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New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

Living Artists

Thursday, July 7th, 2011

Go See – Stockholm: Gardar Eide Einarsson ‘Power Has a Fragrance’ at Bonniers Konsthall through June 12, 2011

Thursday, March 3rd, 2011

AO On Site (with photoset) – New York: Benefit for The Foundation for Contemporary Arts held at Lehmann Maupin Gallery, Lower East Side, Thursday, December 9th, 2010

Friday, December 10th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO Onsite Auction Results: A rare self-portrait by Andy Warhol headlines Sotheby’s Contemporary evening sale Wednesday, May 12th, in New York

Thursday, May 13th, 2010

AO Onsite: BOMB Magazine’s 29th Anniversary Gala & Silent Auction at the National Arts Club, New York – Tuesday, April 27, 2010

Wednesday, April 28th, 2010

Go see – Los Angeles: ‘Collection: MoCA’s first thirty years’ Museum of Contemporary Art through May 3rd

Friday, December 18th, 2009

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009

New York artist Dash Snow dies from drug overdose at 27

Tuesday, July 14th, 2009

Go See: ‘Introducing Aaron Young’ at Galerie Almine Rech in Paris through June 6, 2009

Wednesday, April 22nd, 2009

Go See: Group Exhibition Espèces d’Espaces at Yvon Lambert New York, through May 16, 2009

Wednesday, April 1st, 2009

AO November Auction Roundup 3 of 5: Christie’s Post-War and Contemporary Art, New York, Wednesday, November 12th: Basquiat’s “Boxer” sells while the Bacon does not, “The market is adjusting down”

Sunday, November 16th, 2008

Lower East Side Gallery Rivington Arms to close in January

Thursday, November 6th, 2008

Embattled Lehman Brothers CEO and wife to auction $20 million of post-war and contemporary art through Christie’s

Saturday, September 27th, 2008

Newslinks for Sunday August 17th, 2008

Sunday, August 17th, 2008

AO on Site: Closer Now – Opening at Rivington Arms

Saturday, January 19th, 2008

Matthew Marks

Tuesday, December 25th, 2007

Serra's monumental "Forty Years" review at MoMA

Friday, June 1st, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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