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AO Newslink

Sunday, August 5th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO Newslink

Sunday, June 10th, 2012

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

Living Artists

Thursday, July 7th, 2011

Don’t Miss – London: RCA Secret 2010 Exhibition at the Royal College of Art through November 19, 2010

Thursday, November 18th, 2010

AO on Site – London: Frieze Art Fair 2010; final image set and newslink summary

Monday, October 18th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – London: "In the Company of Alice" at Victoria Miro Gallery through July 30th, 2010

Saturday, June 26th, 2010

AO On Site – Armory Show 2010 Opens in New York

Friday, March 5th, 2010

Newslinks for Monday, November 16th, 2009

Monday, November 16th, 2009

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009

AO On Site Auction Results – London: Sotheby’s Contemporary Art Sale Friday October 16th, Overall, expectations are reached and in many cases exceeded

Friday, October 16th, 2009

Go see – London: Damien Hirst “Blue Paintings” at the Wallace Collection through January 24, 2010

Friday, October 16th, 2009

AO On Site: Glass-Half Full @ Miami Art Basel Vernissage Wednesday, Dec 2nd, 2008

Friday, December 5th, 2008

Mark Leckey wins UK’s 2008 Turner Prize

Tuesday, December 2nd, 2008

Open Letter Protests Closure of New Art Gallery Walsallfaces

Saturday, December 3rd, 2016

New York – Robert Gober: “The Heart is Not a Metaphor” at MoMA Through January 18th, 2014

Saturday, October 11th, 2014

Work by Anish Kapoor, Tracey Emin, Olafur Eliasson, among others sold at RCA Secret Annual Postcard Sale

Wednesday, November 26th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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