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Go See – Berlin: Glenn Brown at Max Hetzler Gallery, until May 28th, 2011

Sunday, May 15th, 2011

Art News – New York: Chuck Close and Kehinde Wiley collaborate With ShowMedia and Art Production Fund on Taxi Cab Adverts Through January

Monday, January 10th, 2011

Don’t Miss – London: RCA Secret 2010 Exhibition at the Royal College of Art through November 19, 2010

Thursday, November 18th, 2010

Go See – New York: 'Off the Wall: Part One, Thirty Performative Actions' at the Whitney Museum of American Art, through September 19th, 2010

Tuesday, July 20th, 2010

Newslinks for Monday, November 16th, 2009

Monday, November 16th, 2009

AO News Summary: Agreement reached between Annie Leibovitz and Art Capital Group

Monday, September 14th, 2009

Go See – New York: ‘WHITE NOISE’ at James Cohan Gallery through August 12, 2009

Wednesday, July 29th, 2009

Go See – New York: ‘Your Gold Teeth II’ curated by Todd Levin at Marianne Boesky Gallery through August 15, 2009

Saturday, July 25th, 2009

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009

2009 Venice Biennale – Art Observed summary of press preview weekend

Tuesday, June 9th, 2009

53rd Venice Biennale Art Exhibition Previews today, Opens to public June 7th

Wednesday, June 3rd, 2009

Newslinks for Sunday, March 8th, 2009

Sunday, March 8th, 2009

Zaha Hadid’s Chanel Mobile Art Space coming to Central Park October 20th to November 9th

Monday, July 28th, 2008

Deitch Projects

Tuesday, December 25th, 2007

AO On-Site – LA Art Show at The Los Angeles Convention Center January 23rd through January 27th, 2013

Monday, January 28th, 2013

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

Go See – New York: Allan Kaprow Yard at Hauser & Wirth through October 31, 2009

Sunday, September 27th, 2009

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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