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Zürich – Rita Ackermann: “Chalkboard Paintings” at Hauser and Wirth Through March 14th 2015

Sunday, March 8th, 2015

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

New York – Rita Ackermann: “Negative Muscle” at Hauser & Wirth Through April 20th 2013

Tuesday, April 2nd, 2013

Berlin – “Christian Jankowski: Monument to the Bourgeois Working Class” at Klosterfelde Gallery, through November 3rd, 2012

Monday, October 29th, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Friday, November 11th, 2011

AO On site – New York (with Photoset): The New Museum's Festival of Ideas For the New City, Wednesday May 4th to Sunday May 8th, 2011

Monday, May 9th, 2011

AO Preview – Berlin Gallery Weekend Begins

Friday, April 29th, 2011

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO Onsite Miami Beach – New Art Dealers Alliance (NADA) Art Fair opens at The Deauville Beach Resort in Miami alongside and will run through December 6 – many galleries sell out within one hour of opening

Friday, December 4th, 2009

Newslinks for Sunday, March 8th, 2009

Sunday, March 8th, 2009

AO On-Site – Independent New York at Center 548, March 5th-8th, 2015

Saturday, March 7th, 2015

New Project Focuses On Artists Born After 1989

Thursday, August 7th, 2014

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset and interview) of Christian Boltanski’s “Chance” at the French Pavilion

Wednesday, June 1st, 2011

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009

Go See: Alberto Giacometti Retrospective, Kunsthal Rotterdam, Netherlands, through February 8th, 2009

Thursday, December 18th, 2008

Newslinks: Wednesday, August 6, 2008

Wednesday, August 6th, 2008

Pipilotti Rist

Thursday, January 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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