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New York – Vito Schnabel presents “White Collar Crimes” at Acquavella Galleries, Through March 27th 2013

Tuesday, March 26th, 2013

AO On Site Miami Beach – OHWOW: “It Ain’t Fair”, Friday, December 7th, 2012

Sunday, December 9th, 2012

New York – AO Auction Results: Phillips de Pury & Co. Contemporary Evening Sale, Thursday, November 15th, 2012

Friday, November 16th, 2012

New York City – Galleries, Artists and Museums Clean Up and Recover from Hurricane Sandy as Power is Restored: Ways to Help

Saturday, November 3rd, 2012

AO On Site: New York: ‘Home Again, Again’ at The Journal Gallery, through August 3, 2012

Tuesday, July 10th, 2012

AO Auction Results — London: Phillips de Pury Contemporary Art Evening Auction, June 28, 2012

Thursday, June 28th, 2012

AO Auction Results – London: Contemporary Art Evening Auction at Phillips de Pury Realizes $12.9M for 23 of 35 Lots Sold

Wednesday, October 12th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site Interview – New York: Performance Group CHERYL at Move!, MoMA PS1

Saturday, November 13th, 2010

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

AO Onsite – New York: Rhizome’s ‘Seven on Seven’ at the New Museum Saturday, April 17th, 2010

Thursday, April 22nd, 2010

AO Breaking News: Artists Announced for 2010 Whitney Biennial in New York

Friday, December 11th, 2009

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

AO On Site: Deitch Opening: Kehinde Wiley, New York September 3, show runs through September 26, 2009

Tuesday, September 8th, 2009

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009

Newslinks for Wednesday, October 15, 2008

Wednesday, October 15th, 2008

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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