Search Results

Turner Prize Winner Steve McQueen Prepares Release of New Film, “12 Years a Slave”

Wednesday, October 16th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site – New York: New Museum Triennial Exhibition ‘The Ungovernables’ through April 22, 2012

Tuesday, March 6th, 2012

Friday, September 9th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site (with photoset) – New York: Benefit for The Foundation for Contemporary Arts held at Lehmann Maupin Gallery, Lower East Side, Thursday, December 9th, 2010

Friday, December 10th, 2010

Don't Miss- New York: John Baldessari "Sediment (Part 2)" at Marian Goodman through December 4, 2010

Sunday, November 28th, 2010

AO News Summary: Jorge Pardo wins $500,000 MacArthur ‘Genius’ Grant

Wednesday, September 29th, 2010

AO Onsite – New York: Project on Creativity with Chuck Close at the New Museum, Wednesday, May 26th, 2010

Monday, May 31st, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Don’t Miss – Middlesbrough, UK: Ellsworth Kelly at Middlesbrough Institute of Modern Art through February 21, 2010

Monday, February 15th, 2010

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009

Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York through May 2, 2009

Tuesday, March 31st, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

Go See: Hernan Bas at the Brooklyn Museum, New York, through May 24, 2009

Monday, March 2nd, 2009

Go See: The Glamour Project group show at Lehmann Maupin in New York, through March 21, 2009

Friday, February 27th, 2009

Go See: Elizabeth Peyton at the Aldrich Contemporary Art Museum, Connecticut, through November 16

Tuesday, July 29th, 2008

Pipilotti Rist

Thursday, January 3rd, 2008

Jean-Pierre Lehmann

Tuesday, December 25th, 2007

Gallery openings this weekend

Thursday, October 18th, 2007

Auction Results – London: Sotheby’s Postwar & Contemporary Evening sale, Friday, October 12th, 2012

Friday, October 12th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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