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AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

Frieze London Announces Projects for 2016 Edition of Fair

Monday, June 27th, 2016

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Sunday, October 18th, 2015

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

Frieze London Announces 2015 Projects

Monday, June 29th, 2015

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

Frieze London Announces “Projects” Section

Saturday, June 14th, 2014

AO Preview – London: Frieze Art Fair in Regent’s Park, October 17th-20th, 2013

Tuesday, October 15th, 2013

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO OnSite: Frieze Art Fair Has Begun in Regent’s Park in London and will run through October 18th

Friday, October 16th, 2009

Don’t Miss – Matthew Barney in L.A. at Regen

Tuesday, January 8th, 2008

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

AO On-Site – New York: The Armory Show at Piers 92 & 94, March 8th – 11th, 2018

Saturday, March 10th, 2018

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

Theaster Gates Interviewed in LA Times

Friday, February 10th, 2017

AO On-Site – Mexico City: Zona Maco Art Fair, February 8th – 12th, 2017

Friday, February 10th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 3rd – 7th, 2014

Thursday, December 4th, 2014

London – Gillian Wearing at Maureen Paley Through November 16th, 2014

Monday, November 10th, 2014

New York – “A Machinery For Living” Curated by Walead Beshty at Petzel Gallery Through August 8th, 2014

Thursday, July 24th, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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