Search Results

Los Angeles – Ron Nagle: “Ice Breaker” at Matthew Marks Gallery Through April 8th, 2017

Friday, March 24th, 2017

New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

TEFAF Report Marks 7% Sales Decrease in 2015

Sunday, March 13th, 2016

New York – Mark Grotjahn: “Sign Exchange 1993-1998″ at Karma Through February 7th, 2016

Friday, January 22nd, 2016

New York – Jack Greer: “Landmark” at Howard St Through August 14th, 2015

Wednesday, August 12th, 2015

New York – Mark di Suvero: “Little Dancer” at Paula Cooper Gallery Through July 3, 2013.

Wednesday, July 3rd, 2013

AO AUCTION RESULTS: DISAPPOINTMENT AT PHILLIPS DE PURY’S LONDON CONTEMPORARY ART AUCTION on june 29th AS THE SALE FELL SHORT OF PRESALE ESTIMATES

Wednesday, June 30th, 2010

AO Onsite Auction Results – New York: Art Market History witnessed at Christie’s Impressionist/Modern evening sale

Wednesday, May 5th, 2010

Don’t Miss – New York: Gary Hume, “Yard Work” at Matthew Marks Gallery through July 10th, 2009

Tuesday, June 23rd, 2009

Mark Leckey wins UK’s 2008 Turner Prize

Tuesday, December 2nd, 2008

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

Trevor Paglen, Njideka Akunyili Crosby Awarded MacArthur Genius Grants

Thursday, October 12th, 2017

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, October 5th, 2017

Friday, October 6th, 2017

New York – Harumi Yamaguchi Presented by Project Native Informant at Bridget Donahue Gallery for CONDO New York Through July 29th, 2017

Sunday, July 23rd, 2017

AO On-Site: Athens, Greece and Kassel, Germany – Documenta 14: “Learning From Athens”, On View Through September 17th, 2017

Monday, June 12th, 2017

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

London – Sigmar Polke: “Pour Paintings on Paper” at Michael Werner Through March 4th, 2017

Thursday, February 23rd, 2017

New York — “Warhol, Wool, Guyton” at Nahmad Contemporary Through January 14th, 2017

Thursday, January 12th, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York – Jonas Wood: “Portraits” at Anton Kern Through October 22nd, 2016

Monday, September 19th, 2016

Nan Goldin’s Work Profiled in NYT

Tuesday, August 16th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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