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AO On-Site – New York: The Armory Show Art Fair at Piers 92 and 94, March 5th – 9th, 2014

Thursday, March 6th, 2014

New York Times Previews Whitney Biennial, Opening Next Week

Sunday, March 2nd, 2014

Xu Zhen Teams with Armory Show and Citibike for Special Design

Friday, February 28th, 2014

New York – Paul McCarthy: “WS” at the Park Avenue Armory Through August 4th, 2013

Saturday, June 22nd, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

AO On-Site: The 2013 Armory Show in New York City – March 6th-10th, 2013

Friday, March 8th, 2013

100 Years On, The Armory Show Looks Back at its Definitive First Show

Sunday, February 24th, 2013

AO On Site Photoset and Video Tour – New York: Tom Sachs ‘SPACE PROGRAM: MARS’ at the Park Avenue Armory through June 17, 2012

Thursday, May 17th, 2012

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

AO On Site photoset/news summary – New York: Armory Show – The Day One Preview, March 2nd, 2011

Thursday, March 3rd, 2011

AO On Site – Armory Show 2010 Opens in New York

Friday, March 5th, 2010

Go See – New York: Ernesto Neto’s ‘anthropodino’ inaugurates the Park Avenue Armory’s Drill Hall Commission

Monday, May 25th, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

AO On Site: Creative Time presents Democracy In America at the Convergence Center in the Park Avenue Armory in New York City, September 21 through 27

Friday, September 26th, 2008

2008 Armory Show to Begin Next Wednesday, March 27

Wednesday, March 19th, 2008

Asian Art Week Continues, Sotheby's fails to sell most expensive antiquities lots

Tuesday, March 18th, 2008

NYC Seventh Regiment Armory to Become Contemporary Art Space

Tuesday, September 4th, 2007

AO On-Site – New York: NADA New York at Skylight Clarkson, March 8th – 11th, 2018

Sunday, March 11th, 2018

AO On-Site – New York: Independent NY at Spring Studios, March 8th – 11th, 2018

Saturday, March 10th, 2018

AO On-Site – New York: SPRING/BREAK Art Fair, March 7th – 12th, 2018

Wednesday, March 7th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

AO On-Site – New York: ADAA’s The Art Show March 1st – 5th, 2017

Saturday, March 4th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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