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London: “The Art of Chess” at Saatchi Gallery Through October 3rd

Wednesday, September 19th, 2012

London: Tino Sehgal’s ‘These Associations’ at the Tate Modern, July 24 through October 28, 2012

Wednesday, July 25th, 2012

AO Newslink

Tuesday, July 10th, 2012

AO Newslink

Thursday, June 14th, 2012

Saturday, February 11th, 2012

AO Breaking – Deutsche Bank and the Guggenheim Museum end Berlin collaboration

Monday, February 6th, 2012

Friday, November 4th, 2011

AO On Site – London: Ryan Gander Locked Room Scenario through October 23, 2011

Friday, October 7th, 2011

Don’t Miss – New York: David Zwirner “The House Without the Door” through August 5th, 2011

Thursday, August 4th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview of Mike Nelson’s “I, Impostor” at the British Pavilion

Sunday, June 5th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – New York: Luhring Augustine celebrates its 25th Anniversary through June 19th, 2010

Saturday, June 5th, 2010

AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009

Go See – London: Turner Prize ’09 at Tate Britain through January 3, 2010

Thursday, October 22nd, 2009

Antony Gormley in search of volunteers for Fourth Plinth installation at Trafalgar Square, London

Thursday, March 5th, 2009

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008

Mark Leckey wins UK’s 2008 Turner Prize

Tuesday, December 2nd, 2008

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

Richard Armstrong named new Director of the Guggenheim Foundation

Wednesday, September 24th, 2008

Newslinks For Wednesday August 27, 2008

Wednesday, August 27th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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