London: ‘The Mystery of Appearance’ at Haunch of Venison through February 18, 2012

Sunday, February 12th, 2012


Installation view. All images courtesy of Haunch of Venison, London.

Haunch of Venison’s newly renovated four-gallery space in London currently holds an exhibition showing ten of Britain’s more important painters of the post-war era: Michael Andrews, Frank Auerbach, Francis Bacon, Patrick Caulfield, William Coldstream, Lucian Freud, Richard Hamilton, David Hockney, Leon Kossoff and Euan Uglow. Exploring both personal and artistic relationships amongst the artists, over 40 paintings and drawings are on display, unveiling some works that have not been seen in public for years.
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London: David Hockney ‘A Bigger Picture’ at The Royal Academy of Art through April 9, 2012

Monday, February 6th, 2012


David Hockney, The Arrival of Spring in Woldgate, East Yorkshire (2011), one of a 52-part work. All images via The Guardian 

Britain’s Royal Academy of Art is currently showing some two hundred works by ‘Royal Academician’ David Hockney. The exhibition, A Bigger Picture, is centered on fifty-two new works inspired by the Yorkshire landscape of Northern England, where Hockney has been residing on and off for the past few years. Much of the work is new, including fifty-one new works ‘painted’ with an iPad application and enlarged.


David Hockney, Winter Timber (2009)

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AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012


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David Hockney, A Bigger Splash (1967). All images via Artnet.

Not only is the Getty the hub of activities for the Southern California-wide Pacific Standard Time (PST) programming, but it is also host to a number of events and exhibitions, including Greetings from L.A.: Artists and Publics, 1950-1980, From Start to Finish: De Wain Valentine’s Gray Column, In Focus: Los Angeles, 1945-1980, and performances for the Performance and Public Art Festival that will take place later in January. It has also mounted the large-scale, historical exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950 -1970. With 79 works by 47 artists, the exhibition charts the unique artistic innovations that have come to define the Los Angeles art scene as well as helped to shape some of the most important art movements from the second half of the 20th century.

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Tuesday, January 3rd, 2012

David Hockney criticizes Damien Hirst’s use of assistants, claiming it insults skillful craftsmen [AO Newslink]

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Go See – Humlebæk, Denmark: David Hockney at the Louisiana Museum through August 28th, 2011

Wednesday, August 17th, 2011


David Hockney, composite from “Me Draw on iPad” (2010), all Hockney images are via the Louisiana Museum

On view at Denmark’s Louisiana Museum is “Me Draw on iPad” featuring several hundred of David Hockney’s most recent drawings. Created on his iPhone and iPad using the Brushes application, these drawings make clear both Hockney’s characteristic whimsy and  dedication to exploration of new creative methods and media. Curated by Charlie Scheips, “Me Draw on iPad” is on view through August 28th 2011.


David Hockney, composite from “Me Draw on iPad” (2010)

More text and images after the jump… (more…)

AO Auction Preview – London: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions February 15-17, 2011

Monday, February 14th, 2011


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Gerhard Richter, Abstraktes Bild, 1990 (est. £5-7 million), via Sothebys.com

The February auctions continue this week in London with Contemporary Art sales at Sotheby’s, Christie’s, and Phillips de Pury. The day after Valentine’s Day buyers can cozy up to sixty lots at the Sotheby’s Contemporary art evening sale that are estimated to bring upwards of £30 million. The following night Christie’s will offer sixty-four lots that are expected to fetch £36-52 million. Phillips de Pury closes the week’s auctions with a twenty-nine lot sale that carries an estimate of £5.8-8.5 million. Christie’s is the only house to have officially released their 2010 global sales figures, and the numbers are impressive. The company sold £3.3 billion (or $5 billion) worth of art last year, more than any previous year in their 245-year history. Cheyenne Westphal, Sotheby’s Chairman of Contemporary Art London, revealed that the firm sold $845 million worth of Contemporary art in 2010 and that this is the third-highest total at the company in the field. At November’s Contemporary art auctions Phillips de Pury debuted a sparkling new gallery space on Park Avenue in New York and had the biggest sale of the week when Andy Warhol’s Men in Her Life sold for $63.4 million. It was a good year for Contemporary art, and the results of this week’s sales are expected to indicate whether the market will continue to recover in 2011 as it did in 2010.


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Andy Warhol, Nine Multicoloured Marilyns (Reversal Series), 1979-1986 (est. £2-3 million), via Sothebys.com

more text and images after the jump…

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AO Auction Results – London: Wednesday, October 13th, Phillips de Pury Contemporary Art Auction Within Presale Estimates, Sets New Records for Aaron Young, Sterling Ruby

Thursday, October 14th, 2010


David H0ckney, Autumn Pool, 1978 (est 700,000 – 1 million GBP, realized 1,329,250 GBP), via Phillipsdepury.com

Wednesday’s Contemporary Art Evening Sale at Phillips de Pury in London, which carried a presale estimate of 5.6 – 8 million GBP, brought in 6,562,900 GBP, with 21 of 56 lots unsold (86% by value, 69% by lot). The featured lot, David Hockney‘s Autumn Pool, sold for 1.3 million GBP against a high presale estimate of 1 million GBP. This also broke the record for a work on paper by the artist at auction.


Andy Warhol, The Scream (after Edvard Munch), 1984 (est. 500,000-700,000 GBP), via Phillipsdepury.com

more story and pictures after the jump…

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AO Auction Preview: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions This Week in London During Frieze Art Fair

Wednesday, October 13th, 2010


Damien Hirst, I am Become Death, Shatterer of Worlds, 2006 (est. 2.5-3.5 million GBP), via Christies.com

The Frieze Art Fair begins this week in London and is accompanied by Contemporary Art sales at the three major auction houses. This year, Phillips de Pury will kick things off with a 56 lot evening sale on October 13th, followed by a 51 lot sale at Christie’s on the 14th and a 40 lot sale at Sotheby’s on the 15th. After the dismal results of last year’s equivalent sales and the lackluster results of the summer sales, the art world is hoping that these auctions will give a stronger indication that the market for contemporary Western art is in fact recovering.

Read more…

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Go See – Nottingham, UK: “David Hockney: 1960-1968, A Marriage of Styles” at the newly opened Nottingham Contemporary through January 24th, 2010

Sunday, December 6th, 2009


David Hockney’s iconic painting “A Bigger Splash” (1967), is at the heart of the exhibition. Via Nottingham Contemporary.

Currently showing at the newly opened Nottingham Contemporary art space in the UK is a major exhibition of work by artist David Hockney. Over 60 works by the artist– including paintings, etchings and drawings, are on show from national and international museum collections for the museum’s inaugural exhibit, which focuses on re-examining the work that the artist produced while living in London and Los Angeles during the years 1960 to 1968.  At the beginning of the 1960’s, Hockney was only in his mid-twenties and had already become one of the most critically acclaimed contemporary artists in Britain, building a national reputation for his distinctive, versatile art that was at once spontaneous, full of allusion and bold for its open references to homosexuality. Themes of the conventional yet “glamorous” California life abound in his work– particularly in his paintings of iconic glistening poolscapes and pristine lawns from the 1960’s, which evoke subliminal messages about society. Although Hockney has rejected the label of being a “Pop” artist, many of his works contain references to popular culture and draw inspiration from graffiti, magazine images, films and photographs, while also containing subtle indications of humor.  “1960-1968, A Marriage of Styles,” marks the first time that Hockney’s early work has been amassed in a collection since the Whitechapel Gallery retrospective of 1970.


David Hockney, “Life Painting for a Diploma,” (1962) Via Guardian

More text, images and related links after the jump….

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AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol

Thursday, November 12th, 2009


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200 One Dollar Bills, Andy Warhol

Last night’s Postwar and Contemporary Sale at Sotheby’s, New York easily outmatched their rival Christie’s sale the night before with a total of $134,438,000 and only 2 lots unsold. While 59% of works sold over their pre-sale estimates, it was Andy Warhol‘s 200 One Dollar Bills, which sold for $43,762,500 over an estimate of $8-12million, that catapulted the total sales revenue way over the initial estimate of $67-97 million.


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Violins, Violence, Silence, Bruce Nauman. Record for a neon by Nauman – $4,002,500

More text, images and related links after the jump…..
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Go See – New York: David Hockney’s ‘Paintings 2006-2009′ at PaceWildenstein through December 24th 2009

Sunday, November 8th, 2009


Winter Timber
(2009) by David Hockney, via Artnet

Currently on view at PaceWildenstein in New York is David Hockney: Paintings 2006-2009. The two-venue exhibition at 32 East 57th Street is on the occassion of David Hockney’s first exhibition of new paintings in New York in over 12 years. Praised by Charlie Finch as “one of David Hockney’s best ever exhibitions,” the show features recent landscape paintings of the artist’s native Yorkshire, including 14 new works that have never been exhibited before.

Press Release [PaceWildenstein]
David Hockney: Paintings [NY Artbeat]
David Hockney: Recent Paintings [Hockney Pictures]
David Hockney: Critic’s Pick [New York Magazine]
A Walk in the Wood [Charlie Finch, Artnet]

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Newslinks for Wednesday, October 14th, 2009

Wednesday, October 14th, 2009


Jeff Koons’s giant rabbit at the Covent Garden in London via Hypebeast

A giant helium-filled Jeff Koons balloon made its UK debut on October 8th, the inflatable rabbit floated above central London, it will be displayed in Covent garden [The Independent]
Coinciding with the Frieze fair, the 10th Turbine Hall commission launches, Baldessari’s retrospective opening the same day, Hayward Gallery presents Ed Ruscha, Turner Prize coming up and many other shows and openings, turn London into the center of attention [Guardian UK]
Frieze art fair excites not merely the International art scene, but also the social diaries of those who like to mingle with the rich and famous [Guardian UK] the contemporary art event even has installations to turn its visitors into the subjects of the artwork. [The Independent] Only displaying works by contemporary living artists, Frieze has been considered 1-dimensional in the past. Frieze helps London take over the art world in October [The Independent]- but not without competition, as FIAC, the Parisian fair, is to begin next week and may steal the battle as art collectors in today’s economic climate are forced to pick which fairs they will be attending [The Wall Street Journal]


Unrecognized work by Leonardo Da Vinci via Antiques Trade Gazette

A drawing sold at auction for $19,000 in the late 1990s is now attracting attention for its authorship, if by Leonardo Da Vinci, a theory that recent research strongly suggests, the work could be worth as much as $147 million [Bloomberg]
The Wapping Project in London, often compared to Tate Modern, is expanding with the opening of the Wapping Project Bankside- a new gallery reminiscent of a New York loft to feature film, video and photography almost “a stone’s throw” from Tate [The Moment]
The Whitney Museum of American Art’s plans for a second Renzo Piana location have advanced [The New York Times]

To stay apprised of most of the relevant art news for this past week … (more…)

Go See-Schwabisch Hall: David Hockney- Just Nature at the Kunsthalle Wurth through September 27th 2009

Thursday, September 3rd, 2009


Grobere Baume bei Warter (2008) by David Hockney, via Kunsthalle Wuerth

Currently on view at the Kunsthalle Wurth Museum in Schwabisch Hall, Germany, is “Just Nature” featuring David Hockney’s most recent work. Contrary to previous assertions, the exhibition highlights his rediscovery of the beautiful landscapes of his hometown of Yorkshire.  Best known for his work as an experimental painter, these works emphasize his newly found enthusiasm for natural scenes.  Even while masterfully mixing realistic yet simple renditions of the natural world, these works still continue to question the potential of painting.  There seem to remain hints of his earlier paintings renowned for their ability to capture the conceptual and the everyday so well. 

David Hockney: Just Nature [Exhibition Page]
David Hockney and his so-called computer art
[TimesUK]
David Hockney Shaves, Doodles with his iPhone: Martin Grayford [Bloomberg]
Hockney on why iPhones are the future for art [TimeUK]
Hockney Pictures [Hockney Pictures]


Gefallte Baume in Woldgate (2008) by David Hockney, via Kunsthalle Wuerth

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Don’t Miss – London: David Hockney ‘Drawing in a Printing Machine’ at Annely Juda Fine Art, through July 11, 2009

Thursday, July 9th, 2009


David Hockney, Maurice Payne, at Annely Juda.

Annely Juda Fine Art is showing 28 works by David Hockney.  “Drawing in a Printing Machine” is comprised of pieces made using Photoshop and Graphics Tablet.  The 28 pieces in the series, spread out through two floors of the gallery, betray Hockney’s meticulous attention to detail, and the artistry behind technology.  “There are advantages and disadvantages to anything new in mediums for artists,” says David Hockney, “but the speed allowed here with colour is something new.”

Related links:
Annely Juda
David Hockney Shaves, Doodles With His iPhone: Martin Gayford [Bloomberg]
iHockney: Artist David uses his Apple phone to paint mini masterpieces [TheDailyMail]
David Hockney, Annely Juda Fine Art, London [Financial Times]
David Hockney’s iPhone and Digital Art. Take Two
[ArtFag City]


From “Drawing in a Printing Machine,” the new David Hockney show at Annely Juda. Via Financial Times.

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AO Auction Results: Christie's Post-War and Contemporary Art Evening Sale Surprisingly Strong, Auction Records Reached for Many Artists

Thursday, May 14th, 2009


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Willem de Kooning’s ‘Woman’ via Christie’s sold for $3.7 million, more than doubling its high estimate of $1.8 million.

Again, Christie’s bested Sotheby’s in this week’s Post-War and Contemporary Art auctions after Sotheby’s failed to meet its low estimate, covered here by AO.  Last night’s sale in New York resulted in a total of $93.7 million, falling within the higher end of the pre-sale estimates of $71-104 million. Only 5 of the 54 lots went unsold, with 30 selling for more than $1 million.  After a night of lively bidding, Christie’s co-head of post-war and contemporary art, Amy Cappellazzo joked that, “It felt like a year ago.” Last year’s sale brought in $348.2 million, with a number of works selling in the double digits. This year, estimates were far more conservative for the chastened market, with the highest-selling lot, David Hockney’s ‘Beverly Hills Housewife,’ going for $7.9 million, setting a new record for the artist. The portrait of the late Betty Freeman was one of 20 in the sale coming out of the Betty Freeman Collection, another factor contributing to last night’s success.


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David Hockney’s ‘Beverly Hills Housewife’ via Christie’s sold for $7.9 million, falling within estimates of $6-10 million and setting a new record at auction for the artist.

New World Auction Records set for Hockney, Oldenburg, Wheeler, and Smith at Christie’s [Artdaily]
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At an Upbeat Christie’s Auction, Some Record Prices [NY Times]
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NY auctions end with solid contemporary art result [Reuters]
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Christie’s Auction Beats Estimate, Boosts Confidence [Bloomberg]
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Betty Freeman Portrait Fetches $7.9 Million in N.Y. Auction [Bloomberg]
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Christie’s Contemporary “Gets It Right” [Artinfo]
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Christie’s Auction Rekindles Art Optimism [WSJ]

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AO Auction Preview: Spring Post-War and Contemporary Art in New York

Tuesday, May 12th, 2009


Jeff Koons’s ‘Baroque Egg with Bow (Turquiose/Magenta)’ via NY Times goes on sale at Sotheby’s with estimates between $6-8 million

The spring Post-War and Contemporary Art auctions take place this week in New York at Sotheby’s tonight, Christie’s tomorrow night, and Phillips de Pury on Thursday night. Last week’s Impressionist and Modern Art auctions, covered by AO here, and also here, brought in far less than a year ago, but considering the economic climate were viewed as middling successes (aside from Sotheby’s spectacular Picasso and Giacometti flops).  However, the contemporary sales will be more of a litmus test for a chastened market.  After years of record-setting sales, this year all three auction houses have reined in the estimates, no longer providing the guarantees to sellers that burned them last fall.

Sotheby’s is offering 49 lots, with total estimates of $52–72.2 million, compared to the $362 million it brought in last spring. Highlights include an untitled painting by Martin Kippenberger of a fat man with balloons and Jeff Koons’s ‘Baroque Egg with Bow (Turquiose/Magenta),’ part of the artist’s ‘Celebration’ series, which includes ‘Hanging Heart,’ a sculpture that set the record for a living artist at auction in the fall of 2007. While ‘Hanging Heart’ sold for $23.6 million, ‘Baroque Egg with Bow (Turquiose/Magenta)’is expected to sell for $6-8 million.  Christie’s is offering 54 lots, with total estimates of $71.5–104.5 million.  On the catalog cover is Jean-Michel Basquiat’s ‘Mater,’ a rare occurrence of a female figure within Basquiat’s oeuvre, expected to sell for $5-7 million. A number of works from the collection of Betty Freeman are also up for auction, including David Hockney’s portrait of the philanthropist in her home, ‘Beverly Hills Housewife,’ estimated to go for $6-10 million.  Lastly, Phillips de Pury & Company is offering 43 lots, with estimates of $12.2–17 million. Highlights from that sale include a Robert Gober sculpture of a Farina cereal box, estimated at $2.5-3.5 million, and a late, figurative painting by Philip Guston, estimated at $1-1.5 million.

The sales also include a number of Minimalist works by artists such as Dan Flavin, Donald Judd, Sol Lewitt, and Agnes Martin.  Many experts view these works as under-priced, and present more in museum collections than private collections.  This round of sales sees fewer works by the Pop artists that made headlines in the boom times like Warhol and Rauschenberg.

Rare and Spectacular Master Works Highlight Christie’s Post-War & Contemporary Art Sale [Artdaily]
Little Warhols [NY Mag]
Phillips de Pury & Company Announces the Highlights from its Forthcoming New York Contemporary Art Part I Sale [Artdaily]
The art market: Skinny sales and demoted billionaires [Financial Times]
Jeff Koons’s rabbit: market news [Telegraph]
The Art Market Is Back? Now That’s Surrealism [WSJ]
Sotheby’s Post-War and Contemporary Art Evening Sale [Sotheby's]
Christie’s Post-War and Contemporary Art Evening Sale [Christie's]
Phillips de Pury Contemporary Art Part I Sale [Phillips de Pury]

Newslinks for Wednesday, April 1, 2009

Wednesday, April 1st, 2009


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David Hockney’s ‘Beverly Hills Housewife’

David Hockney’s iconic painting, ‘Beverly Hills Housewife’ is the marquee lot in Christie’s May 13 Post-War & Contemporary Art Evening Sale [ArtDaily] and more on this painting here [MoreIntelligentLife]


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Alberto Giacometti’s Le Chat from 1951

In related, Alberto Giacometti’s Le Chat will go under the hammer at Sotheby’s Spring sale of Impressionist and Modern Art in New York for an estimated $16 to $22 million [ArtDaily]
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Analysis of London gallerist Jay Jopling’s career in a time of uncertainty
[TimesUK]


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Dasha Zhukova

A lunchtime interview with Daria “Dasha” Zhukova on her Garage Centre for Contemporary Culture in Moscow and other various topics [Financial Times]
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The collapse of top Berlin galleries allows room for newcomers [GuardianUK]
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With his Kenya and Cambodia projects getting attention, anonymous Parisian Street artist JR is going big and raising the profile a bit [Independent]
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Damien Hirst is the cover of Honeyee Magazine [Honeyee] and, he’s sponsoring a giveaway contest for his work to promote the new album for the Hours [Guardian]
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New York art visits Cuba at the Havana Biennial [New York Times]
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Old Master sales in
December in London and in New York in January seem to defy downward market trends [Financial Times]


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Lucian Freud via the TimesUK

Lucian Freud’s latest painting unveiled [TimesUK]
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Swiss bank UBS closes its “art banking” department [Crains New York]
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Phillips de Pury faces the headwinds [Portfolio]


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The proposed extension of the Tate Modern

Tate Modern expansion by Herzog & de Meuron receives approval [Bloomberg]
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Faith-Ann Young on the fully manifested decline in the art market
[Economist]
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Joan Banach sues foundation where she formerly worked as curator and cataloger of Robert Motherwell’s work
[NY Times]
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Video: Tracey Emin’s retrospective on display now at Kunstmuseum Bern, Switzerland [Vernissage]
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No brown skins. (Hispanic Americans and the 1986 Immigration Reform Act)

The Economist (US) February 3, 1990 No brown skins SAN FRANCISCO HISPANIC Americans were against the 1986 Immigration Reform Act; they feared it would give employers an excuse not to hire people who looked or sounded Hispanic. They were right, it seems. The California Fair Employment and Housing Commission reports that the law, which is supposed to deter illegal immigration, has created “a widespread pattern and practice of discrimination” against legal immigrants.

The law fines or imprisons those employers who are caught hiring illegal immigrants. Nervous employers are playing safe by brushing aside official work permits and declining to hire people with brown skins and Latin names and accents. The law, which was supposed to protect people against this happening, created a special counsel to hear complaints and to act on them. But there is just one special-counsel office, and that is in Washington, DC. Few immigrants even learn of its existence, let alone approach it with complaints. go to website illegal immigration statistics

In addition, reports the Californian commission (an independent agency established 30 years ago to protect civil rights in jobs and housing), the Immigration and Nationalisation Service (INS) issues such a variety of different immigrant classifications that employers cannot be familiar with what is official and what is not. The confusion is compounded by the amnesty that the law gave to illegal immigrants who could prove that they had lived in the United States since 1981, plus the special rules for agricultural workers. The sorting-out of all this leaves the immigration service snowed under with forms and letters of work-approval.

Although the INS claims to have spent $2m on educational material explaining the law, the explanation, the commission says sternly, is “inadequate…incomplete and confusing”. As remedy, the commission proposes a temporary moratorium on employer sanctions until the backlog of appeals for work authorisation is cleared, the educational material is rewritten and special counsel offices are opened around the country. go to website illegal immigration statistics

The California report is important since about half the immigrants who come to the United States seeking work authorisation come to California. But it is only one in a series of reports on the effect of the 1986 law. A New York task force is due to report to Governor Mario Cuomo soon. And in a month or two, the General Accounting Office (GAO), which was officially charged to monitor the consequences of the immigration controls, will be issuing its findings. Last year the GAO reported that about 16% of some 3.3m employers who were aware of the new rules did discriminate against foreign-looking applicants. The report called for a more co-ordinated effort to educate the public but, unlike the California commission, it did not declare that a “pattern” of discrimination had resulted from the act.

If the GAO now finds such a pattern, it would trigger changes in the law. Congress would have 30 days to consider lifting sanctions against employers. But if the GAO reports that it has found no serious discrimination, the provisions in the law that are supposed to protect workers against bias would be removed. In any event, the GAO report will set off a fiery debate in Congress.

Part of the debate is whether the law’s strictness has in fact cut down illegal immigration. Statistics from the INS suggest that it has. In 1986 1.6m people were caught trying to enter from Mexico; in 1989, with more border guards, the total had shrunk to 850,000 people. Either they are getting cleverer at evading the guards, or the law, despite its unfair side-effects, is working.

Go See: “Blood on Paper: The Art of the Book,” Victoria & Albert Museum, London through June 29

Thursday, May 15th, 2008

 

Anselm Keifer, Secret Life of Plants(2008) via Bloomberg

From April 15 to June 29, the Victoria & Albert Museum in London is presenting a unique exhibition on the subject of books in art or of books as art. “Blood on Paper” is an exploration of how artists have interpreted and utilized the book medium. The works range from the conventional book format to large-scale installations and sculptures, such as Anselm Keifer’s enormous book made of lead (pictured).

“Blood on Paper” [Victoria & Albert Museum]
“Bacon’s Trash, Hirst’s Furniture Become Books: Martin Gayford” [Bloomberg]
“The Writing on the Wall [Financial Times]
“Works That Speak Volumes” [Financial Times]
“Blood on Paper: the Art of the Book” [The Independent] (more…)