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Newslinks for Thursday, May 28, 2009

Thursday, May 28th, 2009

Newslinks for Monday, April 13, 2009

Monday, April 13th, 2009

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Newslinks: Saturday May 30, 2008

Sunday, June 1st, 2008

AO REVIEW: Brazil’s artmarket at past week’s ARC08 Fair, Spain

Thursday, February 21st, 2008

Matthew Marks

Tuesday, December 25th, 2007

Go See – London: Yuri and Konstantin Shamanov (aka the Chapman brothers) "Good News" in Orel Art, through September 26, 2009

Friday, July 31st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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