Alex Israel & Brett Easton Ellis, Born and Not Made (2016), all images © Alex Israel and Bret Easton Ellis; courtesy iStock and Gagosian Gallery Photography: Jeff McLane

Marking one of the art world’s more unique collaborations in recent years, Alex Israel has partnered with writer Brett Easton Ellis to create a series of large-scale acrylic and ink canvases, reveling in the unique iconography and landscapes of Los Angeles.  The show, which opened earlier this Winter at Gagosian’s Beverly Hills location, combines Ellis’s distinctively modern texts with Israel’s particular blend of pop-influenced wit, here manifested in sprawling scenes from the varying spheres and vistas of Los Angeles’s shifting landscape.

Alex Israel & Brett Easton Ellis (Installation View)

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Urs Fischer, officeguy (2016), via Art Observed

Entering Gagosian’s fifth floor exhibition space on the Upper East Side, one is greeted with something of an exercise in phenomenological affect.  Smelling faintly of bacon (the artist stipulated that several slices must be cooked in the gallery space each morning), the space is adorned with sweeping brushstrokes on each of the walls, and topped with a series of aluminum panels, bearing cartoon icons twisted into abstract geometric arrangements.  The result is a twisting, surreal environment that feels as surreal as it looks. (more…)

Joe Bradley is profiled in the New York Times this week, as the artist prepares to open his first show of new paintings with Gagosian Gallery in New York.  “Oil paint has so much life. It really behaves like it wants to behave,” he says. “You’ll go into a painting with an idea of what you want to do, and 40 seconds later your plan has been upended. You always have to deal with these little skirmishes on the canvases.” (more…)

Taryn Simon, Bratislava Declaration, Bratislava, Slovakia, August 3, 1968, Paperwork and the Will of Capital (2015) © Taryn Simon. Courtesy Gagosian Gallery

Last year at the Venice Biennale, Taryn Simon unveiled a body of new work under the title Paperwork and the Will of Capital, a selection of new photographs and assemblages documenting and photographing a series of bouquets that sat as centerpieces during the signing of various accords, treaties, and decrees worldwide.  Taking a subdued path through corporate and pop gestures, the work’s simple presentation and concept carries a strong conceptual punch, deconstructing the political grandeur of often oppressive regime decisions.  These works are now on view in New York, presented at Gagosian’s 24th Street Chelsea location.

Taryn Simon, Paperwork and the Will of Capital (Installation View), © Taryn Simon. Courtesy Gagosian Gallery. Photography by Robert McKeever

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Albert Oehlen (Installation View) All images Courtesy the Gagosian Gallery

In his work, German artist Albert Oehlen concerns himself with illustrating and exploring the process of painting itself.  From the early 1980’s on, he has combined tenants of figurative and abstract practice in reaction to the Neo-Expressionist trends in painting during the time, eventually Oehlen turning his experiments with various mediums and modes of painting more fully towards abstract painting.  Oehlen frequently approaches painting through a set of restrictions he imposes upon himself: to work at a deliberately slow pace, with only one color, or with unfamiliar or non-typical tools (his fingers, brushes, collage, and in this instance, aluminum-panels instead of canvas).  With a new series of works at Gagosian’s Grosvenor Hill location in London, Oehlen reveals a series of works drawing on digital processes incorporated into the act of painting, continuing certain explorations he began with line painting during the 1990’s, and reflecting his ongoing concerns with constantly testing the boundaries of the medium and its relation to broader modes of production.

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Chris Burden, Buddha’s Fingers (2014-15), all images via Osman Can Yerebakan for Art Observed

Spanning two uptown locations of Gagosian Gallery is a series of recent works by the late artist Chris Burden, who passed away last year at age of sixty-nine soon after his large scale New Museum retrospective. Burden, who started his career with avant-garde performances that played a significant role in furthering body art on a global scale, alongside his other American peers Vito Acconci and Bruce Nauman, then shifted towards idea-based practice later in his career.  Challenging in terms of execution rather than physical fortitude, these projects Burden undertook emphasized a concretized, material practice. (more…)

Mark Grotjahn, Untitled (Captain America Drawing in Ten Parts 41.17) (2008–09) (part three), Photo by Douglas M. Parker Studio © Mark Grotjahn

After exhibiting this body of work at Kaikai Kiki Gallery in Tokyo in 2010, Gagosian Gallery is presenting Mark Grotjahn’s ten part surrealist drawing exercise Untitled (Captain America).  The title of this show is a play on the original comic book series, where Captain America was intended to fight against the Axis Powers during World War II.  Seventy years later, the motif of Captain America is still significant and commonly used as a symbol of fighting for the American Dream.  (more…)

Jeff Koons, Gazing Ball (Fragonard Young Girl Playing with her Dog) (2014-2015)

Challenging the established notion of history as linear entity, art history often manifests itself as an intergenerational pattern, embedding variant heterogenous theories, movements and phenomena onto compound structures, while just as often disregarding its most sound chronological hierarchies. Jeff Koons, whose current exhibition at Gagosian Gallery continues his entries in his series of Gazing Ball works, takes this opportunity to scrutinize the constellation of art history, drawing his own threads and theories through a diverse and complexly interrelated series of works. (more…)

George Baselitz, Untitled (2015), via Rae Wang for Art Observed

Intertwining his own personal artistic process with distinct threads of historical reference, wry humor and disparate aesthetic threads, Georg Baselitz is currently on view at Gagosian Gallery’s 980 Madison space for a small exhibition of new works, positioning the artist’s drawings and watercolors as a “visitation,” as the artist terms it, by Japanese ukiyo-e master Katsushika Hokusai.

Georg Baselitz, Visit from Hokuskai (Installation View)

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Gagosian Gallery Beverly Hills will launch an exhibition by Alex Israel and Brett Easton Ellis as part of the gallery’s Oscar-week exhibition early next year, featuring large-scale paintings by the artist adorned with text by Ellis.   (more…)

Nam June Paik, 359 Canal Street (1991), © Nam June Paik Estate, Courtesy of Gagosian Gallery

Launching its newly announced representation of the prolific and influential Korean artist Nam June Paik, Gagosian Gallery Hong Kong has opened an exhibition of the artist’s works during the last decade of his life, including a selection of video sculptures, paintings, and drawings that mark a refined yet diverse series of interests and formal languages for the artist, particularly when placed alongside the more classic works on view. (more…)

Thomas Ruff, Negostil 01 (2015)

Considered amongst the most prolific and groundbreaking of contemporary photographers, Thomas Ruff is the subject of an exhibition with his new body of work at Gagosian Gallery’s London location.  Over the last three decades, Ruff, who emerged during the 80’s while studying under Hilla Becher at Kunstakademie Düsseldorf, with other now influential names such as Thomas Struth and Andreas Gursky, has faithfully explored the visual and practical limits of photography a medium that has traced its evolution alongside the rapid changes in technological development over the past century. His constantly evolving, experimentalist approach to his practice has provided him a broad repertoire of shifting elements and touchstones. (more…)

Cecily Brown, Untitled (The Beautiful and the Damned) (2013), Courtesy Gagosian Gallery

A collection of new and recent paintings by London-born artist Cecily Brown, is currently on view at Gagosian Gallery, Beverly Hills through October 12. The show includes fifteen paintings primarily focusing on the the human form as an abstraction, and follows up on a previous body of work shown in at Gagosian’s New York gallery earlier this year.

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The Gagosian Gallery’s current retrospective of artist Jean-Michel Basquiat is drawing impressive crowds to the gallery’s Chelsea location on 24th St.  Weekend attendance has frequently topped 3,000 visitors a day, and weekday attendance has seen somewhere from 1,000 to 2,000 visitors daily.  Attendance numbers are only expected to grow, with the upcoming Armory Show bringing much of the art world to New York City. (more…)

Yayoi Kusama announced this week that she is ending her partnership with the Gagosian Gallery, and joining David Zwirner Gallery’s already formidable roster of artists.  The news comes after several months of speculation and rumors that Kusama would be breaking her ties with Gagosian. (more…)

Gagosian Gallery has just announced the death of Richard Artschwager, mere days after the closing of his retrospective exhibition at The Whitney Museum in New York City.  He was 89.  Artschwager’s unique path helped to define the perceptual and spatial explorations of conceptual and minimalist art while retaining the artist’s personal aesthetic.  Often utilizing objects from the everyday, he continually sought to explore the interaction between object and space, notably in his reworkings of chairs, pianos, and tables.   The artist’s work had been the subject of several major exhibitions worldwide, including shows at the Centre Pompidou, Deutsche Guggenheim, and the aforementioned Whitney Museum.  (more…)

Yayoi Kusama is reportedly leaving Gagosian Gallery, reports the ArtNewspaper. Damien Hirst also reportedly broke off his representation of 17 years as well this week. David Zwirner recently announced plans to host a Jeff Koons exhibition a long standing artist of Gagosian. Koons and Kusama currently have shows up at Gagosian locations (Los Angeles and Beverly Hills, respectively). Kusama is represented in London by Victoria Miro.  Hirst is represented in London by White Cube.
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English artist Damien Hirst has split with New York-based Gagosian Gallery after 17 years of representation. “Larry Gagosian and Damien have reached an amicable decision to part company,” said Damien Hirst’s company Science Ltd.  With a net worth of more than $346 million according to The Sunday Times rich list, Hirst has been called the richest artist in the world. Likewise, Gagosian Gallery is the richest gallery in the world, valued at $925 million according to Forbes magazine. White Cube gallery in London will continue to represent Hirst.

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Zeng Fanzhi is profiled in AnOther Magazine upon the occasion of his exhibition at Gagosian Brittania Street: “I am always very fascinated by delicate and micro-aspects of the world, and usually when I discover the beauty of these aspects I will amplify and multiply the effects of what I see into the paintings. This is why I make such huge paintings.” (more…)

Richard Prince, Installation View, 2012 courtesy Gagosian Gallery

Richard Prince’s Four Saturdays offers blackened, collaged six pack rings and text paintings that recall movie openings. The solid black of the text paintings on the simplistic white backdrop echoes the more simplistic atmosphere, contradicting his earlier, more colorful works that paradoxically seem to emphasize the glamour and allure of Hollywood.

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Rudolf Stingel – Untitled (2012), courtesy The Gagosian Gallery

In 2007, as part of his mid-career retrospective shows at the Museum of Contemporary Art in Chicago and the Whitney Museum in New York, Italian artist Rudolf Stingel installed several massive sheets of aluminum-faced insulation material, inviting gallery-goers to inscribe their own messages, images and writings into the delicate face of the originally pristine walls.  The result was a long expanse of graffitied surfaces, a testament to the exhibition’s existence as much as it was a record of its visitors.

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The Bloomberg Commission: Giuseppe Penone Whitechapel Gallery, Installation View, Photo: David Parry / PA Wire, all photos courtesy of Whitechapel Gallery

Work by Italian artist Giuseppe Penone is being highlighted at two locations in London(although not an organized collaboration), the longer of which will remain until August 2013. Spazio di Luce, created by Giuseppe Penone  for the Bloomberg Commission, opened at the Whitechapel Gallery in London on September 5th and will remain installed until August of next year, while Intersecting Gaze/Sguardo Incrociato is taking place currently at Gagosian Gallery at Davies Street London and will remain until November 27th, 2012. The works continue along themes Penone has been exploring throughout his 40-year long career, this time specifically exhibiting the idea that, in Penone’s words, “The stretching of a branch through space in search of light has the same structure as a glance.”

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Franz West, Untitled, 2011 courtesy Gagosian Gallery

The Gagosian Gallery is currently exhibiting what can only be described as a eulogy of works that embodies the life of the late Franz West, who sadly passed away early this summer in July 2012.

A sea of freestanding, ambiguous, figurines adorn the gallery, doused in multicolored luminescent paint. Light-hearted sculptures interact with viewers, inspiring feelings of elation and freedom. Surreal structures almost wrap around onlookers in a fairytale-like setting.

Franz West, Installation view, 2011 courtesy Gagosian Gallery

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Grand Palais, courtesy FIAC

FIAC, or the 39th International Contemporary Art Fair, will open tomorrow (Thursday) in Paris, with a VIP preview today, with 184 galleries exhibiting at the Grand Palais, and this year utilizing the restored Salon d’Honneur as well, which lies at the center of the structure. As in past years, galleries will exhibit sculpture at the Tuilieries Garden nearby. Approximately 65,000 visitors are expected to attend.

Tuilieries Garden courtesy FIAC (more…)