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AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

Go See – Frankfurt: Félix González-Torres, “Specific Objects without Specific Form” at MMK until April 25th, 2011

Friday, April 15th, 2011

Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010

AO On Site – New York: Opening Reception, ‘Normal Dimensions’ at Half Gallery, curated by Neville Wakefield, through August 13th, 2010

Thursday, July 15th, 2010

Go See – Basel: Felix Gonzalez-Torres ‘Specific Objects without Specific Form’ at Fondation Beyeler through August 29, 2010

Thursday, June 24th, 2010

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

Round-Up: The Whitney Biennial Opens in New York, Spills into the Armory

Thursday, March 6th, 2008

Whitney 2008 Biennial Artists Announced

Wednesday, December 5th, 2007

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

AO On-Site – New York: SPRING/BREAK Art Show in the Skylight at Moynihan Station, March 1st – 7th, 2016

Saturday, March 5th, 2016

AO on Site – Stockholm: Sturtevant ‘Image over Image’ at Moderna Museet through August 26, 2012

Tuesday, April 10th, 2012

AO On Site – New York: ‘John Chamberlain: Choices’ at the Solomon R. Guggenheim Museum through May 13, 2012

Monday, March 5th, 2012

Thursday, February 23rd, 2012

AO On Site – London: Gerhard Richter ‘Panorama’ at Tate Modern through January 8, 2012

Friday, January 6th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: NADA Cocktail Party at Shore Club, December 2, 2011

Monday, December 5th, 2011

AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach Resort

Monday, December 5th, 2011

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO On Site – New York: Zhang Enli at Hauser and Wirth through October 29, 2011

Thursday, September 29th, 2011

AO On Site – Paris: ‘Fresh Hell’ at the Palais de Tokyo through January 16th, 2011 featuring Maurizio Cattelan, Martin Creed, Isa Genzken, Dan Graham, Philip Guston, Martin Kippenberger, Nate Lowman, Sarah Lucas, Bruce Nauman & Frank Owen, Michelangelo Pistoletto, Rob Pruitt, Agathe Snow, Rudolf Stingel, Rosemarie Trockel and others

Thursday, January 13th, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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