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Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010

AO on site – New York: Terence Koh’s “Art History: 1642 – 2009,” at the National Arts Club as part of Performa 09

Friday, November 20th, 2009

AO On Site – Basel: ART 40 BASEL opened today, initial reports indicate solid activity

Wednesday, June 10th, 2009

Newslinks for Thursday, May 28, 2009

Thursday, May 28th, 2009

Newslinks for Monday, April 13, 2009

Monday, April 13th, 2009

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Newslinks: Saturday May 30, 2008

Sunday, June 1st, 2008

AO REVIEW: Brazil’s artmarket at past week’s ARC08 Fair, Spain

Thursday, February 21st, 2008

Matthew Marks

Tuesday, December 25th, 2007

Go See – London: Yuri and Konstantin Shamanov (aka the Chapman brothers) "Good News" in Orel Art, through September 26, 2009

Friday, July 31st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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