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London — Lisa Yuskavage at David Zwirner Gallery Through July 28th, 2017

Friday, July 21st, 2017

Lisa Yuskavage Painting Censored on Magazine Cover

Thursday, August 11th, 2016

New York – Lisa Yuskavage at David Zwirner Through June 13th, 2015

Wednesday, June 10th, 2015

Lisa Yuskavage Interviewed in Paris Review

Sunday, May 3rd, 2015

Go See – New York: Lisa Yuskavage at David Zwirner through November 5, 2011

Thursday, October 20th, 2011

Go See – London: Lisa Yuskavage at Greengrassi Gallery through June 30th, 2010

Thursday, June 10th, 2010

AO On Site: Lisa Yuskavage Paintings on view at David Zwirner February 19th to March 28th, 2009

Friday, February 20th, 2009

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

AO On-Site – London: Frieze Art Fair at Regent’s Park, October 4th – 7th, 2018

Friday, October 5th, 2018

AO Fair Preview – London: Frieze London Art Week, October 4th – 7th, 2018

Tuesday, October 2nd, 2018

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

Artists’ Open Letter Objects to Frick Expansion

Monday, May 11th, 2015

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 3rd – 7th, 2014

Thursday, December 4th, 2014

AO On Site Photoset – Art Basel Miami Beach: Rubell Collection Preview ‘American Exuberance’ and 11th Annual Breakfast Installation ‘Incubation,’ November 29 & 30, 2011

Wednesday, November 30th, 2011

AO Onsite (with photoset) – White Column’s 2011 Benefit Auction, Saturday, May 14th 2011

Monday, May 16th, 2011

Steven Cohen, newly an investor in Sotheby’s, is to display $420 million worth of art the auction house, in an exhibition to be based on women.

Monday, March 16th, 2009

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

Go See: Elizabeth Peyton ‘Live Forever’ at the New Museum in NYC through January 11, 2008

Friday, October 17th, 2008

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO Newslink

Monday, May 14th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

Go See – Naples and Milan: Vanessa Beecroft at Galleria Lia Rumma in Milan and Naples, through September 11, 2011

Saturday, August 13th, 2011

Living Artists

Thursday, July 7th, 2011

Go See – New York: ‘Legacy: The Emily Fisher Landau Collection’ at Whitney Museum of American Art through May 1, 2011

Saturday, February 26th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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