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AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site – New York: Perfect Man II Curated by Rita Ackermann at White Columns Gallery through October 15, 2011

Sunday, September 18th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site photoset/news summary – New York: The Dependent Art Fair at the Sheraton Hotel on 26th Street, floors 12 and 14 – March 4, 2011

Saturday, March 5th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

Don’t Miss – Long Island City, NY: “The Pig” at Deitch Projects LIC, through August 9, 2009

Friday, August 7th, 2009

Newslinks for Sunday June 21, 2009

Sunday, June 21st, 2009

AO On Site: 303 Gallery’s 25th Anniversary Summer Celebration, Wednesday night, July 23 NYC (Update1)

Friday, July 25th, 2008

Vito Acconci

Thursday, January 3rd, 2008

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

AO On-Site: Art Week Miami Opening Night, December 1st, 2015

Wednesday, December 2nd, 2015

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

Performa Opens in New York

Tuesday, November 3rd, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

New York – “LIFE: Curated by The Journal Gallery” at Venus Over Manhattan Through July 25th, 2014

Wednesday, July 16th, 2014

AO On-Site: Untitled Miami, December 4th – 8th, 2013

Monday, December 9th, 2013

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site Photoset – New York: Brooklyn Museum Annual Gala ‘The Brooklyn Artists Ball’ April 18, 2012

Thursday, April 19th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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