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Mexican Art World Suffers in Wake of Anti-Drug Money Laundering Law

Friday, September 19th, 2014

New York – “Here and Elsewhere” at the New Museum Through September 28th, 2014

Wednesday, September 10th, 2014

London – Gilbert & George: “Scapegoating Pictures for London” at White Cube Through September 28th, 2014

Sunday, September 7th, 2014

New York – Rene Ricard: “Remember” at Half Gallery Through September 8th, 2014

Friday, September 5th, 2014

Annandale-on-Hudson – Anne Collier at CCS Bard Galleries Through September 21st, 2014

Friday, August 29th, 2014

New York – Scott Benzel at Maccarone Through August 8th, 2014

Wednesday, August 6th, 2014

A Personalized Room for a Francis Bacon Triptych

Friday, August 1st, 2014

New York-“Fin(n)ish” at RARE Gallery Through August 7th, 2014

Thursday, July 31st, 2014

Statue Breaks World Record for Highest Sale of Ancient Egyptian Art

Wednesday, July 16th, 2014

New York – G.T. Pellizzi: “Financial Times” at Mary Boone Gallery, Through March 1st, 2014

Friday, February 28th, 2014

New York – Laure Prouvost: “For Forgetting” at The New Museum Through April 13th, 2014

Saturday, February 22nd, 2014

Paris – “Decorum: Carpets and Tapestries by Artists” at Musée d’Art Moderne, through February 9th 2014

Monday, February 3rd, 2014

New York – Isa Genzken: “Retrospective” at MoMA Through March 10th, 2014

Tuesday, January 21st, 2014

W Magazine Goes Inside the Hudson Home of Two New York Collectors

Thursday, January 2nd, 2014

New York Court Preserves Auction Sellers’ Option for Anonymity

Sunday, December 22nd, 2013

AO Interview, Miami Beach – Ry Rocklen’s “Night Court” Absolut Art Bar, December 3rd – 7th, 2013

Friday, December 13th, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

Los Angeles – Cecily Brown at Gagosian Gallery, Beverly Hills Through October 12th, 2013

Wednesday, September 25th, 2013

New Yorker Revives Apology Line

Monday, August 19th, 2013

New York – Bruce High Quality Foundation: “Ode to Joy (2001-2013)” at the Brooklyn Museum Through September 22nd, 2013

Thursday, July 11th, 2013

AO Auction Results: Post-War and Contemporary Evening Auctions in London, June 2013

Friday, June 28th, 2013

AO Auction Results – Modern and Impressionist Evening Auctions in London, June 18th-19th, 2013

Friday, June 21st, 2013

AO – Auction Results: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, May 8th, 2013

Thursday, May 9th, 2013

Picasso’s “Child With Dove” to Leave the UK for Private Owner

Monday, March 11th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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