Search Results

New York – Wolfgang Tillmans: “PCR” at David Zwirner Through October 24th, 2015

Thursday, October 8th, 2015

AO Preview – New York: Armory Week, March 3rd – 8th, 2015

Wednesday, March 4th, 2015

AO On-Site – Paris: FIAC at Grand Palais and (OFF)ICIELLE at The City of Fashion and Design, October 22nd-26th, 2014

Friday, October 24th, 2014

Vienna’s Generali Foundation to Close

Sunday, June 29th, 2014

Museums and Institutions Broaden Online Offerings

Friday, March 21st, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

MGM Grand’s CityCenter Looks to Bring Museum-Quality Art Back to Las Vegas

Monday, September 9th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Auction Results – New York: Sotheby’s Contemporary Art Evening Sale, May 9, 2012

Thursday, May 10th, 2012

AO On Site – London: Gesamtkunstwerk – New Art From Germany at Saatchi Gallery through April 15, 2012

Monday, March 26th, 2012

Don’t Miss – New York: David Zwirner “The House Without the Door” through August 5th, 2011

Thursday, August 4th, 2011

Go See – Paris: Elizabeth Peyton at Gagosian Gallery through July 28th, 2011

Saturday, July 16th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Christoph Schlingensief’s German Pavilion

Friday, June 3rd, 2011

Don’t Miss – New York: Ugo Rondinone ‘Nude’ at Gladstone Gallery through December 23, 2010

Tuesday, December 21st, 2010

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

Go See: Matthew Marks Gallery, Painting: Now and Forever, Part II, in New York through August 15

Thursday, July 31st, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Hauser & Wirth

Tuesday, December 25th, 2007

AO Newslink

Thursday, April 26th, 2012

Monday, January 30th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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