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Derbyshire – “Beyond Limits: The Landscape of British Sculpture 1950 – 2015″ at Chatsworth House Through October 25th, 2015

Sunday, September 27th, 2015

Britain Prepares £7 Million in Funding to Show Art in China

Monday, September 21st, 2015

Weston-Super-Mare – Banksy: “Dismaland” at The Tropicana Through September 27th, 2015

Sunday, August 23rd, 2015

British Artists Reflect on Their Degree Shows

Thursday, June 25th, 2015

Visitor Counts Up 7% at UK Museums

Thursday, March 19th, 2015

London – “Cross Section of a Revolution” at Lisson Gallery Through March 7th, 2015

Wednesday, February 25th, 2015

New York – Thomas Houseago: “Moun Room” at Hauser and Wirth Through January 17th, 2015

Thursday, November 20th, 2014

New York – “Multiplicity” at Mixed Greens, NURTUREart and Invisible Exports through August 29th, 2014

Sunday, August 24th, 2014

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

London – Richard Deacon at Tate Britain Through April 27th, 2014

Tuesday, April 15th, 2014

London – “New Order II: British Art Now” at Saatchi Gallery Through March 23rd, 2014

Saturday, March 22nd, 2014

Frankfurt – Albrecht Dürer: “Dürer: His Art in Context” at the Städel Museum, through February 2nd 2014

Friday, January 31st, 2014

Christie’s Offering A Number of YBA Works from Saatchi’s “Sensation” Show

Wednesday, January 22nd, 2014

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

British Sculptor Sir Anthony Caro Passes Away at 89 Years of Age

Thursday, October 24th, 2013

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 24th to the 27th, 2013

Wednesday, October 23rd, 2013

New Children’s Art Initiative Sends Masterworks to British Schools

Thursday, October 3rd, 2013

Tate Modern to Open Show on Iconoclasm

Monday, July 8th, 2013

AO Auction Preview – Post-War and Contemporary Art Evening Sales in London, June 25th-26th, 2013

Tuesday, June 25th, 2013

AO On-Site – Venice: Jeremy Deller’s English Magic, The British Pavilion at The 2013 Venice Biennale

Monday, June 10th, 2013

Marc Quinn Unveils Orchid Sculpture at Chelsea Flower Show

Tuesday, May 21st, 2013

Venice Biennale to Highlight a New Group of Young British Artists

Tuesday, March 19th, 2013

London: Jonas Mekas at The Serpentine Gallery Through January 27th, 2013

Sunday, January 20th, 2013

Liverpool – “Sky Arts Ignition: Doug Aitken – The Source” at Tate Liverpool, through January 13th, 2013

Friday, October 26th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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