As the Armory Week begins to heat up, and turns towards the centerpiece of the week’s proceedings at Piers 92 and 94 tomorrow, the first night of SPRING/BREAK was underway at 4 Times Square. Holding its seventh edition this year, the fair has grown into one of the more enigmatic and exciting events of the week, with this year being no exception. (more…)
Archive for the 'AO On Site' Category
The early weeks of March in New York are notoriously packed with art. There’s the usual string of exhibitions and openings, coupled with the ever-growing number of art fairs taking up space across the city during Armory Art Week. With that in mind, it’s no wonder that the ADAA might look outside this marathon week in hopes of reaching a broader fair-going public. That gambit seems to have paid off this year, as the ADAA Art Show opened its doors at the end of February, setting itself apart from the mass of exhibitors opening their doors in the coming days. (more…)
Sophie Kitching, Ausblick (2018), Rasmus Søndergaard Johannsen, LL 31012018 (2018), installation view -46,08°, fffriedrich, photo by Robert Schittko
The night sky, with the reflecting light of the full moon or the gloom of the new moon, offers a polarity of attraction and rejection that not only affects natural phenomena like high and low tide but also works as a mirror for the contemplation of basic human dispositions. Gazing into the stars, the astronomical objects or their formal representation, comes from the curiosity to see what lies beneath the surface of things. This ability to go beyond the boundaries of time, space and fiction, and the fascination for the infinity of the outer space has been a constant source of inspiration for artists.
Frankfurt-based project space fffriedrich presents such parallel visual worlds in the exhibition ‘-46,08°’ featuring works by Rasmus Søndergaard Johannsen, Sophie Kitching and Anselm Schenkluhn. For all three artists, the moon and the stars function as symbols, become subjects of iconographical experiments or are actively implicated in their creative process. The works on view move between personally and scientifically oriented approaches and explore various craft techniques in their artistic development. Presence and absence, shadow, illusion and dissolution are recurring concepts in their work.
AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017Friday, December 8th, 2017
The doors have opened on the latest edition of Art Basel Miami Beach, bringing a stream of collectors and dealers into the Miami Beach Convention Center for another year of the fair’s high-profile sales, and an annual look back at the year for the art world. Commanding a roster of over 200 galleries from around the world, the marquee event of the fall market season in the U.S., and one of the biggest social events of the art world calendar has gotten underway, with thousands flocking to the sun and sand of the Florida metropolis.
Following a landmark sale last evening at Christie’s, Sotheby’s took its turn this past evening in the Impressionist and Modern category, pursuing the exceptional results its rival notched over the course of the evening. Tonight was no different, as the auction house led a wild sprint through its 67-lot sale to reach a final tally of $269,718,600. (more…)
Miami — The Bass Museum Re-opens After $12 Million Renovation with Exhibitions by Ugo Rondinone and Pascale Marthine TayouWednesday, November 1st, 2017
Located in the center of Miami Beach’s rapidly expanding art and architectural hub, The Bass Museum has finally reopened after an ambitious renovation spearheaded by principal architect David Gauld. The $12 million renovation and expansion, which adds 4,100 square feet to the existing 8,700 square feet exhibition space, as well as a brand new 5,200 square feet wing for educational programming, is the second major renovation the museum has undertaken since opening in 1964. The Bass (which was originally named the Bass Museum of Art) went through an expansion of 16,000 square feet in 2001 under the creative consultancy of Japanese architect Arata Isozaki, whose team then had included Gauld. In the new space, the New York-based architect’s vision suggests commitment to authenticity, while expanding towards new horizons in the museum-going experience. The additions of new programmable space merges with the building’s monumental integrity and refined Art-Deco façade, allowing a sophisticated vision of a global contemporary art museum under the welcoming dome of a landmark institution that has catered to local residents in Miami Beach for decades.
Situated just beyond the tourist traps of Navy Pier, the EXPO Chicago art fair attracted visitors out over the lapis waters of Lake Michigan for the sixth iteration offering another year of global arts attention on the Windy City. British artist Roger Hiorn‘s deliciously fun, foam spawning A retrospective view of the pathway is prominently placed in the front yard of the space, serving as a prominent lure for the show, and indicative of this same international flavor. As well as partnering with the Palais de Tokyo and Institut Francais for an exhibition of emerging French and Chicago artists at the DuSable Museum of African American History, the press release heralded this year as the “most global edition to date.”
Marking the final night of auctions before the market’s slow summer months, Phillips Auctions in London capped a buoyant sale that served as an emphatic close to two weeks of sales in the British capital. Moving gradually through a 31-lot sale with slow, steady bidding, many works hung on the auction block for some time, coaxed up to estimate or beyond, with only 3 works going unsold, ultimately bringing the evening to a close on a figure of £24,373,000. (more…)
Continuing a series of auctions this month in London, Christie’s capped its Impressionist and Modern Art Evening Sale tonight at its King Street location in the British capital on a relative high note. The decidedly subdued, yet well-appointed auction closed on a final tally of £149,500,000 for its 33 lot offering, with only a small fraction of works going unsold (94 per cent sold by lot) over the course of the proceedings. (more…)
The 48th edition of Art Basel opened its doors today for the first official day of its week-long run in the Swiss city, and capped its VIP preview with an impressive array of sales that underscored the fair’s lynchpin position in the summer market calendar. Attendees poured into the halls of Messe Basel early this morning, jockeying for position and a first crack at the exhibition’s premier works, and bringing down a rain of early sales that indicated a return to form for a Western market that had struggled in the past year. The hallways were packed for the opening day, with collectors Peter Brant, Don and Mera Rubell, and Uli Sigg rubbing elbows with Beatrix Ruff, Hans Ulrich Obrist, Phyllida Barlow and Wolfgang Tillmans. (more…)
Returning to New York City for its third edition, the 1:54 Art Fair touched down at Pioneer Works in Brooklyn’s Red Hook Neighborhood this weekend, bringing with it a wide range of works drawing from the fertile landscape of contemporary African art practice. Founded by curator Touria El Glaoui several years ago as a companion fair to Frieze in London, the fair has since grown to encompass fairs on both sides of the Atlantic, serving as a vital mouthpiece for contemporary African art and artists from across the continent. (more…)
AO On-Site – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention Center, March 23 – 25th, 2017Thursday, March 23rd, 2017
The Hong Kong Convention and Exhibition Center opened its doors this morning on the first hours of Art Basel Hong Kong, signaling the launch of Hong Kong Art Week in the city, and bringing crowds of collectors, dealers and other art world professionals to bear on the lengthy hallways and aisles of the event. Marking a distinct focus on the Asian market, the fair boasted an impressive look at the continent’s contemporary arts circuit, with a burst of early sales that hinted at an ongoing willingness to spend at major events. True to form, the event managed to bring out an impressive list of international VIP’s. Hans Ulrich Obrist, Melissa Chiu, and Uli Sigg could all be seen wandering the aisles of the fair, as well as Ryan Gander, Rashid Johnson, and Christo, who was presenting a survey of his work at Galerie Gmurzynska.
Gabriel Orozco’s new solo presentation takes place in Galeria Kurimanzutto, in San Miguel Chapultepec, Mexico DF. The show, which opened last month in conjunction with Zona Maco 2017, sees Orozco exploring a unique two-part exhibition that draws attention to Mexico’s core contemporary culture embedded in the everyday: its Oxxo tiendas, with their cheap consumer goods massively distributed across the country. These retail stores satisfy the daily needs of millions of Mexicans with sodas, snacks, cigarettes, toilet paper, shampoo, condoms, etc… Over the past 40 years, the Oxxo chain, subsidiary of the multinational multi-billion dollar company Femsa, has expanded to over 14,000 locations.
Gabriel Orozco, installation view, Kurimanzutto, 2017, via Art Observed
One could have been mistaken for assuming there wasn’t much a NADA New York fair during Armory Week could add to the already broad scope on both the city’s art scene and the international network that the week’s many fairs and openings already offered. Yet at the same time, NADA seems to have long prided itself on its surprises, and its first edition in Tribeca (away from its usual haunt at Basketball City on the Lower East Side) made for a timely update on the fair’s already sterling reputation in the art fair circuit.
Marking a curator-first approach to the art fair format popping up around New York this week, the sixth installment of SPRING/BREAK Art Show opened Tuesday, February 28th at 4 Times Square, a departure from its usual space at the James A. Farley Post Office midtown. Drawing on a similar concept from last year, where rows of offices allow small-scale exhibitions spread throughout the fair, SPRING/BREAK continued the mission of its founders Andrew Gori and Ambre Kelly, a diverse, freewheeling look at the varied aspects of the city’s young arts community. (more…)
Returning to its home base at the Park Avenue Armory uptown, the ADAA’s The Art Show offers a moment to reflect amid the massive offerings of contemporary work spread out across the city. It is one of the few fairs dedicated not only to recent practices, but equally to a longer view of Modern, Post-War and Contemporary Art in relation to even broader historical analogs. This focus, in combination with a more selective, curatorial approach to the fair itself, and the more restrained atmosphere of the location, gives the Art Show its own appeal, one that presents itself as equally withdrawn from the broader bustle of the art world outside its walls, and more richly engaged with the history of the field that has ultimately produced the work spread across New York this week.
Marking its eighth edition and second in its new home at Spring Studios in Tribeca, Independent NY opened shop this afternoon for another year operating in conjunction with the high-end glitz of the Armory Show several neighborhoods to the north. Offering a more nuanced, mellow browsing experience in conjunction with the fair’s invite-only exhibitor structure and immense glass windows, the fair has built a reputation as a boutique event with impressive draw, with this year only strengthening that appeal. (more…)
The doors are open and the 23rd edition of The Armory Show is underway in New York, kicking off the annual hustle and bustle of the March art calendar and its increasingly loaded week of fair sales, openings and events. Spread out across the lengthy convention center spaces on Piers 92 and 94 on Manhattan’s West Side, the fair, Benjamin Genocchio’s first as director, seems to have taken advantage of the fresh start afforded by its new leader.
Taking over the spacious halls of the Expo Reforma once again (the first time in the same location as a previous edition), the Material Art Fair opened its doors this Thursday to strong attendance and interest from collectors and attendees. Embracing an expanded floor plan for the fair without increasing its gallery count, this year’s edition of Material was distinctly walkable, as larger booths meant more space for ambitious pieces and multi-artist selections, a choice that only strengthened the show’s appeal.
As the doors of the Centro Citibanamex opened today in Mexico City, Zona Maco rolled into its 14th edition, bringing a surge in exhibitions, films, and programs to the proceedings of the yearly art fair event in the Mexican capital. Welcoming galleries from around the globe, the fair’s early-year scheduling offered something of a kick-off to the year’s market events, while offering an indication of current market strength, as well as a spotlight on the Latin American art circuit.
AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016Thursday, December 1st, 2016
After a first evening of parties in both Miami proper and Miami Beach, the main event of Miami Art Week, Art Basel Miami Beach, has opened its doors at the Miami Beach Convention Center, bringing with it another round of special projects, talks, and other installations alongside the more traditional booths. The 15th edition of the fair, which draws 269 galleries from a total of 29 countries from around the globe, was clearly feeling some tightness from a slower market, with shorter lines for the VIP Preview today, and less of a rush towards premiere works, but strong sales seemed to continue throughout the day, revealing a buyer pool that seems more invested than feverish.
Spread across the sandy vistas just off Miami Beach’s iconic Ocean Drive, Untitled Art Fair opened its doors this week for the 5th annual edition of its fair during Miami Art Week. Recognized for a curator-first mentality and a focused, yet exploratory tone, the fair’s early hours offered a striking first look at the caliber and diversity of works on view in Miami this week. The fair, has hit its stride with this year’s offering, bringing a group of exhibitors that push distinctly cohesive threads and perspectives over the course of the fair, even as each offers a singular perspective on their chosen media or discourse. (more…)
The doors are open and the 2016 edition of Frieze London is now underway, bringing a wide range of works and artists to bear on the fairgrounds at Regent’s Park in the northern part of the city. With its VIP Preview concluding today, the fair made its first big push of sales alongside the kick-off for a number of its projects and performance works, which conclude this Sunday.
New York – German Paintings: Georg Baselitz, Martin Kippenberger, Albert Oehlen at Skarstedt Gallery Through October 29th, 2016Tuesday, September 20th, 2016
Skarstedt Gallery’s 79th Street town house takes a cunning turn on the rule of threes this month, as the space shows a minimal, yet nuanced exhibition focusing on German painting. Culling together three works each from a trio of post-war innovators (Albert Oehlen, Georg Baselitz and Martin Kippenberger), the gallery allows a subtly arranged, yet distinctly felt series of interconnected themes and formal investigations over the course of the exhibition. (more…)