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AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO on Site – Stockholm: Sturtevant ‘Image over Image’ at Moderna Museet through August 26, 2012

Tuesday, April 10th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – New York: Paul Thek “Diver: A Retrospective” at the Whitney Museum through January 9th, 2011

Monday, December 27th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Go See – New York: ‘Your Gold Teeth II’ curated by Todd Levin at Marianne Boesky Gallery through August 15, 2009

Saturday, July 25th, 2009

Newslinks for Tuesday July 14, 2009

Tuesday, July 14th, 2009

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Saville's Saguinary Suspension

Monday, August 13th, 2007

Christoph Buchel’s Mess MoCA

Tuesday, July 24th, 2007

New York – Rita Ackermann: “Kline Rape” at Hauser & Wirth Through January 14th, 2017

Wednesday, January 4th, 2017

AO On Site – Venice: The Unofficial Palestine Pavilion at 2013 Venice Biennale – Otherwise Occupied

Wednesday, June 5th, 2013

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

AO On Site: 6th Berlin Biennial for Contemporary Art: La Monnaie Vivante after Pierre Klossowski, staged by Pierre Bal-Blanc

Friday, July 2nd, 2010

Go See – Amsterdam: The Russian Hermitage Museum’s new Permanent Site in Amsterdam – Inaugural Exhibition ‘At The Russian Court’ through January 31, 2010

Thursday, July 16th, 2009

Go See: David Salle’s “Distance from Nowhere” at Kestnergesellschaft in Hannover, Germany through June 21, 2009

Wednesday, May 20th, 2009

Go See: Gerhard Richter's Portraits at the National Portrait Gallery in London through May 31st 2009

Tuesday, May 12th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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