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AO – Auction Results: Christie’s Post War and Contemporary Art Evening Sale, May 12, 2013

Wednesday, November 13th, 2013

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 18th, 2013

Friday, October 18th, 2013

New York – Dieter Roth: “wait, later this will be nothing” at the MoMA, through June 24th 2013

Monday, June 17th, 2013

New York – AO Auction Results: Phillips Contemporary Evening Sale, Thursday May 16, 2013.

Friday, May 17th, 2013

AO auction preview: Major Post-War & Contemporary Art Evening Sales, New York, May 14-17. 2013.

Monday, May 13th, 2013

Contemporary Art Auction Week In London – Recap

Saturday, February 16th, 2013

On the “co-dependency” of Painting and Photography in a Digital Era

Thursday, December 27th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday, November 13th, 2012

Wednesday, November 14th, 2012

AO Auction Results — London: Phillips de Pury Contemporary Art Evening Auction, June 28, 2012

Thursday, June 28th, 2012

AO Onsite Auction Results – London: Christie’s Post-War and Contemporary Art Sale on Wednesday February 16, 2011 Realizes £61.4 million ($99.2 million); Warhol & Martial Raysse Are Top Lots

Wednesday, February 16th, 2011

AO Onsite Auction Results: Carte Blanche & Contemporary Evening Sales at Phillips de Pury in New York on Monday Nov. 8 Together Realize $137M; Warhol sells for $63.4M

Monday, November 8th, 2010

Go See – New York: Tauba Auerbach at The Whitney Downtown through August 29th, 2010

Thursday, August 12th, 2010

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008

Friedrich Petzel

Tuesday, December 25th, 2007

NYT Profiles Dijon’s Forward Thinking Le Consortium Space

Wednesday, June 22nd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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