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Visitor Counts Up 7% at UK Museums

Thursday, March 19th, 2015

London – “Cross Section of a Revolution” at Lisson Gallery Through March 7th, 2015

Wednesday, February 25th, 2015

New York – Thomas Houseago: “Moun Room” at Hauser and Wirth Through January 17th, 2015

Thursday, November 20th, 2014

New York – “Multiplicity” at Mixed Greens, NURTUREart and Invisible Exports through August 29th, 2014

Sunday, August 24th, 2014

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

London – Richard Deacon at Tate Britain Through April 27th, 2014

Tuesday, April 15th, 2014

London – “New Order II: British Art Now” at Saatchi Gallery Through March 23rd, 2014

Saturday, March 22nd, 2014

Frankfurt – Albrecht Dürer: “Dürer: His Art in Context” at the Städel Museum, through February 2nd 2014

Friday, January 31st, 2014

Christie’s Offering A Number of YBA Works from Saatchi’s “Sensation” Show

Wednesday, January 22nd, 2014

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

British Sculptor Sir Anthony Caro Passes Away at 89 Years of Age

Thursday, October 24th, 2013

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 24th to the 27th, 2013

Wednesday, October 23rd, 2013

New Children’s Art Initiative Sends Masterworks to British Schools

Thursday, October 3rd, 2013

Tate Modern to Open Show on Iconoclasm

Monday, July 8th, 2013

AO Auction Preview – Post-War and Contemporary Art Evening Sales in London, June 25th-26th, 2013

Tuesday, June 25th, 2013

AO On-Site – Venice: Jeremy Deller’s English Magic, The British Pavilion at The 2013 Venice Biennale

Monday, June 10th, 2013

Marc Quinn Unveils Orchid Sculpture at Chelsea Flower Show

Tuesday, May 21st, 2013

Venice Biennale to Highlight a New Group of Young British Artists

Tuesday, March 19th, 2013

London: Jonas Mekas at The Serpentine Gallery Through January 27th, 2013

Sunday, January 20th, 2013

Liverpool – “Sky Arts Ignition: Doug Aitken – The Source” at Tate Liverpool, through January 13th, 2013

Friday, October 26th, 2012

Oxford: Jenny Saville at Modern Art Oxford Through September 16, 2012

Thursday, July 12th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

Paris: Darren Almond at Domaine de Chaumont-sur-Loire, France, through November 7, 2012

Friday, May 25th, 2012

AO On Site – London: ‘Picasso and Modern British Art’ at Tate Britain through July 15, 2012

Saturday, April 14th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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