AO Auction Preview – London Contemporary and Post-War Evening Sales, October 5th – 7th, 2016

Monday, October 3rd, 2016

Jean-Michel Basquiat, Hannibal (1982), via Sotheby's
Jean-Michel Basquiat, Hannibal (1982), via Sotheby’s

With the opening days of Frieze London also come the opening forays into the secondary market for the fall calendar for the British capital, with Phillips, Sotheby’s and Christie’s each trying their hand at a market that has seen distinctly turbulent, albeit occasionally impressive results for what many are calling a sales slump.  Coming off a sluggish summer with an above expectations at Phillips’ New, Now, Next sale of young artists in the past weeks, market spectators and the odd speculator are watching the Contemporary Evening Sales closely this week.

Rudolf Stingel, Untitled (2007), via Phillips
Rudolf Stingel, Untitled (2007), via Phillips

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New York – Peter Doig at Michael Werner Through January 16th, 2016

Tuesday, December 29th, 2015

Peter Doig, Horse and Rider (2014)
Peter Doig, Horse and Rider (2014)

Following his solo exhibition at Fondazione Bevilacqua La Masa that coincided with the 56th Venice Biennale, Peter Doig is the subject of an exhibition at Michael Werner‘s Upper East Side townhouse with his new body of work.  Featuring works from the artist’s Italian debut, the selection of pieces at the gallery includes works Doig created in 2015, reflecting the Trinidad-based artist’s most recent artistic endeavors, and an expansion of his increasingly fluid and expressive hand. (more…)

London – Peter Doig: “Early Works” at Michael Werner Gallery Through May 31st, 2014

Friday, May 23rd, 2014


Peter Doig, Burger King (1984), all images courtesy Michael Werner Gallery

On view at Michael Werner Gallery in London is a show from Scottish painter Peter Doig that explores his earliest works, even ones from his student days at St. Martin’s College in London, when he was still finding his voice as a painter.  Included alongside some of the artist’s most iconic and important artworks from his first years of widespread success, the show is an intriguing study into Doig’s continually shifting and specific stylistic tendencies.


Peter Doig: Early Works (Installation View)

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Peter Doig Interviewed in the Telegraph

Monday, August 5th, 2013

In the buildup to his upcoming show at the Scottish National Galleries, Peter Doig recently sat down with The Telegraph to discuss his work, his high prices at auction, and the multifaceted appearance of much of his work.  “You try to create scenarios and atmospheres in your paintings,” Doig says. “I don’t set out to be deliberately sinister, but I always wanted to make paintings that told stories and suggested things.” (more…)

Peter Doig Speaks to Demand for his Work and How He Attempts to Ignore It

Sunday, December 16th, 2012

In 2007, Peter Doig saw his prices skyrocket, due to an auction in which his “White Canoe” sold for $11.3 million, several times over the presale estimate of $1.5 million. Overnight he became the most expensive living European artist. The following year, Tate Britian mounted a midcareer retrospective. Doig discusses how he has had to block out thoughts of the sudden spike in prices to stay focused and successful creatively. Recently, Michael Werner Gallery inaugurated its new Mayfair gallery with a solo show by the artist. Prices range from $250,000 to $3 million.
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London – “Peter Doig: New Paintings” at Michael Werner Gallery, through Dec. 22, 2012

Thursday, October 11th, 2012


Image:  Peter Doig, Painting for Wall Painters (Prosperity P.o.S.), 2010-2012, Courtesy Michael Werner Gallery

In the inauguration of Michael Werner Gallery’s new location, an exhibition of new works by Turner Prize nominee and Wolfgang Hahn Prize recipient Peter Doig opened on September 27th (his first solo exhibition in London since 2008) at 22 Upper Brook Street in Mayfair, London.

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AO Newslink

Thursday, September 6th, 2012

Scottish painter Peter Doig speaks about his life in Trinidad as he prepares for his upcoming exhibition, New Works at Michael Werner Gallery in London, opening  this September 27th. Doig, who moved to the Caribbean island ten years ago, discusses his “hoarding” of images, and how this enables him to combine mental pictures in his work. The Scottish artists works have sold for up to £6 million, making him at one time the most expensive living painter in Europe.

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AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011


Yves Klein all photos by Caroline Claisse for Art Observed

This year marked the 2nd iteration of the House of the Nobleman, a privately sponsored exhibition which took place at the Boswall House, 15,000sqft  mansion at 2 Cornwall Terrace, overlooking Regent’s Park and the Frieze 2011 Art Fair.  Art Observed was on site for the private viewing.  On view were works by Claude Monet, Auguste Rodin, Peter Paul Rubens, Edgar Degas, Max Ernst,  Damien Hirst, Marlene Dumas, Yves Klein, Lucio Fontana, Sigmar Polke, Christian Boltanski, Anish Kapoor, Nick Hornby, Matthew Day Jackson, Cecily Brown, Lucian Freud, Peter Fischli and David Weiss, Yayoi Kusama, Robert Longo, Alexander Calder, Eugenia Emets, Francesco Clemente, Salvador Dali,  Peter Doig,  Olafur Eliasson, George Condo, Takashi Murakami,  Hiroshi Sugimoto and Gerhard Richter.


Monet, Claude “ Chemin dans le brouillard”, (1879)

more images after the jump…

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AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale Realizes $28M; 20th Century Italian Art Sale Brings in $34M

Friday, October 14th, 2011


Alberto Burri, Combustione Legno, 1957 (est. $1.2-1.9 million, realized $5 million), via Sothebys.com

Sotheby’s London hosted a pair of auctions on Thursday evening that raised a combined total of $62 million. The 20th Century Italian Art sale, comprised of 58 lots, was followed by a 47-lot Contemporary Art sale. The $34 million achieved for the Italian auction was the highest total for an auction in this category, while the Contemporary sale fell just short of its $30 million low estimate. The mixed results suggest that there is money to be spent on the most desirable lots and that buyers are not willing to shell out for anything less. The sales progressed amid demonstrations outside the auction house by protestors of the company’s months-long battle with their art handlers in New York.

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Tuesday, September 20th, 2011

Scottish/Trinidadian painter Peter Doig collaborates on the Siegfried + Poster Project at the Metropolitan Opera House, inspired by Wagner’s epic Ring Cycle [AO Newslink]

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AO Auction Results – London: Christie’s Contemporary Evening Sale Realizes $127M, Bacon & Warhol Are Top Lots

Tuesday, June 28th, 2011


Francis Bacon, Study for a Portrait, 1953 (est. unpublished, realized $28.6 million), via Christies.com

Christie’s sale of Contemporary art on Tuesday night realized $127 million for 53 lots sold. The total, which fell just above the high estimate of $125 million once fees were added, is the highest for any sale at Christie’s in Europe since the boom of June 2008. The top lot was a Francis Bacon self portrait that shows a man sitting in a throne-like chair wearing a suit and glasses. The painting sold for $28.6 million against an unpublished estimate rumored to be about $17 million. A self portrait by the artist sold for $25 million at Christie’s spring sale in New York .


Andy Warhol, Mao, 1973 (est. $9.6-12.8 million, realized $11.1 million), via Christies.com

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AO AUCTION RESULTS: FEW SURPRISES AT SOTHEBY’S CONTEMPORARY EVENING AUCTION JUNE 28 LONDON

Tuesday, June 29th, 2010


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Sotheby’s Evening Contemporary Art Auction in Progress, via Sothebys.com

With the audience being described as “dazed” and “fatigued,” excitement was sparse at yesterday evening’s Contemporary Art auction at Sotheby’s in London. The sale realized a total of £41,091,800, well within the £32-52 million estimate (total realized includes buyer’s premium, estimates do not).  The sale had a sell-through rate of 83% by lot and 87.3% by value, while 45.4% of lots sold above their high estimates.


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Yves Klein, MG 42, 1960 (estimate £200,000-300,000, realized £481,250), via Sothebys.com

The headlining work, Yves Klein’s RE 49, sold for just over £6 million (estimate £4.5-6.5 million) after three minutes of bidding from four interested buyers.  The other Klein canvas for sale yesterday evening, MG 42, realized a price of £481,250, above its pre-sale estimate of £200,000-300,000. Though the works performed reasonably well, there is still concern that the market might be tiring of them. “There are too many Kleins and Fontanas in these auctions,” Dusseldorf-based art adviser Jorg-Michael Bertz said, in conversation with Bloomberg reporter Scott Reyburn. “We need a rest from them.”

More text and images after the jump…

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Go See – London: "In the Company of Alice" at Victoria Miro Gallery through July 30th, 2010

Saturday, June 26th, 2010


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Alice Neel, photographed by Sam Brody courtesy of Victoria Miro Gallery

“In The Company of Alice” is currently on view at Victoria Miro Gallery. This is a group exhibition of paintings honoring the life and work of Alice Neel. Each of the painters participating in the show drew inspiration from their admiration for Neel’s work. Some of the artists in the show often create portraits–but for others this is a new endeavor, and their very first portraits are being shown in this exhibition. “In the Company of Alice” coincides with a retrospective of Neel’s work at Whitechapel Gallery, opening on July 8th. Studying Alice Neel’s work as a point of departure for modern and contemporary portraiture, “In the Company of Alice” aims to broaden the viewer’s perspective of figuration and portraiture. The exhibition also brings forth the importance of  these modes of practice in relation to contemporary art.


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Alice Neel, Richard, 1973, courtesy of Victoria Miro Gallery

More text and images after the jump…

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AO On Site – Art Basel, Switzerland: Art 41 Basel Preview, Buyers Active

Tuesday, June 15th, 2010


Art 41 Basel, entrance view. All images by Art Observed unless otherwise noted.

AO was on site yesterday at Art 41 Basel, Switzerland, to see the 56 installations exhibited by the eleventh Art Unlimited, a museum-like forum for sizable and high-priced pieces. Installations of established masters and up-and-comers alike are characteristically oversized this year, with six pieces taking up over 200 square meters.  Despite the diversity of work, galleries, and featured artists, a distinct tonal resonance pervades Art Unlimited.  The lustrous style favored by Art Unlimited’s formative years gives way to a bold, rustic minimalism.  Although an intellectual understatement saturates this year’s Art Basel, Art Unlimited is hardly a quaint affair.  Economists and art experts alike are predicting major acquisitions for the international art elite, with a Giacometti and a Bourgeois notably up for grabs.

More images and text after the jump…
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Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010


Brown Skin, Stanislava Kovalcikova, 2010; Green Face Bar, Peter Doig and Chris Ofili, 2000; Past Tense, Embah, 2010; Port of Spain, Peter Doig and Chris Ofili, 2000. Installation view, ‘Self-Consciousness,’ via VeneKlasen Werner.

‘Self-Consciousness’ at VeneKlasen Werner, Berlin, features the portraits of 41 international artists.  Curators Hiltons Als and Peter Doig selected pieces that represent the diversity and evolution of modern portraiture: artists come from several generations, use varying media, and range from established to outsider.  ‘Self-Consciousness’ juxtaposes distinct artists and their work in such a way that questions the definable qualities of portraiture.  Despite myriad styles and genres, many of the artists share a common exploration of themes of sexuality, race, and gender.  Among the featured artists are Boscoe Holder, Giorgio de Chirico, Alice Neel, Glenn Ligon, and Chris Ofili.

More text and images after the jump…
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AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010


Country Life, Jack Pierson (2010) goes under the hammer at White Columns Live Benefit Auction, 2010. All photos by Oskar Proctor for ArtObserved.

The generosity was very evident on Saturday, May 15, when a crowd of artists, collectors and other art-world regulars packed into White Columns‘ West Village headquarters for the not-for-profit’s Annual Benefit Auction. Organized by the gallery to benefit their ongoing mission to support and expose emerging artists, the evening showcased a live auction that included work by long-time supporters of the gallery such as Anne Collier, Peter Doig, Adam McEwen, Rob Pruitt and Rirkrit Tiravanija. The live portion of the sale was complimented by a silent auction of work donated by coveted artists David Byrne, Spencer Sweeney, Andy Coolquitt and Joan Jonas, alongside contributions from newcomers such as Amy Yao and Ned Vena.

The top lots from the evening’s live auction were Peter Doig’s Musicians of the British Empire, a painting dedicated to his long-time friend Billy Childish, which sold for $62,000, and Mary Heilmann’s For Malcolm, another of the night’s music-inspired lots, which earned $22,000. Other highlights in the live sale included Wade Guyton’s Untitled, one of the sale’s lots to incorporate a record sleeve, fetched $9,500 and Anne Collier’s photograph of two copies of Norman Mailer’s book ‘Marilyn’ on her studio floor raised $19,000. The remainder of the evening was given over to the silent auction, during which time attendees can jot their bidder numbers on clipboards next to works. The works that generated the most frenzied competition in this section were the contributions of Andy Coolquit, Shio Kusaka, and Tauba Auerbach. White Columns’ famous xerox prints – 11” x 8 ½” prints produced in signed editions of 50 copies – saw great competition, most notable in this category were Ann Craven’s Heart of Gold, Adam McEwen’s Unisex and Elizabeth Peyton’s Flaubert in Egypt (After Delacroix). Another work to be picked up through the silent auction was Nigel Cooke’s title, (2007-08) which was purchased for $6,800, approximately $4,000 over its estimated retail value.

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White Columns Director, Matthew Higgs, commands the impressive sale of Peter Doig’s Musicians of the British Empire, Peter Doig (2010) Retail value: $25,000+ Price Realized: $62,000

More images and video of live auctions after the jump…..
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AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010


Dirty Brian, Nigel Cooke (2010) Retail value: $2,500 – 3,500+ Opening bid: $2,000

This Saturday, May 15, New York’s oldest alternative and non-profit art space, White Columns, will host a special reception featuring a live auction.  Silent bidding has already begun on many of the works that are currently on view at the gallery on West 13th Street, New York – and a select group of works are to be sold at the live auction, conducted by White Columns director Matthew Higgs. White Columns wanted the works in the auction to be viewed as a curated exhibition, and indeed, the works have been on view for the past two weeks.  Last Saturday White Columns hosted a preview breakfast as part of New York Gallery Week.  Director Matthew Higgs explains, “we think it is important that the donated works have a chance to be seen by a wide public, and seen within the context of an exhibition…as opposed to the works being sold at a one-night only, ticketed event.”


Fallen Angels – Julie London, David Byrne (2010) Retail value: $1,000+ Opening bid: $500

Now entering their fifth decade of operation, White Columns has supported and launched the careers of literally thousands of artists.  Founded in 1970 by Jeffrey Lew and Gordon Matta-Clark, the space is one of the first artist-run organizations  intended to promote artistic communal solidarity. Many of the 75 artists who have contributed works have a historic, or more recent, connection to the organization – emphasizing an inter-generational ‘peer’ philanthropy so inherent to not-for-profit gallery culture. Among the artists who donated works are Peter Doig, Maurizio Cattelan, David Byrne and many others.  Bidders should have the opportunity to acquire choice works at a variety of price ranges. The top lot of the live auction is Mary Heilmann’s For Malcolm – a tribute to the recently deceased London-born impresario Malcolm McLaren, the work is one of a number of music-inspired works that feature in both the silent and live auctions.

As a special feature of the 2010 benfit, Higgs invited more than 30 artists to create a new work that incorporates an existing record sleeve, or to create a work that uses a record sleeve as its point of departure.  in this section include: Nigel Cooke, Brendan Fowler, Wade Guyton, Jessica Jackson Hutchins, Jutta Koether, Josephine Meckseper, Dave Muller, David Noonan, Raymond Pettibon, Jack Pierson, Richard Phillips, Cheyney Thompson, Kelley Walker, among others.


Musicians of the British Empire, Peter Doig (2010) Retail value: $25,000+ Opening bid: $12,500

More images and lot info after the jump…..
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AO Auction Results: London – Sotheby’s Contemporary Evening Sale the second most successful contemporary auction ever held at Sotheby’s, London

Thursday, February 11th, 2010


Untitled XIV, Willem de Kooning. Estimate: £2-3 million Price Realized: £4 million

Sotheby’s auction house worked its magic again last night at their London contemporary art evening sale that totaled £54.1 million – three times the total of the equivalent sale last year and comfortably higher than its pre-sale estimate of £32.2 – 45.1 million. Of the 77 lots on offer, fifteen sold for over a million pounds and only three failed to sell. Measured in financial numbers, this is the second most successful contemporary auction ever held at Sotheby’s. 21 new artist records were set, a large number but slightly dicieving given that nineteen of these were realized by Zero Group-era artists, many of whom have never appeared in the big evening auctions. Discussing the results, Cheyenne Westphal, Sotheby’s Chairman of Contemporary Art Europe, said: “The outstanding sell-through rates, depth of bidding across the sale – particularly for Lenz – and strong prices we achieved this evening are a clear sign of renewed confidence in this market and build on the positive and strong results of our New York sale in November.

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AO Auction Preview – London: The January Post-War and Contemporary Auctions Begin at Sotheby’s

Monday, February 8th, 2010


Self-Portrait with a Black Eye, Lucian Freud. Estimate: Image via Sotheby’s

Sotheby’s auction house will kick off this week’s major round of contemporary sales in New York with an 80 lot sale that is expected to realize in excess of £32 million on Wednesday, February 10. Christie’s expect to fetch at least £26,290,000 from 52 lots at their evening sale on Thursday, February 11. In November, Sotheby’s Postwar and Contemporary Sale in New York marked a major turning point in art market history when Andy Warhol’s 200 One Dollar Bills, sold for $43,762,500 over an estimate of $8-12million. The coming week could therefore be seen as an important one in establishing price-levels in a still relatively undetermined contemporary art market – the area most heavily effected by the global recession.  The many heavyweight pieces on offer this week undoubtedly reflect a confidence in sellers resulting from November’s impressive sale – the sales are spearheaded by important and rare works by Peter Doig, Yves Klein, Lucian Freud, Gerhard Richter, Chris Ofili, Neo Rauch and Martin Kippenberger. Contemporary week also falls in the wake of the incredible $104.3 million sale of Giacometti’s “L’homme qui marche I” (The Striding Man I) at Sotheby’s that set a new world record by becoming the most expensive work of art ever sold at auction. This week overall, Sotheby’s and Christie’s expect to bring in at least $365.3 million combined, $144.6 million in 2009, up from $332.5 million in February 2008.

More text, images and related links after the jump….

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AO On Site Auction Results – New York: Christie’s Post-War and Contemporary Sale Tuesday November 10, 2009 – Top Lots Go Unsold

Wednesday, November 11th, 2009


Large Vase of Flowers, Jeff Koons. Sold by Benedict Tashcen to Dominique Levy for $5,682,500. All images via Christie’s

Last night Christie’s, New York brought-in a total of $74,151,500 from the sale of 39 lots at their Post War & Contemporary sale. While this figure falls within the pre-sale estimate of $64 – 88 million, and an impressive 21 lots sold for over the $1million mark, the sum is still a strong step down in comparison to that acquired from last year’s Fall Contemporary Auction at Christie’s which brought in $113.6million for a 43 lot sale.  In the end, major marquee works went unsold.  After a remarkable Impressionist and Modern auction at Sotheby’s last week, rumors were flying that the Art Market was flourishing once again – however, it now appears that the art world may have spoken too soon.


Reflection (What does your soul look like),Peter Doig

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AO On Site Auction Results – London: Christie’s Post-War & Contemporary Art Evening Sale Friday October 16th, exceeds expections of conservative estimates

Saturday, October 17th, 2009


Paris Bar, Martin Kippenberger

To celebrate Frieze Art Fair, currently underway in London’s Regent’s Park, Christie’s auction house held a series of auctions selling Post-War and Contemporary Art – the most notable of which occurred last night, October 16, and saw many record-breaking sales. The presale estimate for the evening auction was £6.8 million and in the end all but 1 of the 25 contemporary works sold, totaling £11.2 million.  It is of course relevant to note that the totals are down incredibly from last year’s estimates of  £57.8 million – £75.6 million for Christie’s Contemporary Art Evening Sale in London on Sunday, October 19th of last year.  That said, the leading highlights included significant works by Peter Doig, Martin Kippenberger, Damien Hirst, Gerhard Richter, Neo Rauch, Dash Snow, Pino Pascali and a rare, early rediscovered drawing by Lucian Freud. All sale totals stated in this article include buyer’s premiums and come directly from Christie’s official website or courtesy of The Baer Faxt.


Stellwerk (Signal Box), Neo Rauch

Related Links:
Christie’s Homepage
Christie’s Sells $18.3 million, Lures Buyers with Low Estimates [Bloomberg]
Sotheby’s and Christie’s Auction Within Estimates [Reuters]
Auction Reports: post-war and contemporary art [The Art Newspaper]

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Newslinks for Monday September 27th 2009

Monday, September 28th, 2009


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Installation view of Anish Kapoor’s work at the Royal Academy of Arts in London via BBC

Anish Kapoor, the first living artist to exhibit at the Royal Academy of Arts in London, installs a work that shoots red paint to the walls of the famed 18th century building [The Wall Street Journal]
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Jeff Koons to be the curator of the New Museum show of Dakis Joannou’s collection, including works by Maurizio Cattelan, Urs Fischer, Robert Gober, Chris Ofili, and Jeff Koons himself
[The New York Times]
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Russia’s biggest contemporary-art fair opened September 23, 2009 in Moscow to coincide with Third Moscow Biennale of Contemporary Art
[Bloomberg]
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Donald Fischer, founder of Gap and art collector, loses his battle to cancer at 81; his collection will be permanently housed at San Fransisco Museum of Modern Art
[San Francisco Chronicle]
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Artist Ed Ruscha stars in a film by video artist Doug Aitken to be projected as installation entitled “Frontier” on Tiberina island in Rome
[The Art Newspaper]
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Andreas Gursky, his works and Pop influences, mainly Warhol’s, as analyzed in the Economist conclude “99 cents II (Diptych)” as the artist’s most important piece
[Economist]


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Ryan McGinness via J. Crew

Last summer painter Alex Katz modeled clothes for J. Crew catalog; this year seven New York artists, including Ryan McGinness and Vito Acconci, are featured [J.Crew]
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Tate Modern to recreate a 1992 exhibition that took place in New York’s Leo Castelli and was criticized as racist; 15 years later Tate curators appropriate the show as a part of a bigger Pop Life: Art in a Material World exhibit and hope for a different reaction
[The Independent]
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A Sigmar Polke painting, Untitled – Oil on Drape (1969), stolen directly from the artist’s atelier, the police deliberates the thief could only be someone with access to the space
[Artforum]
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Frieze Art Fair 2009 announces the details of its sculpture park, in London’s Regent’s Park; “Henry Moore Bound to Fail” by American artist Paul McCarthy is to remain on display for six months
[Frieze Art Fair]


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Guggenheim Museum Art Award via The New York Times

Louise Bourgeois, Urs Fischer, Dan Graham and Mary Heilmann are among the select individuals nominated for the First Annual Art Awards Guggenheim Museum announced this week [The New York Times] In related, the Frieze Art Fair announced the call for entries to The Cartier Award 2010 [Art Review]     
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Results from Sotheby’s mid-season Contemporary Art Sale
details at Art Market Monitor [Sotheby’s]
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The British Arts Council and the London 2012 organization announce Anthony McCall as a finalist in their nationwide initiative to commission public art in celebration of the upcoming Olympics. McCall has proposed a 1,5 mile earth sculpture in the form of a simulated vertical cloud in Liverpool [ArtInfo]
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A detailed survey of Contemporary-Art Auction values in the midst of economic crises as influenced by several variables, show a significant decrease [Bloomberg]
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65 year old Jehuda Reinharz, President of Brandeis University- home to Rose Art Museum housing works by artists such as Warhol and De Kooning, is to resign [Los Angeles Times]


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Sophie Calle photographed by Yves Geant via Guardian UK

France’s conceptual artist Sophie Calle’s path to art world recognition as examined through a personal perspective: stripping, spying, sleeping, “seducing her father” all turned into artistic practice [Guardian UK]
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At Westminster Cathedral, British painter Peter Doig is to create a new installation to coincide with a concert from the British pianist Stephen Hough whom he met after a recital in London in 2008 [Art Review]
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Two new co-directors, both previously with Art Basel, promote this year’s Art Forum Berlin to attract some of the city’s big name art galleries, among which: Max Hetzler, Johann König, Klosterfelde and Neugerriemschneider [Financial Times] and here is some video of the event [Vernissage TV]
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60 Galleries are not returning to Art Basel Miami Beach, but 65 new ones are added, hence the fair grows in quantity [Lindsay Pollock]


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Picasso’s sketch to be auctioned via Guardian UK

Picasso’s sketch that must have taken seconds to produce is expected to sell for more than £20,000 at Duke’s auction [Guardian UK]
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Christie’s “First Open” Post-War and Contemporary Art sale brings in good results, appealing to many buyers while providing a wide range of pricing and themes [Art in America]
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Christie’s Frieze exhibitions and auctions dedicated to Post-War and Contemporary Art will include works by artists such as Lucio Fontana, Damien Hirst and Gerhard Richter [ArtDaily]
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Museum of Contemorary Art in Los Angeles raises $60 million since December 2008 when it had revealed its financial troubles
[Culture Monster]
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Annie Leibovitz and Damien Hirst to design for Louis Vuitton [Elle UK]

SILLINESS OF TODAY’S HORROR MOVIES INSPIRATION FOR WAYANS BROTHERS.(What’s Happening)

Seattle Post-Intelligencer July 14, 2000 Most fans just laugh at how silly horror movies have become. Three of filmdom’s Wayans brothers decided to parlay their reaction into real laughs in “Scary Movie.” “It’s like `Airplane,’ ” says director Keenan Ivory Wayans. “Those guys knew that the disaster genre had been beaten to death.

“In horror, you’ve had the Jason series, the Freddy series, the `Scream’ series. This genre’s been played to death. . . . Same thing with `Don’t Be a Menace . . . ‘ You had `Boyz N the Hood,’ `South Central.’ ” The makers of “Scary Movie,” which had a huge opening last weekend, are no strangers to parody. Wayans targeted blaxploitation films when he wrote, directed and starred in the 1988 comedy “I’m Gonna Git You Sucka.” He also acted in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” the 1996 comedy written by and starring younger brothers Shawn and Marlon Wayans. in our site horror movies 2010

“If you can find a genre’s that’s beaten itself to death and has sort of ingrained itself in popular culture, then it’s ripe for parody,” says Keenan, 42.

“Scary Movie” originated with Shawn, 29, and Marlon, who’ll turn 28 on July 23. “All they do all day is call me,” Keenan Wayans said in an interview. “They sit in the house, and they call me, like, four times a day, going, `Is there something in this?’ And I’ll go, `No, that’s ridiculous.’ “And then they called me and said, `Is there something in the idea of doing a parody of all these teen horror movies?’ And I said, `Yeah, there’s definitely something in that.’ ” The younger Wayanses got together with Buddy Johnson, who’d served as executive story editor on their WB sitcom “The Wayans Brothers,” and Phil Beauman, who co-wrote “Don’t Be a Menace” and wrote for “In Living Color,” the sketch-comedy show created by Keenan in the early ’90s, and wrote a script. in our site horror movies 2010

“And 10 drafts later . . . it got made,” says Keenan. (Two other writers who’d come up with a similar idea are also credited because Miramax bought their script to avoid legal hassles.) Inspiration for “Scary Movie” came from sitting in theaters, watching the recent horror films and seeing how ridiculous they were, Marlon Wayans says.

“The first `Scream’ was good,” he says. “Then they do the sequel and they do `I Know What You Still Did Last Summer’ and . . . `Urban Legend.’ ” “Scary Movie” goofs on all the usual suspects plus “The Usual Suspects,” “The Sixth Sense,” and “The Blair Witch Project.” Marlon and Shawn wrote parts for themselves, naturally, but neither of them is the main character.

While the “Scream” films satirize the horror genre, “they just heightened where you need to go in terms of showing comedy,” says Marlon Wayans. “They make commentary. We show.” “They had an actual, real killer,” says Shawn Wayans. “We had a killer, but we made fun of what was funny about the killer in those movies.” “Scary Movie” also follows in the footsteps of gross-out comedies such as “There’s Something About Mary” and “South Park: Bigger, Longer & Uncut.” “ `Something About Mary’ and `South Park’ kind of opened up the door,” says Marlon Wayans. “What you do is, you go, `OK, y’all like that? Well, wait till you get a load of this!’ “What we’re doing with the comedy, pushing the envelope like that, is making a parody statement itself. Like, `Look at all the crazy things that people are doing out there.’ And teens love it.” What the Wayanses love is working with each other. Even though they couldn’t come up with roles for brother Damon or sister Kim, “Scary Movie” was a family affair.

Marlon and Shawn expect to continue collaborating. “I like working with him,” says Marlon. “I slept in a bed with him for 16 years. I had his feet in my face my whole life, so this is my best friend.” As for having big brother direct, that was a no-brainer. “Keenan is great,” says Shawn. “I think he’s a genius, and we totally respect his work. He taught us everything we know about comedy and just about life, period.

“It’s kind of like he’s been the director of our life anyway.” Adds Marlon: “So to finally get paid to be bossed around, hey!”

Go See – New York: “Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection” at the MOMA, Through January 4, 2010

Monday, September 7th, 2009


“Camp Forestia” (1996) by Peter Doig. Via NY Times.

On view now until early 2010, the Museum of Modern Art (MoMA) has opened the Judith Rothschild Foundation Contemporary Drawings Collection, which was originally acquired in 2005. The exhibit features over 2,500 contemporary works and surveys “various methods and materials within the styles of gestural and geometric abstraction, representation and figuration, and systems-based conceptual drawings.” Artists showcased in the exhibition include Lee Bontecou, Joseph Beuys, Donald Judd, Hanne Darboven, Elizabeth Peyton, John Currin, Amelie von Wulffen, Mona Hatoum, Lucy McKenzie, Paulina Olowska, Nate Lowman, and more.


“Untitled” by Kai Althoff (2004). Via NY Times.

Related Links:
Compass in Hand: Selections from The Judith Rothschild Foundation [MoMA]
Video – Compass in Hand: Curator Christian Rattemeyer discusses the exhibit [MoMA]
MoMA Pushes the Envelope in Works on Paper [NY Times]
Compass in Hand: Selections from the Rothschild Foundation [Art in America]
Compass in Hand: Art Review [ArtSlant]

(more…)

AO Auction Results: Christie’s Contemporary Art Evening Sale, London, Tuesday, June 30, 2009 – Another ‘solid’ sale in a diminished market

Wednesday, July 1st, 2009


Peter Doig’s ‘Night Playground’ sold for £3 million, beating estimates of £1.5-2 million, via Artinfo

Rounding out the summer auctions, Christie’s Post-War and Contemporary Evening Sale took in £19.1 million, coming in around the lower end of estimates of £17.4-24 million.  35 out of 40 lots sold, with rates of 88% by lot and 86% by value.  The top selling lot was a large Peter Doig painting, ‘Night Painting,’ which sold for £3 million, quite above estimates of £1.5-2 million. According to the NY Times, collector François Pinault was overheard calling the sale “solid” and “serious.” Though the total value realized represents a 78% drop from last year, the high sell-through rate, consistent among the fine art auctions this season, shows that the market has settled enough for the auction houses to accurately gauge what buyers want.

Post-War and Contemporary Art Evening Auction [Christie’s]
Bidding Is Thin at Christie’s in London [NY Times]
Doig, Richter Sell as Christie’s London Auction Total Drops 78% [Bloomberg]
Market Motors Along at Christie’s Contemporary Sale [Artinfo]
Lot by Lot: Christie’s London Cont. Evening Sale [Art Market Monitor]
Lots of Profit at the Top [Artinfo] (more…)