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Takashi Murakami to open animation studio in Los Angeles under Kakai Kiki

Saturday, November 29th, 2008

AO On-Site – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention Center, March 23 – 25th, 2017

Thursday, March 23rd, 2017

New York – Anri Sala: “Answer Me” at the New Museum Through April 10th, 2016

Thursday, April 7th, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

New York – Mark Grotjahn: “Untitled (Captain America)” at Gagosian Gallery through February 20th, 2016

Wednesday, February 17th, 2016

Takashi Murakami Dines with Financial Times at His Studio

Sunday, June 21st, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

Milan – Takashi Murakami: “Arhat Cycle” at Palazzo Reale Through September 7th, 2014

Thursday, September 4th, 2014

Blum and Poe Looks for Move to New York City

Tuesday, June 11th, 2013

Los Angeles – Takashi Murakami: “Arhat” at Blum and Poe Gallery Through May 25th, 2013

Saturday, May 11th, 2013

AO Newslink

Thursday, April 26th, 2012

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

Don’t Miss — New York: Mark Grotjahn “Nine Faces” At Anton Kern through June 25th, 2011

Thursday, June 23rd, 2011

AO On Site Photoset – Art Basel Miami Beach 2010: Opening Reception featuring Daniel Arsham, Kaz Oshiro, Paola Pivi and Xavier Veilhan at Galerie Perrotin

Wednesday, December 1st, 2010

AO Auction Results – London: Christie’s Oct. 14th Contemporary Art Auction in London Brings in 19.6 million GBP, Hirst Sells Under Presale Estimate

Friday, October 15th, 2010

Go See – Paris: Takashi Murakami at Emmanuel Perrotin, through October 17, 2009

Tuesday, September 29th, 2009

Takashi Murakami releases preview of ‘Superflat First Love’ for Louis Vuitton

Sunday, May 10th, 2009

Go See: Takashi Murakami's New Paintings at the Gagosian Gallery, London through April 9th, 2009

Saturday, February 28th, 2009

Newslinks for Thanksgiving Day, Thursday, November 27th, 2008

Thursday, November 27th, 2008

Newslinks: Tuesday August 12, 2008

Tuesday, August 12th, 2008

Murakami keeping it surreal in Brooklyn

Monday, April 7th, 2008

Takashi Murakami

Thursday, January 3rd, 2008

Go See-Versailles: Takashi Murakami at the Château de Versailles through December 12th, 2010

Saturday, September 18th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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