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Artists’ Open Letter Objects to Frick Expansion

Monday, May 11th, 2015

American Art Coming to a Billboard Near You

Tuesday, July 29th, 2014

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

AO On-Site: The Brooklyn Museum Gala, Wednesday, April 16th, 2014

Saturday, April 19th, 2014

AO On-Site – New York: The 26th Annual ADAA Art Show at the Park Avenue Armory, March 5th – 9th, 2014

Sunday, March 9th, 2014

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013

Artist’s Challenge Federal Ruling on Auction Royalties

Saturday, March 30th, 2013

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

AO On Site – New York: Aperture Foundation’s Sixtieth Anniversary Gala Dinner & Photography Auction, October 23rd, 2012

Friday, October 26th, 2012

New York – “Regarding Warhol: Sixty Artists, Fifty Years” At the Metropolitan Museum of Art Through December 31st, 2012

Thursday, September 27th, 2012

AO Newslink

Tuesday, September 11th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO Newslink

Sunday, May 20th, 2012

AO Newslink

Monday, May 14th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

Go See – New York: Lisa Yuskavage at David Zwirner through November 5, 2011

Thursday, October 20th, 2011

Wednesday, October 19th, 2011

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

Living Artists

Thursday, July 7th, 2011

AO Preview – Berlin Gallery Weekend Begins

Friday, April 29th, 2011

AO On Site photoset/news summary – New York: Armory Show – The Day One Preview, March 2nd, 2011

Thursday, March 3rd, 2011

AO On Site – Armory Show 2010 Opens in New York

Friday, March 5th, 2010

Go See: St. Petersburg, Russia – Newspeak. British Art Now. The State Hermitage and Saatchi Gallery through January 17, 2010

Saturday, January 9th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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