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New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale Realizes $28M; 20th Century Italian Art Sale Brings in $34M

Friday, October 14th, 2011

Living Artists

Thursday, July 7th, 2011

AO Auction Preview – London: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions February 15-17, 2011

Monday, February 14th, 2011

Don’t Miss – London: “Crash, Homage to J.G Ballard” at the Gagosian London through April 1, 2010

Saturday, March 27th, 2010

Newslinks for Monday, July 20th, 2009

Monday, July 20th, 2009

Newslinks for Tuesday, June 2, 2009

Tuesday, June 2nd, 2009

Newslinks for Wednesday, March 4, 2009

Wednesday, March 4th, 2009

Go See: Red October Chocolate Factory at Gagosian in Moscow, September 18 through October 25, 2008

Friday, September 19th, 2008

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 3rd – 7th, 2014

Thursday, December 4th, 2014

AO Auction Recap – New York: Sotheby’s Contemporary and Post-War Evening Sale, November 11th,2014

Tuesday, November 11th, 2014

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – New York: 12th Annual RxArt Auction and Party At Milk Gallery, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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