Search Results

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 18th, 2013

Friday, October 18th, 2013

New York – Dieter Roth: “wait, later this will be nothing” at the MoMA, through June 24th 2013

Monday, June 17th, 2013

New York – AO Auction Results: Phillips Contemporary Evening Sale, Thursday May 16, 2013.

Friday, May 17th, 2013

AO auction preview: Major Post-War & Contemporary Art Evening Sales, New York, May 14-17. 2013.

Monday, May 13th, 2013

Contemporary Art Auction Week In London – Recap

Saturday, February 16th, 2013

On the “co-dependency” of Painting and Photography in a Digital Era

Thursday, December 27th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday, November 13th, 2012

Wednesday, November 14th, 2012

AO Auction Results — London: Phillips de Pury Contemporary Art Evening Auction, June 28, 2012

Thursday, June 28th, 2012

AO Onsite Auction Results – London: Christie’s Post-War and Contemporary Art Sale on Wednesday February 16, 2011 Realizes £61.4 million ($99.2 million); Warhol & Martial Raysse Are Top Lots

Wednesday, February 16th, 2011

AO Onsite Auction Results: Carte Blanche & Contemporary Evening Sales at Phillips de Pury in New York on Monday Nov. 8 Together Realize $137M; Warhol sells for $63.4M

Monday, November 8th, 2010

Go See – New York: Tauba Auerbach at The Whitney Downtown through August 29th, 2010

Thursday, August 12th, 2010

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008

Friedrich Petzel

Tuesday, December 25th, 2007

NYT Profiles Dijon’s Forward Thinking Le Consortium Space

Wednesday, June 22nd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
Read More »

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
Read More »

Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
Read More »