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AO Auction Recap – New York: Christie’s “Bound to Fail” Curated Evening Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

Manifesta 11 Announces Details, Joint Collaborations

Tuesday, April 5th, 2016

AO On-Site – Miami Beach: Untitled Art Fair at 12th Street and Ocean Drive, December 2nd – 6th, 2015

Sunday, December 6th, 2015

AO Auction Recap – New York: Phillips 20th Century and Contemporary Evening Sale, November 8th, 2015

Monday, November 9th, 2015

AO Auction Preview – New York: Impressionist, Modern, Post-War and Contemporary Evening Sales, November 4th-12th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 30th, 2015

Tuesday, June 30th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

DIS To Curate 2016 Berlin Biennale

Thursday, September 25th, 2014

AO Preview: New York Armory Week: March 4th-9th, 2014

Tuesday, March 4th, 2014

Family Business Gallery Moves to Paris

Tuesday, December 17th, 2013

New York – James Turrell at The Guggenheim Museum Through September 25th, 2013

Friday, August 9th, 2013

Financial Times Publishes Collecting Section

Monday, June 10th, 2013

Ryan McGinley Unveils New Highline Billboard

Tuesday, April 2nd, 2013

Rome – “Neon: The Luminous Matter Of Art” At The Museum of Contemporary Art of Rome Through November 11th, 2012

Thursday, November 1st, 2012

AO Newslink

Monday, October 22nd, 2012

New York – “Regarding Warhol: Sixty Artists, Fifty Years” At the Metropolitan Museum of Art Through December 31st, 2012

Thursday, September 27th, 2012

London: “The Art of Chess” at Saatchi Gallery Through October 3rd

Wednesday, September 19th, 2012

New York: Nate Lowman, Hanna Liden and Leo Fitzpatrick’s Home Alone Gallery Opens in TriBeCa

Thursday, August 16th, 2012

AO On Site – New York: Jayson Musson aka Hennesy Youngman at Salon 94 through August 17, 2012

Sunday, July 15th, 2012

London: “Invisible: Art of the Unseen 1957-2012” on show at Hayward Gallery through August 6, 2012

Sunday, June 24th, 2012

AO On Site (with video and photoset) – Greenwich, CT: Karen Kilimnick at The Brant Foundation Sunday May 6th, show runs through September 2012

Monday, May 7th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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