eli Broad and his “oversize ego and unstoppable ambition” [Metropolis]
The art services market grows in lockstep with art prices [NYTimes]
Edvard Munch prices seem to be rising in direct correlation to recent art thefts of his work [The Art Newspaper]
Bloomberg posits that Banksy’s possible middle class private school background may affect his notoriety [Bloomberg]


Go See: The Hermès “H Box” at the Tate Modern, London, through August 17

Wednesday, July 16th, 2008

H BOX, designed by Didier Fiuza Faustino Portuguese, and produced by Hermès International via Bloomberg

Storied french luxury fashion house Hermès International presents the H BOX, a collapsible screening hall designed by Portuguese artist and architect, Didier Fiuza Faustino. The H Box is a traveling screening capsule that exhibits the video art of 8 international artists: Alice Anderson, Yael Bartana, Sebastián Díaz-Morales, Dora García, Judit Kúrtag, Valérie Mréjen, Shahryar Nashat, and Su-Mei Tse. The H Box will be exhibited in the Tate Modern in London until August 17.

Outside The Box [Vogue]
Hermes H Box, Tate Modern [Designtaxi]
The Tate Modern [Tate]
Vuitton’s Richard Prince Bags, Hermes at Tate: Fashion Art [Bloomberg]
Tate’s H-Box screens art films [Digital Arts Online]

(more…)

New Museum announces Triennial based on “20 something” artists

Wednesday, July 16th, 2008

The New Museum of Contemporary Art in New York City via Guardian

The New Museum of Contemporary Art in New York announced yesterday, July 15, that they are starting a new international triennial art exhibition in the spring of 2009. The triennial, entitled Younger than Jesus, will showcase young emerging artists from Generation Y, born circa 1980. A curatorial team led by the director of special exhibitions Massimiliano Gioni, senior curator Laura Hoptman, and Rhizome.org director and adjunct curator Lauren Cornell, along with a network of ten international correspondents and over 150 “informers” are organizing the triennial and scouting the young artists.

New Museum Plans Triennial, Seeks Young Artists for 2009 Debut [Bloomberg]
New Museum Launches Triennial [Artinfo]
New Museum Plans Emerging Artist Triennial [NYSun]
New Triennial from New Museum [Artnet]
(more…)

Newslinks: Monday, July 14 2008

Monday, July 14th, 2008

This photograph taken in Jamaica four years ago, is believed to be Banksy via Daily Mail

After a year long investigation, Graffiti artist Banksy revealed? More here, and here [Daily Mail], [NYTimes], [Supertouchart]
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Ad agencies reverse the long-evident trend of artists poaching from popular ads by creating popular ads that poach from artists [NYTimes]
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A profile of Roman Abramovich’s girlfriend, Daria “Dasha” Zhukova, a new player on the art scene [TimesUK]
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Previously thought ‘fake’ is a Rembrandt, but not a self-portrait [The Art Newspaper]
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The Sun reviews Art Market tome ‘The $12 Million Stuffed Shark’ previously covered by AO here [NYSun]
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On Page Six: 303 Gallery employee fired for mistaking Marc Jacobs for a homeless man and Andres Serrano keeps it gritty in his new Chelsea show [NYPost]
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MoMA assembles modern prefab houses in adjacent vacant lot [NYTimesMag]

Review: ‘Paranormal Activity’ is abnormally scary.(A & E)

Seattle Post-Intelligencer October 14, 2009 We live in a world of reality TV, YouTube, digital cameras, and cell phones with access to the Internet and video capabilities. But ten years ago, before our ties to everyday home recorders, a little independent horror flick called The Blair Witch Project came out and scared the pants off people by providing something we hadn’t seen before: “real” video footage of scary stuff happening to “real” people. But can the same “real footage” angle still produce scares today? Director Oren Peli and his Paranormal Activity proves that yes, yes it can. go to site paranormal activity 2 online

Movie Trailers TV News Celebrity News Photos More from film.com Interview: Director Spike Jonze Talks Where the Wild Things Are Megan Fox’s Next Project: Underwear Ads Children’s Book Adaptations That Failed Dancing With The Stars Results: Chuck Liddell Is Counted Out The Pitch Meeting for Showgirls 2 Live-in boyfriend and girlfriend (Micah and Katie) videotape their everyday lives living in their house where Katie has reportedly experienced out of the ordinary occurrences. Over the course of three weeks, the two determine that some sort of presence is definitely in the house. But what? And why? And maybe most importantly, what can they do about it? Armed with only a camera and some computer software, the couple tapes their experience while attempting to figure out what to do.

What makes Paranormal Activity so darn effective is how real the whole thing feels. They didn’t try and pull a Blair Witch and claim that the events really took place — we live in the Internet age where any sort of white lie like that could be debunked in a matter of minutes. But everything from the couple — their relationship, the house they live in, their reactions to what’s going on around them — feels so real during even the mundane and normal parts of their lives that when the freaky stuff kicks in, it’s that much scarier.

The leads were key in making this movie work, and both Micah and Katie put their all into their roles. They hit the right emotional chords when they needed to, and when the terror kicks in for them, it kicks in for the audience as well. Only a few times did I feel their performances were fake, mostly due to some of the dialogue that was likely scripted in certain areas to steer the “plot” in the proper direction; otherwise, they felt like genuine people.

The house was also vital in making or breaking the film’s scare factor as the whole movie takes place in the couple’s house. The house felt like a real house, a house that you’ve probably been in at one time or another, or maybe even live in now. It’s an ordinary house with ordinary stuff. Again, what could possibly be scarier than freaky stuff happening in the woods? How about your own home? Provoking a fear of the unknown in the middle of the woods is easy to induce, but fear inside your everyday suburban house? That’s no easy task.

But the big question remains: Is it scary? By using sound effects, gaining night vision-style video, and an eerie premise, Paranormal Activity managed to produce a genuinely scary and downright creepy little horror flick. What may be the scariest tactic of all was the anticipation of what was going to happen each night the couple spent in the house. There’s so much focus and concentration on waiting to see something happen, that when something as simple as a door moving by itself does happen, it makes your hair stand on end. While the movie does pull a few cheap boo-scares, I can’t say they weren’t welcome — the sudden loud noises were jolting, but the reasons behind those noises were what made them scary. The use of the handheld camera also added to the scare factor, only showing you pieces of what’s going on at a time. in our site paranormal activity 2 online

Paranormal Activity is a terrifying movie experience, done through strategic storytelling devices, off-camera sound effects, and only the most primitive, basic special effects. By creating the fearful anticipation of what might happen each night, the film reaches heights in horror that haven’t been touched in a while. Micah and Katie were relatable and, best of all, they were real, making the events that unfold around them that much more intense and unbearable. While I thought the ending took an uncharacteristic turn from the rest of the movie, the film as a whole still provided a frightening experience and delivered what audiences everywhere have been asking for for years: a reason to sleep with the lights on for awhile, and just in time for Halloween to boot.

Grade: A- Ammon Gilbert covers the latest in horror weekly for Film.com.

View the original article on film.com

Go See: Martin Creed Work No. 850 at Tate Britain, through November 16

Monday, July 14th, 2008

Running in the Tate via Bloomberg

Head’s up to visitors of the Tate Britain: from now until November 16, every thirty seconds from 10am – 6pm, an athlete will make a fast 85 meter dash from one end of Duveen Hall to the other. While running is not normally encouraged at the Tate, this particular athletic display is actually a commissioned artwork entitled Work No. 850 by British artist Martin Creed. Creed has instructed the runners, who he recruited from athletic magazines and are being paid an hourly wage, to “run like their life depended on it.” The artwork is part of an ongoing series of commissioned contemporary sculpture in the Duveen Galleries of Tate Britain, sponsored by Sotheby’s.

Tate Britain [Tate]
Martin Creed [Martin Creed]experience of life. The runners i
Dashing Through the Tate Britain [NY Sun]
Interview with Martin Creed [Bloomberg]
Duveen Commission 2008 [ArtDaily]
An Idea with Legs [Guardian UK]
Sprinting Runners by Martin Creed [Telegraph UK]
View video of the exhibit at Artreview.com

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