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Iraqi Venice Pavilion to Feature Both New Work and Iraqi Artifacts

Wednesday, June 22nd, 2016

Cecelia Alemani to Curate 2017 Italian Pavilion in Venice

Tuesday, April 26th, 2016

Erwin Wurm and Brigette Kowanz to Represent Austria Next Year in Venice

Tuesday, April 5th, 2016

Venice Court Rejects Fast-Track Request to Reopen Icelandic Pavilion

Wednesday, August 12th, 2015

Icelandic Art Center Sues to Reopen Venice Mosque Installation

Tuesday, July 28th, 2015

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

Venice and New York – Aurel Schmidt’s Pop-Up Exhibition “New Gods” at Cannaregio, 5825 Venice and New York on St. Marks Place

Friday, May 29th, 2015

Venice – Jimmie Durham: ‘Venice: Objects, Work and Tourism’ at Fondazione Querini Stampalia through September 20th, 2015

Wednesday, May 20th, 2015

Biennale Golden Lions Announced: Adrian Piper for Best Artist, Armenia for Best Pavilion

Sunday, May 10th, 2015

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

Venice – Peter Doig at Fondazione Bevilacqua La Masa Through October 4th, 2015

Saturday, May 9th, 2015

Venice – Jenny Holzer: “War Paintings” at the Museo Correr Through November 22nd, 2015

Friday, May 8th, 2015

Venice – Cy Twombly: “Paradise” at Ca’ Pesaro International Gallery of Modern Art Through September 16th, 2015

Thursday, May 7th, 2015

Kenyan Government Denounces Pavilion at Biennale

Sunday, April 26th, 2015

Venice’s Accademia Announces Expansion Plan

Wednesday, December 17th, 2014

Sarah Lucas Selected for 2015 British Pavilion Exhibition in Venice

Monday, March 24th, 2014

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

AO On-Site – Venice: Rudolf Stingel at Palazzo Grassi Through December 31st, 2013

Thursday, June 6th, 2013

AO On Site – Venice: “Fragile?” at Le Stanze del Vetro Through July 28th, 2013

Tuesday, June 4th, 2013

AO On Site – Venice, Ai Weiwei dual exhibition: “S.A.C.R.E.D.” at The Church of Saint Antonin and “Straight” at Zuecca Project Space on the island of Giudecca

Saturday, June 1st, 2013

AO On Site, Venice – Marc Quinn at Fondazione Giorgio Cini, May 29th – September 29th, 2013

Friday, May 31st, 2013

Ai Weiwei’s Diorama Project Prepares to Open in Venice

Wednesday, May 29th, 2013

In Face of Budgetary Woes, Countries Scramble to Fund Biennale Pavillions

Wednesday, May 15th, 2013

Manet’s “Olympia” Cleared to Leave Paris for Venice

Tuesday, February 26th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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