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New York – “The Horizontal” at Cheim & Read Through August 31st, 2017

Wednesday, July 19th, 2017

Lisson Gallery to Represent Leon Polk Smith

Monday, June 12th, 2017

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO On-Site – New York: The ADAA Art Show at Park Avenue Armory, March 1st – 6th, 2016

Monday, March 7th, 2016

AO Preview – New York: Armory Week, March 1st – 6th, 2016

Tuesday, March 1st, 2016

A Look Inside One Senior Home’s Exceptional Collection of 20th Century Art

Tuesday, January 26th, 2016

New York – New York Art Book Fair at MoMA PS1, September 17th – 20th, 2015

Monday, September 21st, 2015

London – Agnes Martin at Tate Modern Through October 11th, 2015

Tuesday, September 8th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

Hedge Fund Billionaire Ken Griffin Donates $10 to MCA Chicago

Tuesday, February 24th, 2015

North Carolina Museum of Art Gifted with Major Collection of Works

Tuesday, January 13th, 2015

AO On-Site – Paris: FIAC at Grand Palais and (OFF)ICIELLE at The City of Fashion and Design, October 22nd-26th, 2014

Friday, October 24th, 2014

Corcoran Gallery of Art Teeters on Dissolution

Thursday, July 31st, 2014

New York – “The Shaped Canvas, Revisited” at Luxembourg & Dayan Through July 3rd, 2014 2014

Wednesday, July 2nd, 2014

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

Chelsea Gallery Defies The Traditional White Gallery Space

Wednesday, June 11th, 2014

New York – Nate Lowman: “Rave the Painforest” at Maccarone Gallery Through May 10th, 2014

Saturday, May 10th, 2014

New York – “Sculpture” at Matthew Marks Gallery Through April 19th, 2014

Monday, March 24th, 2014

AO On-Site – New York: The 26th Annual ADAA Art Show at the Park Avenue Armory, March 5th – 9th, 2014

Sunday, March 9th, 2014

Sachs Family Donates Major Gift to Philadelphia Museum of Art

Friday, January 10th, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

New York: Robert Indiana: “Beyond Love” at the Whitney Museum Through January 5th, 2013

Monday, October 28th, 2013

Buffalo – Robert Therrien at the Albright-Knox Museum Through October 27th, 2013

Wednesday, September 4th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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